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Synopsis: Here is a vivid, poetic, and evocative story of the painter Vincent van Gogh's struggle to become his true self. The author listens in on Vincent's most intimate, frequently startling thoughts on a host of topics, drawn from three volumes of his correspondence and his 900 extant paintings. What emerges is the portrait of an artist whose spiritual vision was borne of an agonizingly prolonged experience of the "dark night of the soul" through which his art dared to envisionthe triumph of joy over sorrow, of resurrection over suffering and death. Readers will discover that in many ways Vincent's story is as much about us as about him. Tracing van Gogh's pilgrimage from being an apprentice art dealer to being called to minister, in self-renunciation and misery, among destitute coal miners, the narrative follows his winding, tortuous path into adulthood as he struggles with family, associates, lovers--and with himself. Constantly evidenced in Vincent's own eloquent words and paintings is his tussle with the mysterious presence and maddening absence of God. Vocation unveils as a process of summoning and birthing his own self, through an attempt to imitate Christ, calling forth van Gogh's extraordinary creative powers from deep within. Adding choice supplies from other observers, Davidson here weaves his own exact, artful tapestry of interpretation, producing a suspenseful excursion into the life of van Gogh that offers profound meaning at every turn. Endorsements: "This richly detailed and deeply felt account of van Gogh's tormented and self-tormenting life, together with many telling quotations from his correspondence with his faithful brother Theo, will be essential reading for all who see him as one of the geniuses of the nineteenth century." --Frederick Buechner author of Secrets in the Dark and The Yellow Leaves "Charles Davidson's book viewing Vincent van Gogh's life and work is an excellent contribution to ways we might best understand the artist's struggle and spirituality. The flow of the narrative and the presence of theological and psychological motifs help us re-vision the artist in a postmodern framework that opens new and creative channels for understanding." --Cliff Edwards author of Van Gogh and God, The Shoes of Van Gogh, and Mystery of the Night Cafe "This work of supreme art unveils Vincent van Gogh's own great art--in life, work, and death. It accomplishes this in amazingly varied fashion and unpretentious, religious depth. It is remarkably attuned to, and mostly uses, Vincent's own strikingly honest, poetic statements in company with some of Vincent's paintings. In the process, it interprets both with every conceivably appropriate tool, drawing in others' profoundly insightful responses to Vincent with the author's own. From beginning to end, Charles Davidson--pastor, teacher, clinician, poet, musician, and scholar--has created, reflectively, a rare, simply magnificent portrayal. Any attentive reader who has known either deprivation or struggle in life can find here a healing love and joy." --Terrence N. Tice editor of Hermann Peiter's collected essays, Christian Ethics According to Schleiermacher, and translator of Friederich Schleiermacher's Christmas Eve Celebration "Bone Dead, and Rising is a psychologically and theologically incisive analysis of the life and work, the psyche and spirituality of Vincent Van Gogh. It is difficult to imagine that the artist himself would have missed the magnitude and worthiness of this verbally artistic rendering." --Lallene J. Rector co-editor of Psychological Perspectives and the Religious Quest Author Biography: Charles Davidson, a Presbyterian minister and psychotherapist, was the Darrel Rollins Professor of Holistic Ministry in Pastoral Theology, Care, and Counseling at Virginia University of Lynchburg, until retiring to Black Mountain, North Carolina, where he lives with his wife, dog, cats, saxophone, and clarinet.

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The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm18207927Includes index. Appendix of statutes: p. 293-309.London: A. Maxwell, 1848. viii, 323: forms; 18 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm18215222Includes index. Appendices of statutes: p. 529-630.London: W. Maxwell, 1877. xxvi, 671 p.: forms; 18 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm18215184Includes index. Appendices of statutes: p. 459-519.London: W. Maxwell, 1865. xix, 549 p.: forms; 17 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm16991465Vols. 2, 3, and 5 consist of 2 parts each. First ed., by T. Martin, published in 1844 under title: Martin's Practice of conveyancing. Ed. statement varies: v. 2: 4th ed. / by Charles Davidson, Thomas Cooke Wright and John Khelat Darley; v. 3: 3rd ed. / London: W. Maxwell, 1864-1877. 5 v. in 8: forms; 24 cm.