This timely and original study transforms our understanding of the relationship between art and economics Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped, and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted-and the art market increasingly an arena for speculation-artists on both sides of the Atlantic turned to economic themes, often grounded in a human context. The Artist as Economist examines artists who approached these issues in critical, imaginative, and humorous ways: Andy Warhol and Larry Rivers incorporated the iconography of printed currency into their paintings, while Ray Johnson sought to disrupt and reinvent circuits of commerce with his mail art collages. Yves Klein and Edward Kienholz critiqued conceptions of artistic and monetary value, as Lee Lozano and Dennis Oppenheim engaged directly with the New York Stock Exchange. Such examples, which author Sophie Cras insightfully situates within their historic economic context, reveal capitalism's visual dimension. As art and economics grow more entangled, this volume offers a timely consideration of art's capacity to reflect on and reimagine economic systems.

This fully illustrated catalogue is the first comprehensive monograph on Alexis Smith in 30 years and presents the full range of the artist's dynamic output, from her intimate artist books and collages to large wall paintings and installations. Providing new insights into Smith's work, this volume connects the themes that have persisted throughout the artist's career, from her exploration of identity and self-invention to her preoccupation with stereotypes and cliches in film and literature. This publication will introduce Smith's expansive body of work to a new generation of viewers. Situated alongside movements of conceptual and pop art and shaped by the feminist movements of the 1970s, Smith's singular career expands our understanding of American art and provokes us to think critically on the culture we share. Published to accompany a major retrospective exhibition at the Museum of Contemporary Art in San Diego, 1 October 2022-26 February 2023

Teachers College, Columbia University, Contributions To Education No. 196.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Household Of Glen Holly; Harper's Young People Series Lucy Cecil White Lillie Harper & brothers, 1888 Religion; Holidays; Christmas & Advent; Education / Students & Student Life; Religion / Holidays / Christmas & Advent

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Discipline Of Suffering, 9 Readings On The History Of Job; The Discipline Of Suffering, 9 Readings On The History Of Job; George Cecil White George Cecil White

Title: Roslyn's Trust. A novel.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library White, Lucie Cecil; 1889. 256 p.; 8 . 012631.k.3.

Should certain truths Be hidden from the Citizenry. . . War Correspondent, Danny Frain, has just lost his long time cameraman, and he blames himself for the death. The story they were working on has touched a sensitive nerve in Washington, where powerful men are plotting to undermine the current President's administration. A regime change is about to take place if Frain doesn't help a newly formed Task Force. After someone tampers with the fuel tank on his Cessna, Frain takes it personally. He reluctantly joins CIA analyst, Ruth Harding, in the dangerous quest for answers. The deadly search takes the pair through Virginia woodlands and a hold-on-tight ride on a storm whipped Chesapeake Bay. Harding's beautiful, bold, and just a little bit scary and, together, they find themselves in the thick of a massive conspiracy, involving a vengeance seeking Euphrates farmer, a power hungry senator, and a rogue agent of the Central Intelligence Agency. In the end, Danny Frain has a decision to make, and he'll make it in the middle of the worst recession since the Great Depression. If Cable News One airs the story, it could have devastating consequences for the Stock Market and America's standing in the World, which is already at a low point. It will be-- Bad for the Country. . .

Should certain truths Be hidden from the Citizenry. . . War Correspondent, Danny Frain, has just lost his long time cameraman, and he blames himself for the death. The story they were working on has touched a sensitive nerve in Washington, where powerful men are plotting to undermine the current President's administration. A regime change is about to take place if Frain doesn't help a newly formed Task Force. After someone tampers with the fuel tank on his Cessna, Frain takes it personally. He reluctantly joins CIA analyst, Ruth Harding, in the dangerous quest for answers. The deadly search takes the pair through Virginia woodlands and a hold-on-tight ride on a storm whipped Chesapeake Bay. Harding's beautiful, bold, and just a little bit scary and, together, they find themselves in the thick of a massive conspiracy, involving a vengeance seeking Euphrates farmer, a power hungry senator, and a rogue agent of the Central Intelligence Agency. In the end, Danny Frain has a decision to make, and he'll make it in the middle of the worst recession since the Great Depression. If Cable News One airs the story, it could have devastating consequences for the Stock Market and America's standing in the World, which is already at a low point. It will be-- Bad for the Country. . .

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

""Pop L.A." maps the relation between a new urban and cultural space and the artists who confronted it and gave it form. Los Angeles in the 1960s in Cecile Whiting's smart and incisive study was home not only to a zany, outre popular culture but also to a Pop Art as expansive, crisscrossed, and de-centered as the city's entangled freeways and urban sprawl. Ruscha's photographs of gas stations and parking lots, Hockney's paintings of swimming pools and tract homes, Rodia's Watts Towers, and more--after this book, none will look the same."--Anthony W. Lee, Mount Holyoke College, author of "Picturing Chinatown"
"Sun, surf, sand, sex, strip malls, subdivisions: all are present in Cecile Whiting's trenchant anatomy of "Pop Los Angeles," And all were central to the vision artists constructed of this protean city as a site of both pleasure and emptiness, speed and stasis. Some artists, however, went further, not merely representing the city, but intervening in it, and for Whiting, the results--whether a performance by Kaprow or a tower by Rodia--further demonstrate the wild diversity of a multicentric city that somehow seems both more and less than a circumscribable place."--Anne Wagner, author of "Mother Stone: The Vitality of Modern British Sculpture"
"In "Pop L.A.: Art and the City in the 1960s," Cecile Whiting proves herself an expert guide to the cultural and artistic landscape of Los Angeles. From hot rods to parking lot Happenings, from the Watts Towers to Womanhouse, the book thrillingly remaps the multiple intersections of Pop art and Southern California in the 1960s and early 70s. Beautifully researched and written, Pop L.A. is a major work of modern art-historicalscholarship. It is also one hell of a ride."--Richard Meyer, author of "Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art"
"From the Ferus Gallery to the Woman's Building, Cecile Whiting has fashioned an indispensable book. Thanks to her brilliant remapping, the landscape of art in Los Angeles will never look the same."--Kenneth E. Silver, author of "Making Paradise: Art, Modernity, and the Myth of the French Riviera"