New essays on the burgeoning of pastoral and devotional literature in medieval England. Pastoral and devotional literature flourished throughout the middle ages, and its growth and transmutations form the focus of this collection. Ranging historically from the difficulties of localizing Anglo-Saxon pastoral texts tothe reading of women in late-medieval England, the individual essays survey its development and its transformation into the literature of vernacular spirituality. They offer both close examinations of particular manuscripts, and of individual texts, including an anonymous Speculum iuniroum, the Speculum religiosorum of Edmund of Abingdon and later vernacular compositions and translations, such as Handlyng Synne and Bonaventure's Lignum Vitae. The reading and devotional use of texts by women and solitaries is also considered. They therefore form an appropriate tribute to the work of Bella Millett, whose research has done so much to advance our knowledge of the field. Contributors: Alexandra Barratt, Mishtooni Bose, Joseph Goering, Brian Golding, C. Annette Grise, Cate Gunn, Ralph Hanna, Bob Hasenfratz, Catherine Innes-Parker, E. A. Jones, Derek Pearsall, Elaine Treharne, Nicholas Watson, Jocelyn Wogan-Browne

Ancrene Wisse introduced through a variety of cultural and critical approaches which establish the originality and interest of the treatise. The thirteenth-century Ancrene Wisse is a guide for female recluses. Addressed to three young sisters of gentle birth, it teaches what truly good anchoresses should and should not do, offering in its examples a glimpse of the real life women had in England in the middle ages. It is also important for its evidence for the continuation of the Anglo-Saxon tradition of prose writing, being produced in the West Midlands where Old English writing conventions continued to develop even after the Norman conquest. The Companion addresses the cultural and historical background, the affiliations of the versions, genre, authorship and language; the various approaches also includea feminist reading of the text. Contributors: ROGER DAHOOD, RICHARD DANCE, A.S.G. EDWARDS, CATHERINE INNES-PARKER, BELLA MILLETT, CHRISTINA VON NOLCKEN, ELIZABETH ROBERTSON, ANNE SAVAGE, D.A. TROTTER, YOKO WADA, NICHOLAS WATSON.

Essays challenging the orthodox opinion of anchorites as entirely divorced from the world around them. Much of the research into medieval anchoritism to date has focused primarily on its liminal and elite status within the socio-religious cultures of its day: the anchorite has long been depicted as both solitary and alone, almost entirely removed from community and living a life of permanent withdrawal and isolation, in effect dead to the world. Considerably less attention has been afforded to the communal sociability that also formed part of the reclusivelife during the period, The essays in this volume, stemming from a variety of cross-disciplinary approaches and methodologies, lay down a challenge to this position, breaking new ground in their presentation of the medievalanchorite and other types of enclosed solitary as playing a central role within the devotional life of the communities in which they were embedded. They attest also to the frequent involvement of anchorites and other recluses in local, national and, sometimes, international matters of importance. Overall, the volume suggests that, far from operating on the socio-religious periphery, as posited previously, the medieval anchorite was more often found at theheart of a sometimes intersecting array of communities: synchronic and diachronic; physical and metaphysical; religious and secular; gendered and textual. CATE GUNN has taught in the Continuing Education and LiteratureDepartments of the University of Essex; LIZ HERBERT MCAVOY is Professor of Medieval Literature at Swansea University. Contributors: Diana Denissen, Clare Dowding, Clarck Drieshen, Cate Gunn, Catherine Innes-Parker, E.A. Jones, Dorothy Kim, Liz Herbert McAvoy, Godelinde Perk, James Plumtree, Michelle Sauer, Sophie Sawicka-Sykes, Andrew Thornton OSB,

The Wooing of Our Lord and the Wooing Group prayers occupy a key position in the history of English literature and the development of English religious devotion. Dating from the second quarter of the thirteenth century, they are among a group of texts written in English at a time when the language of literature and the court was Anglo-Norman French, and the language of church and state was Latin. The text for which this group is named, The Wooing of Our Lord is also a highly skilled composition, combining beautiful and poetic expression with a profound affective theology. Its first-person female narrator speaks directly to Christ, becoming the voice of the reader whom the text guides through a passionate meditation upon the magnitude of Christ's love, his sufferings in his Passion, and the response of the individual soul. Catherine Innes-Parker's graceful new translation is paired with the original Middle English dialect in a facing-page format.

