Winner of the American Sociological Association's Distinguished Book Award in 2012, Chandra Mukerji offers with this remarkable new book an explanation of the birth and subsequent proliferation of the many strands in the braid of modernity. The journey she takes us on is dedicated to teasing those strands apart, using forms of cultural analysis from the social sciences to approach history with fresh eyes. Faced with the problem of trying to understand what is hardest to see: the familiar, she gains analytic distance and clarity by juxtaposing cultural analysis with history, asking how modernity began and how people conjured into existence the world we now recognize as modern. Part I describes the genesis of key modern social forms: the modern self, communities of strangers, the modern state, and the industrial world economy. Part II focuses on modern social types: races, genders, and childhood. Part III focuses on some of the cultural artifacts and activities of the contemporary world that people have invented and used to cope with the burdens of self-making and to react against the broken promises of modern discourse and the silent injuries of material modernism. Beautifully illustrated with over 100 color photographs in its 10 chapters, MODERNITY REIMAGINED is not just an explanation, an analysis of how modern life came to be, it is also a model for how to do cultural thinking about today's world.

In Louis XIV's France, land took on new importance in politics and court life. A sequestered aristocracy promenaded in formal gardens while the military moved across the landscape, marking state boundaries with fortresses and refiguring the interior with canals and forests. Chandra Mukerji highlights the connections between the seemingly disparate activities of engineering and garden design, showing how the gardens at Versailles showcased French skills in using nature and art to design a distinctively French landscape and create a naturalized political territoriality.

In Louis XIV's France, land took on new importance in politics and court life. A sequestered aristocracy promenaded in formal gardens while the military moved across the landscape, marking state boundaries with fortresses and refiguring the interior with canals and forests. Chandra Mukerji highlights the connections between the seemingly disparate activities of engineering and garden design, showing how the gardens at Versailles showcased French skills in using nature and art to design a distinctively French landscape and create a naturalized political territoriality.

The Canal du Midi, which threads through southwestern France and links the Atlantic to the Mediterranean, was an astonishing feat of seventeenth-century engineering--in fact, it was technically impossible according to the standards of its day. "Impossible Engineering" takes an insightful and entertaining look at the mystery of its success as well as the canal's surprising political significance. The waterway was a marvel that connected modern state power to human control of nature just as surely as it linked the ocean to the sea.

The Canal du Midi is typically characterized as the achievement of Pierre-Paul Riquet, a tax farmer and entrepreneur for the canal. Yet Chandra Mukerji argues that it was a product of collective intelligence, depending on peasant women and artisans--unrecognized heirs to Roman traditions of engineering--who came to labor on the waterway in collaboration with military and academic supervisors. Ironically, while Louis XIV and his treasury minister Jean-Baptiste Colbert used propaganda to present France as a new Rome, the Canal du Midi was being constructed with unrecognized classical methods. Still, the result was politically potent. As Mukerji shows, the project took land and power from local nobles, using water itself as a silent agent of the state to disrupt traditions of local life that had served regional elites.

"Impossible Engineering" opens a surprising window into the world of seventeenth-century France and illuminates a singular work of engineering undertaken to empower the state through technical conquest of nature.

When the National Science Foundation funds research about the earth's crust and the Department of Energy supports studies on the disposal of nuclear wastes, what do they expect for their money? Most scientists believe that in such cases the government wants information for immediate use or directions for seeking future benefits from nature. Challenging this oversimplified view, Chandra Mukerji depicts a more complex interdependence between science and the state. She uses vivid examples from the heavily funded field of oceanography, particularly from recent work on seafloor hot springs and on ocean disposal of nuclear wastes, to raise questions about science as it is practiced and financed today. She finds that scientists act less as purveyors of knowledge to the government than as an elite and highly skilled talent pool retained to give legitimacy to U.S. policies and programs: scientists allow their authority to be projected onto government officials who use scientific ideas for political purposes. Writing in a crisp and jargon-free style, Mukerji reveals the peculiar mix of autonomy and dependency defined for researchers after World War II--a mix that has changed since then but that continues to shape the practical conduct of science. Scientists use their control over the scientific content of research to convince themselves of their autonomy and to achieve some power in their dealings with funding agencies, but they remain fundamentally dependent on the state. Mukerji argues that they constitute a kind of reserve force, like the Army or Navy reserves, paid by the government to do research only because science is politically essential to the workings of the modern state. This book is essential reading not only for sociologists and students of science and society, and for oceanographers, but also for every scientist whose work depends directly or indirectly on government support. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Canal du Midi, which threads through southwestern France and links the Atlantic to the Mediterranean, was an astonishing feat of seventeenth-century engineering--in fact, it was technically impossible according to the standards of its day. Impossible Engineering takes an insightful and entertaining look at the mystery of its success as well as the canal's surprising political significance. The waterway was a marvel that connected modern state power to human control of nature just as surely as it linked the ocean to the sea. The Canal du Midi is typically characterized as the achievement of Pierre-Paul Riquet, a tax farmer and entrepreneur for the canal. Yet Chandra Mukerji argues that it was a product of collective intelligence, depending on peasant women and artisans--unrecognized heirs to Roman traditions of engineering--who came to labor on the waterway in collaboration with military and academic supervisors. Ironically, while Louis XIV and his treasury minister Jean-Baptiste Colbert used propaganda to present France as a new Rome, the Canal du Midi was being constructed with unrecognized classical methods. Still, the result was politically potent. As Mukerji shows, the project took land and power from local nobles, using water itself as a silent agent of the state to disrupt traditions of local life that had served regional elites. Impossible Engineering opens a surprising window into the world of seventeenth-century France and illuminates a singular work of engineering undertaken to empower the state through technical conquest of nature.

"Rethinking Popular Culture" selects some of the best and most important recent work analyzing popular culture. Drawing upon recent developments in cultural theory and the exciting new techniques of critical analysis, the essays in this volume break down disciplinary boundaries in a fresh and innovative fashion. Eclectic and wide-ranging, "Rethinking Popular Culture" includes works by authors in the humanities and social sciences. The essays touch on a variety of features of popular culture, from photography to fashion, romance novels to television, jokes to food habits. The editors' comprehensive introduction sets each essay in the context of intellectual developments in history, sociology, literature, and anthropology and in the study of popular culture as a whole. Arguing that recent scholarship has revolutionized our understanding of popular culture, the editors articulate what that new perspective is while introducing some of the most influential and important work that gave rise to it.

When the National Science Foundation funds research about the earth's crust and the Department of Energy supports studies on the disposal of nuclear wastes, what do they expect for their money? Most scientists believe that in such cases the government wants information for immediate use or directions for seeking future benefits from nature. Challenging this oversimplified view, Chandra Mukerji depicts a more complex interdependence between science and the state. She uses vivid examples from the heavily funded field of oceanography, particularly from recent work on seafloor hot springs and on ocean disposal of nuclear wastes, to raise questions about science as it is practiced and financed today. She finds that scientists act less as purveyors of knowledge to the government than as an elite and highly skilled talent pool retained to give legitimacy to U.S. policies and programs: scientists allow their authority to be projected onto government officials who use scientific ideas for political purposes. Writing in a crisp and jargon-free style, Mukerji reveals the peculiar mix of autonomy and dependency defined for researchers after World War II--a mix that has changed since then but that continues to shape the practical conduct of science. Scientists use their control over the scientific content of research to convince themselves of their autonomy and to achieve some power in their dealings with funding agencies, but they remain fundamentally dependent on the state. Mukerji argues that they constitute a kind of reserve force, like the Army or Navy reserves, paid by the government to do research only because science is politically essential to the workings of the modern state. This book is essential reading not only for sociologists and students of science and society, and for oceanographers, but also for every scientist whose work depends directly or indirectly on government support.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Winner of the American Sociological Association's Distinguished Book Award in 2012, Chandra Mukerji offers with this remarkable new book an explanation of the birth and subsequent proliferation of the many strands in the braid of modernity. The journey she takes us on is dedicated to teasing those strands apart, using forms of cultural analysis from the social sciences to approach history with fresh eyes. Faced with the problem of trying to understand what is hardest to see: the familiar, she gains analytic distance and clarity by juxtaposing cultural analysis with history, asking how modernity began and how people conjured into existence the world we now recognize as modern. Part I describes the genesis of key modern social forms: the modern self, communities of strangers, the modern state, and the industrial world economy. Part II focuses on modern social types: races, genders, and childhood. Part III focuses on some of the cultural artifacts and activities of the contemporary world that people have invented and used to cope with the burdens of self-making and to react against the broken promises of modern discourse and the silent injuries of material modernism. Beautifully illustrated with over 100 color photographs in its 10 chapters, MODERNITY REIMAGINED is not just an explanation, an analysis of how modern life came to be, it is also a model for how to do cultural thinking about today's world.