With his five previous books of fiction, Charles Baxter established himself as a contemporary literary master, in the traditions of Raymond Carver, William Maxwell, and Alice Munro. This radiant new collection confirms Baxter's ability to revel in the surfaces of seemingly ordinary lives while uncovering their bedrock of passion, madness, levity and grief.

"Baxter's beguiling novel illuminates the befuddled, searching hearts of a group of strangers in a Michigan town who need and want to love but continue to fall short of their desires. Gorgeous."
'Elle'

'The Feast of Love' is just that – a sumptuous work of fiction about the thing that most distracts and delights us. In this latter-day 'Midsummer Night's Dream' men and women desire their ideal mates; parents seek out their lost children; adult children try to come to terms with their own parents and, in some cases, find new ones.

Crafted with grace, power and humour, 'The Feast of Love' maps the myriad manifestations of extraordinary love between ordinary people.

"This novel can cure insomnia. It might even briefly reconcile the reader to life."
MICHAEL NEWTON, 'TLS'

"Rich, strange, alive with the miracles of daily life, this novel is a banquet for the soul. So many wonderful characters, all of whom I came to cherish. Truly, this is a novel in which the unexpected is always upon us."
ANDREA BARRETT, author of 'The Voyage of the Narwhal'

Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colours, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.

Ever since the publication of "The Harmony of the World" in 1984, Charles Baxter has slowly gained a reputation as one of America's finest short-story writers. Each subsequent collection--"Through the Safety Net, A Relative Stranger, "and" Believers"--was further confirmation of his mastery: his gift for capturing the immediate moment, for revealing the unexpected in the ordinary, for showing how the smallest shock can pierce the heart of an intimacy. "Gryphon" brings together the best of Baxter's previous collections with seven new stories, giving us the most complete portrait of his achievement.
Baxter once described himself as "a Midwestern writer in a postmodern age" at home in a terrain best known for its blandness, one that does not give up its secrets easily, whose residents don't always talk about what's on their mind, and where something out of the quotidian--some stress, the appearance of a stranger, or a knock on the window--may be all that's needed to force what lies underneath to the surface and to disclose a surprising impulse, frustration, or desire. Whether friends or strangers, the characters in Baxter's stories share a desire--sometimes muted and sometimes fierce--to break through the fragile glass of convention. In the title story, a substitute teacher walks into a new classroom, draws an outsized tree on the blackboard on a whim, and rewards her students by reading their fortunes using a Tarot deck. In each of the stories we see the delicate tension between what we want to believe and what we need to believe.
By turns compassionate, gently humorous, and haunting, "Gryphon" proves William Maxwell's assertion that "nobody can touch Charles Baxter in the field that he has carved out for himself."

"From the Hardcover edition."

As a graduate student in upstate New York, Nathaniel Mason is drawn into a tangle of relationships with people who seem to hover just beyond his grasp. There's Theresa, alluring but elusive, and Jamie, who is fickle if not wholly unavailable. But Jerome Coolberg is the most mysterious and compelling. Not only cryptic about himself, he seems also to have appropriated parts of Nathaniel's past that Nathaniel cannot remember having told him about. In this extraordinary novel of mischief and menace, we see a young man's very self vanishing before his eyes.

Charles Baxter inaugurates "The Art of," a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book "Burning Down the House: Essays on Fiction."
Fiction writer and essayist Charles Baxter's "The Art of Subtext: Beyond Plot "discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed.
"The Art of Subtext" is part of "The Art of" series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. "The Art of" series means to restore the art of criticism while illuminating the art of writing.

Five Oaks, Michigan is not exactly where Saul and Patsy meant to end up. Both from the East Coast, they met in college, fell in love, and settled down to married life in the Midwest. Saul is Jewish and a compulsively inventive worrier; Patsy is gentile and cheerfully pragmatic. On Saul's initiative (and to his continual dismay) they have moved to this small town-a place so devoid of irony as to be virtually "a museum of earlier American feelings"-where he has taken a job teaching high school.
Soon this brainy and guiltily happy couple will find children have become a part of their lives, first their own baby daughter and then an unloved, unlovable boy named Gordy Himmelman. It is Gordy who will throw Saul and Patsy's lives into disarray with an inscrutable act of violence. As timely as a news flash yet informed by an immemorial understanding of human character, Saul and Patsy is a genuine miracle.