Essays suggesting new ways of studying the crucial but sometimes difficult range of medieval mystical material. This volume seeks to explore the origins, context and content of the anchoritic and mystical texts produced in England during the Middle Ages and to examine the ways in which these texts may be studied and taught today. It foregrounds issues of context and interaction, seeking both to position medieval spiritual writings against a surprisingly wide range of contemporary contexts and to face the challenge of making these texts accessible to a wider readership. The contributions, by leading scholars in the field, incorporate historical, literary and theological perspectives and offer critical approaches and background material which will inform both research and teaching. The approaches to Middle English anchoritic and mystical texts suggested in this volume are many and varied. In this they reflect the richness and complexity of the contexts from which these writings emerged. These essays are offered aspart of an ongoing exploration of aspects of medieval spirituality which, while posing a considerable challenge to modern readers, also offer invaluable insights into the interaction between medieval culture and belief. Contributors: E.A. Jones, Dee Dyas, Valerie Edden, Santha Bhattachariji, Denis Renevey, A.C. Spearing, Thomas Bestul, Liz Herbert McAvoy, Barry A. Windeatt, Alexandra Barratt, R.S. Allen, Roger Ellis, Ann M. Hutchison, Marion Glasscoe, Catherine Innes-Parker

Papers on women and religion in the middle ages, drawn from archive, manuscipt and early printed sources. Taking a variety of critical approaches, the papers in Women, the Book and the Godlyanalyse the subject of women and religion, illustrating clearly the wealth of previously untapped material on this topic, whether in archive, manuscript or early printed source. The volume examines writing by women, writing which excludes women, and writing which ignores them, as well as women readers, women patrons, and women who were read to. Archaeology, canon and civil law, and trial depositions are all represented. The common determinants of marital and social status are, of course, explored, but so also are the problems of women and language, women's various roles as creators, recipients, and objects, and women's positions on the sliding scale between the orthodox, the reforming, and the heterodox churches. The essays thus represent something of the variety and range of work being done on medieval women today. Contributors: ALCUIN BLAMIRES, JACQUELINE MURRAY, WYBREN SCHEEPSMA, ANNEM. DUTTON, ROSALYNN VOADEN, GRACE JANTZEN, ELIZABETH A. ANDERSEN, THOMAS LUONGO, BENEDICTA WARD, GOPA ROY, GEORGES WHALEN, CATHERINE INNES-PARKER, HELENPHILLIPS, SHANNON McSHEFFREY, PETER BILLER

Ancrene Wisse introduced through a variety of cultural and critical approaches which establish the originality and interest of the treatise. The thirteenth-century Ancrene Wisse is a guide for female recluses. Addressed to three young sisters of gentle birth, it teaches what truly good anchoresses should and should not do, offering in its examples a glimpse of the real life women had in England in the middle ages. It is also important for its evidence for the continuation of the Anglo-Saxon tradition of prose writing, being produced in the West Midlands where Old English writing conventions continued to develop even after the Norman conquest. The Companion addresses the cultural and historical background, the affiliations of the versions, genre, authorship and language; the various approaches also includea feminist reading of the text. Contributors ROGER DAHOOD, RICHARD DANCE, A.S.G. EDWARDS, CATHERINE INNES-PARKER, BELLA MILLETT, CHRISTINA VON NOLCKEN, ELIZABETH ROBERTSON, ANNE SAVAGE, D.A. TROTTER, YOKO WADA, NICHOLAS WATSON.