The great songs and folktales of the English, Irish, and Scottish tradition reimagined in comic book form by some of the most famous fantasy and science fiction authors of the 20th century, including Neil Gaiman (Sandman), Charles de Lint (Widdershins, The Onion Girl), Jane Yolen (Lost Girls, Briar Rose), Sharyn McCrumb (The Ballad of Frankie Silver), Jeff Smith (Bone), and more.

"Return to Newford
"Familiar to Charles de Lint's ever-growing audience as the setting of the novels "Moonheart," "Forests of the Heart," "The Onion Girl," and many others, Newford is the quintessential North American city, tough and streetwise on the surface and rich with hidden magic for those who can see.
In the World Fantasy Award-winning "Moonlight and Vines," de Lint returns to this extraordinary city for another volume of stories set there, featuring the intertwined lives of many characters from the novels. Here is enchantment under a streetlamp: the landscape of our lives as only Charles de Lint can show it.

The harp was a gift from Jacky Lanter's fey kin, as was the music Angharad pulled from its strings. She used it in her journeys through the kingdoms of Green Isles, to wake the magic of the Summerblood where it lay sleeping in folk who had never known they had it.

Harping, she knew, was on third of a bard's spells. Harping, and poetry, and the road that led . . .

Into the Green

Charles de Lint takes us once again into lands infused and transformed by magic. Magic that grows in the roots of old oaks and dances by moonlight among standing stones. Magic that sleeps in an old soldier's eyes and glows in the gaze of a phantom stag. Magic that pumps through the heart and the veins of those born to the Summerblood-to be stolen at knife point, burned, destroyed, in danger of fading back into the green and disappearing forever from the world.

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes.

Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves--appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black.

Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them--until the night one follows her to the woods, and takes her hand....

Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King--another thing Ellie does not believe in. Yet lack of belief won't dim the power of the mast, or its dreadful intent.

Donal, Ellie's former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the "hard men" for his own purposes. And Donal's sister, Miki, a punk accordion player, stands on the other side of the Gentry's battle with the Native spirits of the land. She knows that more than her brother's soul is at stake. All of Newford is threatened, human and mythic beings alike.

Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets.

From the master of contemporary urban fantasy, a new collection of "Newford" stories
The city of Newford could be any city in North America, bursting with music, commerce, art, love, hate, and, of course magic. Magic in the sidewalk cracks, myth at the foundations of its great buildings, enchantment in the spaces between its people.
In novels like "Moonheart," "Forests of the Heart," "The Onion Girl," and "The Mystery of Grace," and in a series of story collections, urban fantasy master Charles de Lint has explored that magic and those spaces, bringing to life a tapestry of people from all walks of life, each looking for a spark of the miraculous to shape their lives and transform their fate.
Here, in the fifth of the story collections, we reencounter old friends such as Jilly, Sophie, and the Crow Girls. We breathe in intimations of the world beyond death, and of magic beyond time. Longtime readers and newcomers alike will find themselves under Charles de Lint's unique spell.

At the heart of Tamson House is the Wood. And in that Wood is the Mystery
Tamson House, in modern, urban Ottawa, is a rambling, eccentric curiosity of a house--and a place of hidden Power. Built at a point where the leylines meet, upon land that was once a sacred site, it is the gateway to a spirit world where Celtic and Native American magicks mingle and leak into our own.
In the overgrown garden of Tamson House, a Coyote Man waits, green children walk, and music rises to greet the moon. From the garden, a vast and primal wood is just one spirit-step away... and in that wood is something that threatens the very existence of Tamson House, and all who dwell within.
Charles de Lint returns to the spirit-world of his bestselling "Moonheart "in a splendid work of urban fantasy, bringing myth, music, and magic into our modern world.

On the Day of the Dead, the Solona Music Hall is jumping. That's where Altagracia Quintero meets John Burns, just two weeks too late.
Altagracia - her friends call her Grace - has a tattoo of Nuestra Senora de Altagracia on her shoulder, she's got a Ford Motor Company tattoo running down her leg, and she has grease worked so deep into her hands that it'll never wash out. Grace works at Sanchez Motorworks, customizing hot rods. Finding the line in a classic car is her calling.
Now Grace has to find the line in her own life. A few blocks around the Alverson Arms is all her world -- from the little grocery store where she buys beans, tamales, and cigarettes ("cigarettes can kill you," they tell her, but she smokes them anyway) to the record shop, to the library where Henry, a black man confined to a wheelchair, researches the mystery of life in death - but she's got unfinished business keeping her close to home.
Grace loves John, and John loves her, and that would be wonderful, except that John, like Grace, has unfinished business - he's haunted by the childhood death of his younger brother. He's never stopped feeling responsible. Like Grace in her way, John is an artist, and before their relationship can find its resolution, the two of them will have to teach each other about life and love, about hot rods and Elvis Presley, and about why it's necessary to let some things go.

