"Exemplifies the best of recent multicultural publishing". -- The Horn Book

When her great-aunt, her tia, turns ninety, little Cecilia lovingly gathers together a basket full of memories. "Vibrant, detailed cut-paper illustrations portray family warmth and individuality with verve and panache". -- School Library Journal

This third and final volume of The Letters of Alfred Lord Tennyson, the first collected edition, is notable for the light it throws on Tennyson's efforts as a dramatist and on his interactions with the leading theatre managers, actresses, and actors of the day, especially Henry Irving. The letters reveal his relations with many fellow-authors and literary men, both British and American. An important thread in the volume is his close association with Gladstone; and an extensive correspondence with the Australian, Sir Henry Parkes, reflects his continuing interest in the Empire. The volume ends with his death in 1892. To complete the edition a comprehensive index has been prepared, covering all three volumes. Previous volumes have been warmly praised by critics:

The letters in this volume describe the most remarkable years in the life of one of the most eminent Victorians - the years during which Tennyson published In Memoriam , was married, and became Poet Laureate. His own letters are supported and illuminated by contemporary reviews and descriptions of Tennyson as public figure and private man. A valuable personal insight into the poet whose writings reflect so accurately the exact pitch of his age.

This useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's "The House of Life," C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's "Atalanta in Calydon," and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's "The Rubaiyat of Omar Khayyam," These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously.
Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists.
This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.