"In his quiet cosmic wonderment, Baxter is the equal of John Updike and Anne Tyler at their largest and best."GQ

Without question Charles Baxter, whose ravishing novel The Feast of Love was a National Book Award finalist, is one of our finest contemporary writers. These two books, set in the Michigan landscape that Baxter has made his own, display his unparalleled gift for revealing the unexpected in everyday life. The often-curious connections of relatives and strangers are illuminated in the thirteen exquisite stories of A Relative Stranger. "You can't just get a brother off the street," a character says, but indeed he does.

"Big, moving, rich with life and story."—Lorrie Moore, New York Times Book Review

"We have the satisfaction of having been immersed in a beautifully rendered and fully imagined world."—Michiko Kakutani, New York Times

In these ten stories, Charles Baxter shows his genius in making his characters' everyday sufferings--and occasional fragile joys--seem utterly unprecedented, even as he reminds us, gently and with a sly comic twist, that everything they feel is only the collateral damage of being human. Whether he is writing about the players in a rickety bisexual love triangle or a woman visiting her husband in a nursing home, probing the psychic mainspring of a grimly obsessive weight lifter or sifting through the layers of resentment, need, and pity in a friendship that has gone on a few decades too long, Baxter enchants us with the elegant balance of his prose and the unexpectedness of his insights. Long admired and now once more available in paperback, Harmony of the World is a masterpiece of lucidity and compassion.

From "one of our most gifted writers" (Chicago Tribune), here is a superb new novel that delicately unearths the myriad manifestations of extraordinary love between ordinary people.

The Feast of Love is just that -- a sumptuous work of fiction about the thing that most distracts and delights us. In a re-imagined Midsummer Night's Dream, men and women speak of and desire their ideal mates; parents seek out their lost children; adult children try to come to terms with their own parents and, in some cases, find new ones.

In vignettes both comic and sexy, the owner of a coffee shop recalls the day his first wife seemed to achieve a moment of simple perfection, while she remembers the women's softball game during which she was stricken by the beauty of the shortstop. A young couple spends hours at the coffee shop fueling the idea of their fierce love. A professor of philosophy, stopping by for a cup of coffee, makes a valiant attempt to explain what he knows to be the inexplicable workings of the human heart Their voices resonate with each other -- disparate people joined by the meanderings of love -- and come together in a tapestry that depicts the most irresistible arena of life. Crafted with subtlety, grace, and power, The Feast of Love is a masterful novel.

Graywolf reissues one of its most successful essay collections with two new essays and a new foreword by Charles BaxterAs much a rumination on the state of literature as a technical manual for aspiring writers, "Burning Down the House "has been enjoyed by readers and taught in classrooms for more than a decade. Readers are rewarded with thoughtful analysis, humorous one-liners, and plenty of brushfires that continue burning long after the book is closed.

"In his quiet cosmic wonderment, Baxter is the equal of John Updike and Anne Tyler at their largest and best."GQ

Without question Charles Baxter, whose ravishing novel The Feast of Love was a National Book Award finalist, is one of our finest contemporary writers. These two books, set in the Michigan landscape that Baxter has made his own, display his unparalleled gift for revealing the unexpected in everyday life. In the novel Shadow Play, a decent man, having made a "devil's bargain," finds himself on that precarious border between personal love and social responsibility. Reading group guide included.

"Big, moving, rich with life and story."—Lorrie Moore, New York Times Book Review

"We have the satisfaction of having been immersed in a beautifully rendered and fully imagined world."—Michiko Kakutani, New York Times

William Maxwell, who died in July 2000, was revered as one of the twentieth century's great American writers and a longtime fiction editor at "The New Yorker." Now writers who knew Maxwell and were inspired by him both the man and his work offer intimate essays, most specifically written for this volume, that "bring him back to life, right there in front of us." Alec Wilkinson writes of Maxwell as mentor; Edward Hirsch remembers him in old age; Charles Baxter illuminates the magnificent novel "So Long, See You Tomorrow"; Ben Cheever recalls Maxwell and his own father; Donna Tartt vividly describes Maxwell's kindness to herself as a first novelist; and Michael Collier admires him as a supreme literary correspondent. Other appreciations include insightful pieces by Alice Munro, Anthony Hecht, a poem by John Updike, and a brief tribute from Paula Fox. Ending this splendid collection is Maxwell himself, in the unpublished speech "The Writer as Illusionist."

Wright Morris (1910-1998) wrote thirty-three books, including The Home Place, also available in a Bison Books edition, and Field of Vision, which won the National Book Award. Charles Baxter is a professor of English at the University of Michigan and the author of numerous works, including The Feast of Love.