Among Charles de Lint's most beloved creations is the northern city of Newford, a place touched by deep magic--and the setting for novels like "The Onion Girl" and story collections like "Dreams Underfoot," Now, with the Orb publication of "The Ivory and the Horn," all four of the Newford story collections are returned to print. Here, on the streets of Newford, is the magic that hovers at the edge of everyday life.

In Widdershins, fantasy author Charles de Lint has delivered one of his most accessible and moving works of his career. Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, Timeskip, back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie's story is finally being told. Before it's over, we'll find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American animal people and the more newly-arrived fairy folk. We'll watch as Jilly is held captive in a sinister world based on her own worst memories--and Geordie, attempting to help, is sent someplace even worse. And we'll be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour. To walk widdershins is to walk counterclockwise or backwards around something. It's a classic pathway into the fairy realm. It's also the way people often back slowly into the relationships that matter, the real ones that make for a life. A June 2006 Book Sense Pick

Memory and Dream is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power - to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent - and on her dreams. Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.

A novel of loss, identity, and, in the strangest of places, hope.
Leonard Trader is a luthier, a maker of guitars. Johnny Devlin is chronically unemployed. Leonard is solitary, quiet, responsible. Johnny is a lady-killer, a drunk, a charming loser.
When they inexplicably wake up in each other's bodies, Johnny gleefully moves into Leonard's comfortable and stable existence, leaving Leonard to pick up the pieces of a life he had no part in breaking.
Penniless, friendless, homeless, Leonard begins a journey that will take him beyond the streets of the city to an otherworld of dreams and spirits, where he must confront both the unscrupulous Johnny Devlin and his own deepest fears.

At a popular Newford online research and library Web site called the Wordwood, a mysterious crash occurs. Everyone visiting the site at the moment of the crash vanishes from where they were sitting in front of their computers. Christy Ridding's girldfriend Saskia disappears right before his eyes, along with countless others.
To rescue their missing friends, Christy and his companions must journey into Newford's otherworld, where the Wordwood, it transpires, has a physical presence of its own...

Rachael Sorenson feared she would never escape her ex-husband's abuse. Then a passing stranger came to her rescue---a stranger who had watched her from afar.
He was a photographer, and Rachael was his perfect subject. He lived only to make her happy---and eliminate those who didn't.
Now he wants more than her beauty. She owes him her life---and he means to collect.
In the early 1990s, Charles de Lint wrote and published three dark fantasy novels under the pen name "Samuel M. Key." Now, beginning with "Angel of Darkness" and "From a Whisper to a Scream" and concluding with" I'll Be Watching You," Orb presents them for the first time under de Lint's own name.

A young artist returns to her cabin in the deep woods of Canada to concentrate on her illustrations. But somehow, strange and beautiful creatures are slipping into her drawings and sketches. The world of Faerie is reaching out to her for help--and she may be its last chance for survival.

A tale of magic and murder

The increasingly bizarre murders have baffled the police—but each death is somehow connected with the city’s elusive Gypsy community. The police are searching for a human killer, but the Romany know better. They know the name of the darkness that hunts them down, one by one: Mulengro.

Originally published under the pen name “Samuel M. Key”

"Years after the death of a notorious child murderer, children have begun to die again...and a crime photographer begins to suspect he has the one true clue that connects the horrific events."

In the early 1990s, Charles de Lint wrote and published three dark fantasy novels under the pen name “Samuel M. Key.” Now, Orb presents them for the first time under de Lint’s own name.

In the early 1990s, Charles de Lint wrote and published three dark fantasies under the name "Samuel M. Key." Now, beginning with Angel of Darkness, Orb presents them for the first time under de Lint's own name.

When ex-cop Jack Keller finds the mutilated body of a runaway girl in the ashes of a bizarre house fire, he opens the door to a nightmare. For a sadistic experiment in terror has unleashed a dark avenging angel forged from the agonies of countless dying victims....

In novel after novel, and story after story, Charles de Lint has brought an entire imaginary North American city to vivid life. Newford: where magic lights dark streets; where myths walk clothed in modern shapes; where a broad cast of extraordinary and affecting people work to keep the whole world turning.

At the center of all the entwined lives in Newford stands a young artist named Jilly Coppercorn, with her tangled hair, her paint-splattered jeans, a smile perpetually on her lips--Jilly, whose paintings capture the hidden beings that dwell in the city's shadows. Now, at last, de Lint tells Jilly's own story...for behind the painter's fey charm lies a dark secret and a past she's labored to forget. And that past is coming to claim her now.

"I'm the onion girl," Jilly Coppercorn says. "Pull back the layers of my life, and you won't find anything at the core. Just a broken child. A hollow girl." She's very, very good at running. But life has just forced Jilly to stop.