The history of Italians and of modern Italian culture stems from multiple experiences of mobility and migration: between the late 19th century and the early 20th century, 27 million Italians migrated and 60 to 80 million people worldwide see their identity as connected with the Italian diaspora. Since the time of Italian unification, a series of narratives about mobility have been produced both inside and outside the boundaries of Italy, by agents such as the Italian state, international organizations or migrant communities themselves. The essays in Transcultural Italies follow the multiple trajectories of this complex history and of its representations. They do so by focusing on the key concepts and practices of mobility, memory and translation. Taken together, they represent a contrapuntal series of case studies that offers a fresh perspective on the study of modern and contemporary Italy. The essays in the volume explore the meanings that 'transnational' and 'transcultural' assume when applied to the notion of Italian culture. Contributors: Charles Burdett, Jennifer Burns, Derek Duncan, Chiara Giuliani, Viviana Gravano, Giulia Grechi, Margaret Hills de Zarate, Eliana Maestri, Valerie McGuire, Loredana Polezzi, Barbara Spadaro, Ilaria Vanni, Naomi Wells, Rita Wilson

The history of Italians and of modern Italian culture stems from multiple experiences of mobility and migration: between the late 19th century and the early 20th century, 27 million Italians migrated and 60 to 80 million people worldwide see their identity as connected with the Italian diaspora. Since the time of Italian unification, a series of narratives about mobility have been produced both inside and outside the boundaries of Italy, by agents such as the Italian state, international organizations or migrant communities themselves. The essays in Transcultural Italies follow the multiple trajectories of this complex history and of its representations. They do so by focusing on the key concepts and practices of mobility, memory and translation. Taken together, they represent a contrapuntal series of case studies that offers a fresh perspective on the study of modern and contemporary Italy. The essays in the volume explore the meanings that ‘transnational’ and ‘transcultural’ assume when applied to the notion of Italian culture. Contributors: Charles Burdett, Jennifer Burns, Derek Duncan, Chiara Giuliani, Viviana Gravano, Giulia Grechi, Margaret Hills de Zárate, Eliana Maestri, Valerie McGuire, Loredana Polezzi, Barbara Spadaro, Ilaria Vanni, Naomi Wells, Rita Wilson

Growing up in Mogadishu, Somalia, Shirin Ramzanali Fazel was immersed in the language and culture of Italy, Somalia’s former colonizer. Yet when she moved to Italy as a young mother in the 1970s, she discovered a country where immigrants and Muslims were viewed with a mixture of curiosity and suspicion­–where, even today, she and her children must seemingly prove they are Italian.    In Islam and Me, Fazel tells her story and shares the experiences of other Muslim women living in Italy, revealing the wide variety of Muslim identities and the common prejudices they encounter. Looking at Italian school textbooks, newspapers, and TV programs, she invites us to change the way Muslim immigrants, and especially women, are depicted in both news reports and scholarly research. Islam and Me is a meditation on our multireligious, multiethnic, and multilingual reality, as well as an exploration of how we might reimagine national culture and identity so that they become more diverse, inclusive, and anti-racist.   

"As well as being physical journeys, they were explorations and reworkings, through travel, of the writers' own sense of Italian and Fascist identity. Indeed, one of the most interesting suggestions of this original and important book is that the identity of Fascist Italy was built out of comparisons with other places...a fascinating book on Italian travel writing of the Fascist period." . Times Literary Supplement

..".this is a highly recommended book for those wishing to expand their knowledge of the cultural and political roles of travel writing, as well as the perceptions, ambitions, inconsistencies, contradictions and areas of ambiguity prevailing among Italian elites under Fascism." . Journal of Contemporary European Studies

" a]smoothly written, thoughtful study" . H-Net

..".a sophisticated and very well researched study that] makes a significant contribution to the growing corpus of studies of fascist culture and of the often subtle and varied ways in which the regime's goals and messages were transmitted to the general public. It is well organized and well written and is intelligently structured." . Christopher Duggan, University of Reading

During the twenty years of Mussolini's rule a huge number of travel texts were written of journeys made during the interwar period to the sacred sites of Fascist Italy, Mussolini's newly conquered African empire, Spain during the Civil War, Nazi Germany, Communist Russia and the America of the New Deal. Examining these observations by writers and journalists, the author throws new light on the evolving ideology of Fascism, how it was experienced and propagated by prominent figures of the time; how the regime created a utopian vision of the Roman past and the imperial future; and how it interpreted the attractions and dangers of other totalitarian cultures.

The book helps gain a better understanding of the evolving concepts of imperialism, which were at the heart of Italian Fascism, and thus shows that travel writing can offer an important contribution to historical analysis.

Charles Burdett, Senior Lecturer in Italian Studies, specializes on Italian culture under Fascism. He is the author of Vincenzo Cardarelli and his Contemporaries (Oxford University Press, 1999). He is the editor with Claire Gorrara and Helmut Peitsch of European Memories of the Second World War (Berghahn Books, 1999) and with Derek Duncan, of Cultural Encounters: European Travel Writing of the 1930s (Berghahn Books, 2002)."

