Forensic psychiatrist Barrett Conyors is back . . . Barrett Conyors finds the discovery of the bodies of two heroin-addicted teens particularly hard to accept. Barrett's convinced that chief suspect Jerod, a homeless schizophrenic, didn't do it but she's the only one, apart from Detective Ed Hobbs, who is. But even Hobbs can't stop Barrett from following a complex trail of drugs and death that places her in the cross hairs of a killer . . .

TV presenting proves dangerous, when Ada and her partner Lil become involved in a new antiques show and get sucked into a morass of lies, secrets and murder . . . Barry Stromstein has a serious problem. If he can't come up with a concept for a new TV antiques show asap, his terrifying boss - TV sensation Lenore Parks - will fire him, and his perfect life will be over. But when he talks to antiques columnist Lil Campbell, he unexpectedly hits pay dirt. Her partner, Ada Strauss, not only suggests the perfect hook for the show, but is the perfect woman to host it. Ada's elated, but production of The Final Reckoning seems blighted before it's even begun when, shockingly, Leonore dies. But Barry seems strangely determined to continue, and as Lenore's children - the unsettling Rachel and her beloved older brother Richard - become involved, the pilot episode becomes increasingly ghoulish in tone. Ada's enjoying herself - really, she is - but as she and Lil are drawn deeper into the lives and affairs of the Parks, they begin to suspect that there are dark, twisted secrets at the heart of the family, and very real danger for them all . . .

Retiree sleuths Lilian and Ada find that though their town might look postcard pretty, there's something rank festering below the surface . . . Lilian Campbell and her best friend and lover, Ada Strauss, are woken early by the sound of sirens: the local nursing home, Nillewaug Village, is ablaze. The police and fire chiefs find evidence to suggest the fire was accidental, but Detective Mattie Perez can't help but wonder why the smoke alarms didn't work. Soon, it's looking less like accident and more like arson . . . and Lil and Ada are swept up into an investigation that grows increasingly more complex, and frightening, by the hour.

Lesbian sleuths Lil Campbell and Ada Strauss are on the case in the first of a highly entertaining cozy mystery series. Something wicked has come to Grenville Connecticut, a town famous for antiques and the systematic fleecing of its well-heeled elders as they down-size, sicken and die. Clearly, someone is unhappy with the status quo as high-end antique dealers are being murdered in gruesome--yet fitting--ways. When a severed finger shows up at the Friday night auction, unlikely heroines Lil Campbell and Ada Strauss have to wonder--where's the rest of the body? A question that leads to festering small-town secrets, and the unraveling of a mystery that shows all is not well in a town famed for its postcard perfect New England charm. For Lil and Ada, long-time friends and neighbors, the murders take a personal turn as unspeakable accusations are raised against Lil's dead husband and she becomes the focus of the killer's rage. And to make things worse--or better--the two friends are forced to confront powerful feelings for one another that threaten their idyllic lives.

From page one, the chase is on and many will die unnecessarily. Forensic psychiatrist, Ms Barrett Conyors knew that if Richard Glash weren't manacled to his chair, he would kill her. He had likely imagined every detail of her murder and then obsessively sketched the scene hundreds of times. At forty-two Richard, who'd spent all but four and a half years of his life locked away, had few interests, other than drawing. And killing.

Dr Frank Garfield has found a cure for cancer, but cut-throat businesses are looking to profit on the research and don't care who they trample over to do so. Paediatric oncologist Dr Frank Garfield has discovered a genetic cure for cancer that can save his young patients. But his mentor, Nobel Prize laureate Dr Jackson Atlas, believes his research is like blood in the water for profit-hungry drug companies that will twist and weaponize it. UNICO Pharmaceuticals CEO Leona Lang is desperate to find a new product, and Frank's formula could be the answer. But Jackson is an obstacle. Dalton Lang, Leona's sociopathic son, has been tasked with seducing Frank into joining UNICO. His first steps are to eliminate Jackson and make it look like a burglary. With Jackson gone, will Frank be persuaded to join UNICO or let his research, which could blow apart the cancer industry, die? The lives of innocent children hang in the balance. Frank can save them . . . but at what cost?

The time has come for nondualism. As a fundamentally unifying concept, nondualism may seem out of place in an age of rising nationalism and bitter deglobalization, but our current debates over tribalism and universalism all grant nondualism an informative relevance. Nondualism rejects both separation and identity, thereby encouraging unity-in-difference. Yet “nondualism” as a word occupies a large semantic field. Nondual theists advocate the unity of humankind and God, while nondual atheists advocate the inseparability of all persons, without reference to a divinity. Ecological nondualism asserts that we are in nature and nature is in us, while monistic nondualists assert that only God exists and all difference is illusion. Edited by Jon Paul Sydnor and Anthony Watson, and guided by scholars from different religions and specializations, Nondualism: An Interreligious Exploration explores the semantic field that nondualism occupies. The collection elicits the expansive potential of the concept, clarifies agreement and disagreement, and considers current applications. In every case, nondualism is universal in its relevance yet always distinctive in its contribution.