First published in 1932, Cecil Sharp's English Folk-Songs from the Southern Appalachians contains 274 songs -- ballads, songs, hymns, nursery songs, jigs, and play-party games -- with 968 tunes, collected between 1916 and 1918 from traditional singers in the mountains of Virginia, North Carolina, Kentucky, and Tennessee. It remains one of the foundational collections of American folk music.

First published in 1932, Cecil Sharp's English Folk-Songs from the Southern Appalachians contains 274 songs -- ballads, songs, hymns, nursery songs, jigs, and play-party games -- with 968 tunes, collected between 1916 and 1918 from traditional singers in the mountains of Virginia, North Carolina, Kentucky, and Tennessee. It remains one of the foundational collections of American folk music.

First published in 1932, Cecil Sharp's English Folk-Songs from the Southern Appalachians contains 274 songs -- ballads, songs, hymns, nursery songs, jigs, and play-party games -- with 968 tunes, collected between 1916 and 1918 from traditional singers in the mountains of Virginia, North Carolina, Kentucky, and Tennessee. It remains one of the foundational collections of American folk music.

This Is A New Release Of The Original 1912 Edition.

A collection of Sword-Dances and accompanying music collected, described and arranged by Cecil J. Sharp. Long-Sword Dances The Kirby Malzeard Sword-Dance The Grenoside Sword-Dance Short-Sword Dances The Swalwell Sword-Dance The Earsdon Sword-Dance Also The Abbots Bromley Sword Dance This edition also incorporates the accompanying Songs and Dance Airs.

First published in 1932, Cecil Sharp's English Folk-Songs from the Southern Appalachians contains 274 songs -- ballads, songs, hymns, nursery songs, jigs, and play-party games -- with 968 tunes, collected between 1916 and 1918 from traditional singers in the mountains of Virginia, North Carolina, Kentucky, and Tennessee. It remains one of the foundational collections of American folk music.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

This volume contains Parts I and II of the original works. The purpose of this book is primarily practical. Its design is to place before those who are interested in the revival of our national dances some examples of a particular type of folk dance which has not perviously attracted the attention of collectors, and to present these in such a form that they may be learned without the aid of a special instructor and by those who have never seen the dances performed. No trouble was spared to note the dances with all possible accuracy, and to find simple and unambiguous language in which to describe them.

This volume contains Parts I and II of the original works. The purpose of this book is primarily practical. Its design is to place before those who are interested in the revival of our national dances some examples of a particular type of folk dance which has not perviously attracted the attention of collectors, and to present these in such a form that they may be learned without the aid of a special instructor and by those who have never seen the dances performed. No trouble was spared to note the dances with all possible accuracy, and to find simple and unambiguous language in which to describe them.

Set 1 Contains London Bridge, Old Roger, Walking Up The Hillside, Oats And Beans, Three Dukes. In Five Sets.

Set 1 Contains London Bridge, Old Roger, Walking Up The Hillside, Oats And Beans, Three Dukes. In Five Sets.

This volume contains Parts I and II of the original works. The purpose of this book is primarily practical. Its design is to place before those who are interested in the revival of our national dances some examples of a particular type of folk dance which has not perviously attracted the attention of collectors, and to present these in such a form that they may be learned without the aid of a special instructor and by those who have never seen the dances performed. No trouble was spared to note the dances with all possible accuracy, and to find simple and unambiguous language in which to describe them.