."a sophisticated and very well researched study that] makes a significant contribution to the growing corpus of studies of fascist culture and of the often subtle and varied ways in which the regime's goals and messages were transmitted to the general public. It is well organized and well written and is intelligently structured." - Christopher Duggan, University of Reading During the twenty years of Mussolini's rule a huge number of travel texts were written of journeys made during the interwar period to the sacred sites of Fascist Italy, Mussolini's newly conquered African empire, Spain during the Civil War, Nazi Germany, Communist Russia and the America of the New Deal. Examining these observations by writers and journalists, the author throws new light on the evolving ideology of Fascism, how it was experienced and propagated by prominent figures of the time; how the regime created a utopian vision of the Roman past and the imperial future; and how it interpreted the attractions and dangers of other totalitarian cultures. The book helps gain a better understanding of the evolving concepts of imperialism, which were at the heart of Italian Fascism, and thus shows that travel writing can offer an important contribution to historical analysis. Charles Burdett, Senior Lecturer in Italian Studies, specializes on Italian culture under Fascism. He is the author of Vincenzo Cardarelli and his Contemporaries (Oxford University Press, 1999). He is the editor with Claire Gorrara and Helmut Peitsch of European Memories of the Second World War (Berghahn Books, 1999) and with Derek Duncan, of Cultural Encounters: European Travel Writing of the 1930s (Berghahn Books, 2002). Other Berghahn Titles by Charles Burdett: European Memories of the Second World War Cultural Encounters

The 1930s were one of the most important decades in defining the history of the twentieth century. It saw the rise of right-wing nationalism, the challenge to established democracies and the full force of imperialist aggression. Cultural Encounters makes an important contribution to our understanding of the ideological and cultural forces which were active in defining notions of national identity in the 1930s. By examining the work of writers and journalists from a range of European countries who used the medium of travel writing to articulate perceptions of their own and other cultures, the book gives a comprehensive account of the complex intellectual climate of the 1930s.

These timely reconsiderations of European Travel writing from the 1930s reassert the oppositional primacy of subjective translations and disavow hermetic notions that travel should or even can be divorced from socio-political or cultural contexts. * Journeys Cultural Encounters offers a rich, varied and yet impressively coherent collection of essays on the meanings and practices of travel writing in 1930s Europe. Carefully building on theoretical interest in travel writing of recent years, the essays follow written journeys to Graham Greene's Liberia and Lorca's Cuba, to Fascist Italy's Greece and France's Indochina, and many more. Throughout, texts and authors are shown to be alive with hybrid constructions of self and of ideological, national and colonial identity. What is more, the book provides compelling reasons for seeing 1930s travel writing as being of particular fascination, lying on a cusp between the Depression, totalitarianism, colonialism and modernism, and the seeds of mass tourism, post-colonialism and globalization.* Re-reading German literature since 1945, Robert Gordon, Cambridge University The 1930s were one of the most important decades in defining the history of the twentieth century. It saw the rise of right-wing nationalism, the challenge to established democracies and the full force of imperialist aggression. Cultural Encounters makes an important contribution to our understanding of the ideological and cultural forces which were active in defining notions of national identity in the 1930s. By examining the work of writers and journalists from a range of European countries who used the medium of travel writing to articulate perceptions of their own and other cultures, the book gives a comprehensive account of the complex intellectual climate of the 1930s. Charles Burdett is lecturer in Italian at the University of Bristol and co-editor of European Memories of the Second World War (1999). He is currently working on representations of Africa in fascist Italy. Derek Duncan is lecturer in Italian at the University of Bristol. He has published extensively on twentieth century Italian literature with particular reference to questions of gender and sexuality.

Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people's lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay.

Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people's lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay.

For several decades, a political discourse, which incites exclusion and hatred against those who are perceived as different, has been gaining ground, most notably in affluent and developed countries. Racism is back, and antiracism is no longer accepted as an argument that suffices in itself. Focusing on the growth of racism in large cities and urban areas, this volume represents views by scholars from around the world, who work in different social sciences, on the one hand; on the other, it offers statements by non-practicing academics such as culture brokers, journalists and. The book is conceived in such a way that the contributions of the scientists and the non-academic specialists are grouped around common themes, highlighting existing debates and bringing together widely scattered information. Labour politics, cultural selectionism, separate education for minorities and majorities and other projects point in the direction of more exclusion and racism. Community work, intercultural education and political organization of religious practices explore alternative avenues.

During the fifty years since the end of hostilities, European literary memories of the war have undergone considerable change, influenced by the personal experiences of writers as well as changing political, social, and cultural factors. This volume examines changing ways of remembering the war in the literatures of France, Germany, and Italy; changes in the subject of memory, and in the relations between fiction, autobiography, and documentary, with the focus being on the extent to which shared European memories of the war have been constructed.