Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1966 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.

First of the Ealing comedies. A bunch of crooks use a comic paper, featuring stories penned by Felix H. Wilkinson (Alastair Sim), to pass on coded messages for robberies. When the comic's readership, a bunch of East End boys, discover what's going on they go to the police. The local constabulary, however, are no help, and so the plucky lads set out to foil the robbers themselves.

For generations the Stoner and Smith families have lived and worked on the canals. But now this idyllic way of life is threatened - the younger generation long to break away and discover life outside the barges. Ted Stoner (Robert Griffith) dreams of living in a big town but his girlfriend, Mary Smith (Jenny Laird), is more of a traditionalist - will their very different dreams tear them apart?

Sid James triple. In 'The Big Job' (1965), a gang of hapless crooks successfully perpetrate a robbery only to be caught after the fact. Fifteen years later they emerge from prison intent on retrieving their stolen loot - and discover that a police station has been built over its hiding place. Sylvia Syms, Dick Emery, Jim Dale and Joan Sims co-star. In 'Make Mine a Milluion' (1959), an ad-man teams up with a make-up artist in a cunning plot to advertise Bonko detergent on non-commercial television. Despite the trouble it causes, the plan proves a great success and the two chaps soon set up a pirate television station with the intention of beaming their advertisements into other company's TV shows. Again the idea proves successful - but just how long can these two go on avoiding their come-uppance? 'The Lavender Hill Mob' (1951) is a classic Ealing comedy. Nobody would ever suspect gold bullion delivery man Henry Holland (Alec Guinness) of anything other than total devotion to his job. However, with the aid of fellow lodger Pendlebury (Stanley Holloway), he gathers together a gang to carry out a heist, intending to smuggle the gold out of the country by melting it down into miniature models of the Eiffel Tower. All goes well until the consignment of models becomes muddled up with another, non-golden batch. Watch out for an early cameo by Audrey Hepburn.

1950s suspense thriller starring Dirk Bogarde as a wanted man. Hapless murderer Chris Lloyd (Dirk Bogarde) takes flight from his crime with 6-year-old witness Robbie (Jon Whiteley) in tow. As they head towards the Scottish border, the fugitive begins to strike up a relationship with the boy, who has problems of his own.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.This collection reveals the history of English common law and Empire law in a vastly changing world of British expansion. Dominating the legal field is the Commentaries of the Law of England by Sir William Blackstone, which first appeared in 1765. Reference works such as almanacs and catalogues continue to educate us by revealing the day-to-day workings of society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Bodleian Library (Oxford)<ESTCID>T219656<Notes>Dated at head of the drop-head title: July 14, 1761.<imprintFull> Edinburgh, 1761]. <collation>15, 1]p.; 4

Classic Ealing comedy about a group of villagers who, angered by British Rail's decision to close down their local branch line, make a bid to run the service themselves, making use of an antique locomotive liberated from a local museum.

Triple bill of war dramas set at sea. In 'For Those in Peril' (1943), Pilot Officer Rawlings (Ralph Michael) is turned down by the RAF for air service on medical grounds and instead joins Air Sea Rescue, helping to pull downed Allied airmen out of the sea. Rawlings is initially resentful of his new job, but gradually comes to appreciate its importance. When the crew of a Boston bomber become stranded at sea in a dinghy, Rawlings and his colleagues become involved in a race against time - and the elements - to save their lives. 'San Demetrio, London' (1943), set in 1940 during the battle of the Atlantic, is based on a true story. The crew of the petrol tanker San Demetrio are left with a near impossible task when she is torpedoed by the Germans. The crew are forced to abandon ship in three lifeboats. Two are picked up by other ships in the convoy, but the third drifts for days until its crew spies the burning San Demetrio on the horizon. Do they board the ship, try to put out its fires and get it back to English shores or do they stay in the drifting lifeboat in the hope of being rescued? In 'The Cruel Sea' (1953), based on the novel by Nicholas Monsarrat, World War Two Lt. Commander Ericson (Jack Hawkins) has already lost one ship to an enemy attack when he is given command of the frigate Saltash Castle. A subsequent confrontation in the North Atlantic tests Ericson's leadership to the limit once again, as he risks sacrificing the lives of his crew for the greater good.

Starring Robert Beatty, Jack Warner and Simone Signoret, it is the story of a diverse group of people from very different backgrounds, who were brought together in one of the strangest enterprises of the war. Sabotage was their job; sabotage organised from London in the form of macabre practical jokes as ingenious as they were injurious to the enemy. The work was over-clouded with the constant fear of discovery – and what it would mean.

First of the Ealing comedies. A bunch of crooks use a comic paper, featuring stories penned by Felix H. Wilkinson (Alastair Sim), to pass on coded messages for robberies. When the comic's readership, a bunch of East End boys, discover what's going on they go to the police. The local constabulary, however, are no help, and so the plucky lads set out to foil the robbers themselves.

Collection of three films from Britain's Ealing Studios all starring Alec Guinness. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the aristocratic family he counts as relations, the D'Ascoynes. The family cast his mother out when she decided to marry a 'commoner', Louis's father, and on her death refuse to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a Dukedom? In 'The Lavender Hill Mob' (1951) Guinness stars as a mild-mannered bank clerk whose sudden compulsion to rob the bank he works for causes all manner of chaos. Henry Holland (Guinness) has been trusted with delivering gold bullion for 20 years and is considered a safe pair of hands by his employers. However, Henry harbours dreams of becoming rich and hatches a plan to steal the gold when he makes the acquaintance of the artist, Alfred Pendlebury (Stanley Holloway). The pair realise that if Alfred melts the stolen gold into miniature statues of the Eiffel Tower, it could be smuggled safely to France and sold on. However, things go awry when the gold statues become mixed in with a group of ordinary statues, leading to a frantic chase as Henry and Alfred try to recover the gold without their crime being detected. The film features a brief cameo from a young Audrey Hepburn. In 'The Man in the White Suit' (1951) eccentric Sidney Stratton (Guiness) is a laboratory cleaner in a textile factory, who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing.