The Art of Ethnography is a fully illustrated translation of a "Miao album" -- a Chinese genre originating in the eighteenth century that used prose, poetry, and detailed illustrations to represent minority ethnic groups living in frontier regions under imperial Chinese control. These bound collections of hand-painted illustrations and handwritten text reveal how imperial China viewed culturally "other" frontier populations. They also contain valuable information for anthropologists, geographers, and historians, and are coveted by art collectors for their beautiful imagery. "Miao" in this context refers not just to groups that called themselves Miao (Hmong) or were classified as such by the majority Han culture, but generally to the many minority peoples in China's southwest. This lovely volume reproduces each of the eighty-two illustrations from the original album and the corresponding Chinese calligraphic text, along with an annotated English translation. Each entry depicts a different ethnic group residing in Guizhou. The album is anonymous and dates from sometime after 1797. Laura Hostetler's Introduction discusses the genesis and evolution of the Miao album genre and the sociopolitical context in which the albums were first made, the ethnographic content of the texts, the composition of the illustrations, and the albums' authorship and production. She situates the albums within the context of early modern imperial expansion internationally by introducing comparative examples of Japanese and Ottoman ethnography. Color illustrations from other Miao albums and comparable works from other cultures give the reader a sense of the chromatic richness of Miao album illustrations and of their place in world ethnography.

The scientists and explorers profiled in this engaging study of pioneering Euro-American exploration of late imperial and Republican China range from botanists to ethnographers to missionaries. Although a diverse lot, all believed in objective, progressive, and universally valid science; a close association between scientific and humanistic knowledge; a lack of conflict between science and faith; and the union of the natural world and the world of "nature people." "Explorers and Scientists in China's Borderlands" examines their cultural and personal assumptions while emphasizing their remarkable lives, and considers their contributions to a body of knowledge that has important contemporary significance.

Essays are devoted to D. C. Graham, Joseph Rock, Reginald Farrer and George Forrest, Ernest Henry Wilson, Paul Vial, Johan Gunnar Andersson and Ding Wenjiang, and Friedrich Weiss and Hedwig Weiss-Sonnenburg. Richly illustrated with historic photographs, this collection reveals the extraordinary lives and times of these remarkable people.

Denise M. Glover is visiting assistant professor of anthropology, University of Puget Sound; Stevan Harrell is professor of anthropology, University of Washington; Charles F. McKhann is professor of anthropology, Whitman College; Margaret Byrne Swain is associate adjunct professor of women and gender studies, University of California, Davis. The other contributors are Magnus Fiskesjo, Paul Harris, He Jiangyu, Geng Jing, Jeff Kyong-McClain, Erk Mueggler, Alan Waxman, Paul Weissich, Tamara Wyss, and Alvin Yoshinaga.