The eighteenth century--the Age of Reason--was characterized by determined attempts by philosophers, scientists, and political theorists to dispel myth, superstition, and ignorance. But the Age of Reason also witnessed some of the most irrational and vain-glorious attempts by sailors and speculators to find a navigable Northwest Passage that would lead through the icy seas of the Arctic from Hudson Bay to the wealth of the Pacific Ocean. Lured by the promise of fame and riches, men endured paralyzing cold, malnutrition, and terrifying storms. Many lives and fortunes were lost in the quest for the elusive "maritime philosopher's stone." In this gripping work of narrative history, Glyn Williams describes the adventures and mishaps of these misguided expeditions. Vividly written and replete with fascinating characters, Voyages of Delusion is a riveting contribution to the history of North American exploration.

Henry McBride (1867-1962) became a towering figure in art criticism during a long career that began in 1913 -- the year of the famous Armory Show in New York that opened American eyes to avant-garde developments in European art -- and continued until the advent of Abstract Expressionism in the late 1940s and early 1950s. A sensitive and discerning observer of the changing cultural landscape, McBride not only wrote prolifically for publication but also corresponded extensively. In this remarkable collection of selected letters, Henry McBride describes some of the most important events and figures of twentieth-century modernism. Written in a characteristically charming, gossipy, and warm-hearted style, these letters reveal McBride's responses to revolutionary changes in the world of art and in the world at large.

Closely allied to the pivotal circles that shaped modern culture, McBride counted among his correspondents such friends as Gertrude Stein, Carl Van Vechten, the Stettheimer sisters, Alfred Stieglitz, Charles Demuth, Georgia O'Keefe, and Marianne Moore. His letters, along with the biographical introduction, headnotes, and rich annotation provided in this volume, present a unique perspective on twentieth-century modernism by one of its most ardent supporters.