Presence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and - particularly pertinent to East Asia in the twenty-first century - local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.

Many researchers and China observers would agree that understanding how China pursues global communication is critical for assessing its growing soft power. While soft power as a concept has, in many ways, become almost inextricably linked with the PRC's (People's Republic of China) international diplomacy of the twenty-first century, the specific role of global media within soft power diplomacy and the corresponding influence of Western mediated public diplomacy within China is a lacuna that has remained largely unexplored. Moreover, the different Chinese and Western perspectives on the influence of global media and public diplomacy on Sino-Western relations, and the changing role of global media on this crucial aspect of international politics, have not yet been critically examined. This volume presents a broad social science audience with recent innovative scholarship and research findings on global media and public diplomacy concerning Sino-Western relations. It focuses on the implicit nexus between global media and public diplomacy, and their actual utilisation in and impact on the shifting relationships between China and the West. Special attention is given to the changing nature of globalised media in both China and Western nations, and how globalised media is influencing, shaping and changing international politics. The contributions delve deeply into both theory and practice, and focus especially upon the analysis of several key aspects of the issue from both Chinese and Western perspectives. This combination of approaches distinguishes the volume from most other published works on the topic, and greatly enriches our knowledge base in this important contemporary field.

Presence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and - particularly pertinent to East Asia in the twenty-first century - local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.

Many researchers and China observers would agree that understanding how China pursues global communication is critical for assessing its growing soft power. While soft power as a concept has, in many ways, become almost inextricably linked with the PRC's (People's Republic of China) international diplomacy of the twenty-first century, the specific role of global media within soft power diplomacy and the corresponding influence of Western mediated public diplomacy within China is a lacuna that has remained largely unexplored. Moreover, the different Chinese and Western perspectives on the influence of global media and public diplomacy on Sino-Western relations, and the changing role of global media on this crucial aspect of international politics, have not yet been critically examined. This volume presents a broad social science audience with recent innovative scholarship and research findings on global media and public diplomacy concerning Sino-Western relations. It focuses on the implicit nexus between global media and public diplomacy, and their actual utilisation in and impact on the shifting relationships between China and the West. Special attention is given to the changing nature of globalised media in both China and Western nations, and how globalised media is influencing, shaping and changing international politics. The contributions delve deeply into both theory and practice, and focus especially upon the analysis of several key aspects of the issue from both Chinese and Western perspectives. This combination of approaches distinguishes the volume from most other published works on the topic, and greatly enriches our knowledge base in this important contemporary field.

Andy Warhol–Top of the Pops, devout Catholic, silver-wig wearer and now the star of Where’s Warhol? Spot Warhol in the corridors of the Bauhaus or the Sistine Chapel as he and his famous friends pop up in 12 spectacles of art history. Expand your art horizons and indulge in some celebrity spotting: all ages will enjoy this original take on a classic format.

Salvador Dali is one of the most popular artists in the world, known for his lavish lifestyle, gravity-defying moustache, and bizarre art. This book tells the story of Dali's life and explores the meaning of his Surrealist paintings. It goes beyond his fine art practice and discusses his venture into the commercial world from his extravagant jewelry to his cheeky design for the Chupa Chups lollipops. Surrealism is revealed as a way of life; illustrations bring to life the extraordinary Dream Ball at the Coq Rouge, his fabulous home at Port Lligat, and his underwater fantasy at the World Fair's Surrealist pavilion. Fun, provoking, and endlessly frustrating, Dali is brought under the spotlight.
Catherine Ingram brings her specialized knowledge to the book, while Andrew Rae, an award-winning illustrator, vividly portrays the text.

Andy Warhol, the iconic Pop artist, presented himself as the vacuous, dumb kid, famously saying, "If you want to know all about Andy Warhol, just look at the surface of my paintings . and there I am. There's nothing behind it." This book penetrates the surface and explores Warhol's art from his beginnings as a commercial artist to his apotheosis as a society portrait painter. Vivid illustrations reveal Andy's worlds: his childhood in Pittsburgh, his chaotic Manhattan mansion, and the Silver Factory, where New York's bright new things hung out and had fun.
Series writer Catherine Ingram brings her extensive knowledge to the book, while specially commissioned illustrations by Andrew Rae vividly portray the text.

The tremendous forces of political and social change experienced by women in the 1980s have altered their perceptions, expectations, and demands. In the medical arena, this has meant the advancement of a more proactive role for women in the choice and direction of their individual health care. Documenting the shift toward increased personal responsibility, Women's Health Care analyzes myriad women's health issues in a sociological context. Opening with the presentation of vital demographics, the editors structure their initial exploration within specific age groups. The second section focuses on women's experiences as recipients of nursing care, both as patients receiving treatment and as "well" patients seeking preventive care. The next section addresses the promotion of women's health--including such topics as nutrition, exercise, and fertility control--in terms of current theory and research. In the final section, the authors consider several health concerns that are specific to women, but common among them. Essential reading for practicing nurses and advanced students in nursing, public health, and gender studies interested in women's health issues, Women's Health Care provides an encompassing study of this crucial area. "An excellent guide to all aspects of women's health." --The Bookwatch "An impressive collection showing conclusively that women's health can no longer be viewed as some kind of minor deviation from the norm of men's health. The range of topics covered in the 29 chapters is immense, as one would expect a book of over 700 pages, but this breadth is never achieved at the expense of detailed research-based exploration and exposition of the issues. The scope is a real strength in that there are discursive socio-political, feminist and philosophical considerations to compliment the more clinical aspects of women's health discussed. . . . This must be the most comprehensive and vital book on women's health today. It should be in every nursing library, ward or clinic where women are cared for and in the hands of every nurse practicing in this area." --Nursing Times