Although better known today for such classic and influential science fiction novels as Last and First Men, Odd John, Star Maker and Sirius, Olaf Stapledon also wrote eight other science fiction books, seven volumes of philosophy and social criticism, and hundreds of reviews, lectures, and articles. Common to all his works is a moral vision that is characterized by ecstatic joy and revolutionary zeal, though tempered by detachment and skepticism. This is the first book collection of original essays devoted entirely to Stapledon. Where previous critical interpretation has concentrated on individual works by the author, these essays deal with larger issues in Stapledon's writings and with his relationship to such forces as Marxism and literary modernism. The articles develop new avenues for the exploration of Stapledon's work, focusing on philosophical, linguistic, political, and structural elements, and showing how Stapledon's non-fictional writing may illuminate aspects of the fiction. In addition, the book includes Stapledon's hitherto unpublished manuscript Letters to the Future as well as a primary and secondary bibliography. An important contribution to the study of science fiction and fantasy, The Legacy of Olaf Stapledon will be of interest to scholars and students of Stapledon and of the genre.

One of the most popular, prolific, and important science fiction writers, Robert Silverberg is given penetrating analyses by major scholars and critics of the genre. Extending beyond the conventions of popular culture and pulp science fiction, the seven essayists assess Silverberg's body of work as being manifest of the modernist literary tradition, exploring techniques, such as irony, and themes, such as the fragility of identity, utopia and dystopia, and spirituality and transcendence. Noted Silverberg scholar Thomas Clareson contributes an overview of Silverberg's literary career from his first story published in 1954 to the present, and the editors provide a bibliography of his fiction and selected secondary studies, referring to Clareson's definitive bibliography. The trapdoor metaphor used in the title relates to an observation by critic Russell Letson on the complexity of reading Silverberg, which he compares to an experience of one of Silverberg's characters: What seems to be a firm foundation for reality may in fact turn out to be a trapdoor.