Explores the worldwide popularity of the love-lock as a ritual token of love and commitment by considering its history, symbolism, and heritage. "[T]his is an eminently enjoyable and thorough investigation of a popular phenomenon through the lens of heritage and folk tradition."-Sara De Nardi, Western Sydney University A padlock is a mundane object, designed to fulfil a specific - and secular - purpose. A contemporary custom has given padlocks new significance. This custom is 'love-locking', where padlocks are engraved with names and attached to bridges in declaration of romantic commitment. This custom became popular in the 2000s, and its dissemination was rapid, geographically unbound, and highly divisive, with love-locks emerging in locations as diverse as Paris and Taiwan; New York and Seoul; Melbourne and Moscow. From the introduction: I was distractedly perusing the photo frame aisle, my eyes skimming the generically sentimental stock pictures of happy families smiling at the camera, pretty landscapes, cute pets and couples walking hand-in-hand, when I came across one that jumped out at me.... I recognised the image instantly as a photograph of love-locks: the padlocks that had been appearing en masse on bridges and other public structures on a global scale since the early 2000s. And, having been researching the custom known as lovelocking for about five years at that point, it was with a peculiar sense of pride that I realised love-locks had accomplished the status of a stock image.

This book redresses popular interpretations of concealed objects, enigmatically discovered within the fabric of post-medieval buildings. A wide variety of objects have been found up chimneybreasts, bricked up in walls, and concealed within recesses: old shoes, mummified cats, horse skulls, pierced hearts, to name only some. The most common approach to these finds is to apply a one-size-fits-all analysis and label them survivals and apotropaic (evil-averting) devices. This book reconsiders such interpretations, exploring the invention and reinvention of traditions regarding building magic. The title Building Magic therefore refers to more than practices that alter the fabric of buildings, but also to processes of building magic into our interpretations of the enigmatic material evidence and into our engagements with the buildings we inhabit and frequent.

Explores the worldwide popularity of the love-lock as a ritual token of love and commitment by considering its history, symbolism, and heritage. "[T]his is an eminently enjoyable and thorough investigation of a popular phenomenon through the lens of heritage and folk tradition."-Sara De Nardi, Western Sydney University A padlock is a mundane object, designed to fulfil a specific - and secular - purpose. A contemporary custom has given padlocks new significance. This custom is 'love-locking', where padlocks are engraved with names and attached to bridges in declaration of romantic commitment. This custom became popular in the 2000s, and its dissemination was rapid, geographically unbound, and highly divisive, with love-locks emerging in locations as diverse as Paris and Taiwan; New York and Seoul; Melbourne and Moscow. From the introduction: I was distractedly perusing the photo frame aisle, my eyes skimming the generically sentimental stock pictures of happy families smiling at the camera, pretty landscapes, cute pets and couples walking hand-in-hand, when I came across one that jumped out at me.... I recognised the image instantly as a photograph of love-locks: the padlocks that had been appearing en masse on bridges and other public structures on a global scale since the early 2000s. And, having been researching the custom known as lovelocking for about five years at that point, it was with a peculiar sense of pride that I realised love-locks had accomplished the status of a stock image.

You're never too old to believe . . . After losing her job, boyfriend and flat just a few weeks before Christmas, Ellie Lancaster makes some resolutions: 1. Exact revenge on ex. 2. Be unboring. 3. Find a job. With 1 complete, Ellie manages to tick off 2 and 3 simultaneously by accepting a mysterious archiving job on a tiny Scottish Island that doesn't seem to exist on any map. In the new year, her equally new bosses - celebrity baker Clementine Jones and her straight-laced twin brother Cole - introduce Ellie to the archives: a vast network of underground caverns, filled with scrolls dating back centuries, each addressed to the same person, in a multitude of languages: Dear Father Christmas . . . Despite the strangeness of it all, Ellie quickly falls in love with the island and her life there - but life is never simple, and just as she and Cole seem to be overcoming their mutual distrust, Ellie makes a fourth resolution - one that threatens everything she's come to hold dear. As the big day itself draws near, she has one chance to put things right and bring about her own Christmas miracle . . .

This book traces the history of ritual landscapes in the British Isles, and the transition from religious practice to recreation, by focusing on a highly understudied exemplar: the coin-tree. These are trees imbued with magical properties into which coins have been ritually embedded. This is a contemporary custom which can be traced back in the literature to the 1700s, when it was practiced for folk-medical and dedicatory purposes. Today, the custom is widespread, with over 200 coin-trees distributed across the British Isles, but is more akin to the casual deposition of coins in a wishing-well: coins are deposited in the tree in exchange for wishes, good luck, or future fortune. Ceri Houlbrook contributes to the debate on the historic relationships between religion, ritual, and popular magic in British contexts from 1700 to the present.

The phenomenal success of Tolkien and JK Rowling have restored magical folk to the adult world. The reader will discover that Hobbits hail from Tolkien's aunt's manor farm Bag-End and Harry Potter's Master Dobbs is part of ancient folklore. Fairies are often nothing like the ones conjured up by writers and Hollywood. Some are worse than soccer hooligans. They are irascible, blood-sucking, bed-hopping. A tidal-wave of new fairy sightings has been uncovered by the digitisation of British and Irish local newspapers and other local ephemera, and by the Fairy Census conducted by the authors.

This book redresses popular interpretations of concealed objects, enigmatically discovered within the fabric of post-medieval buildings. A wide variety of objects have been found up chimneybreasts, bricked up in walls, and concealed within recesses: old shoes, mummified cats, horse skulls, pierced hearts, to name only some. The most common approach to these finds is to apply a one-size-fits-all analysis and label them survivals and apotropaic (evil-averting) devices. This book reconsiders such interpretations, exploring the invention and reinvention of traditions regarding building magic. The title Building Magic therefore refers to more than practices that alter the fabric of buildings, but also to processes of building magic into our interpretations of the enigmatic material evidence and into our engagements with the buildings we inhabit and frequent.

This book traces the history of ritual landscapes in the British Isles, and the transition from religious practice to recreation, by focusing on a highly understudied exemplar: the coin-tree. These are trees imbued with magical properties into which coins have been ritually embedded. This is a contemporary custom which can be traced back in the literature to the 1700s, when it was practiced for folk-medical and dedicatory purposes. Today, the custom is widespread, with over 200 coin-trees distributed across the British Isles, but is more akin to the casual deposition of coins in a wishing-well: coins are deposited in the tree in exchange for wishes, good luck, or future fortune. Ceri Houlbrook contributes to the debate on the historic relationships between religion, ritual, and popular magic in British contexts from 1700 to the present.

Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages - from roadside memorials and love-lock bridges, to wishing fountains and coin-trees - emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.