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As Catherine Pickstock so forcefully demonstrates in her brilliant introduction to this new publication of Beauty Looks After Herself, for 600 or more years, the Real has been progressively stripped of transcendental content, so that today an "unbearable lightness of being" presents us with the terrible spectacle of numberless possibilities evacuated of all substantive content. A middlebrow landscape of normal nihilism surrounds us at every turn. Eric Gill saw through our dilemma long ago. Here, in essays on industrialism, architecture, stone-carving, lettering, clothes, philosophies of art, and much else, Gill emerges as the unabashed proponent of "every man an artist" - "every man as the crafter of the liturgy of the ordinary," as Pickstock so aptly puts it. In these essays is issued a call for the recovery of the Real in all its glory, especially the transcendental of Beauty, in which Truth and Goodness coinhere - a call to return to the Real once again its rightful and actual plenitude.
What is 'truth'? The question that Pilate put to Jesus was laced with dramatic irony. But at a time when what is true and what is untrue have acquired a new currency, the question remains of crucial significance. Is truth a matter of the representation of things which lack truth in themselves? Or of mere coherence? Or is truth a convenient if redundant way of indicating how one's language refers to things outside oneself? In her ambitious new book, Catherine Pickstock addresses these profound questions, arguing that epistemological approaches to truth either fail argumentatively or else offer only vacuity. She advances instead a bold metaphysical and realist appraisal which overcomes the Kantian impasse of 'subjective knowing' and ban on reaching beyond supposedly finite limits. Her book contends that in the end truth cannot be separated from the transcendent reality of the thinking soul.
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