Taken from their planet and their century, they are not just the Lost Soldiers: they are Murphy's Lawless. Major Rodger Y. Murphy should have died when his helicopter crashed off the coast of Mogadishu in November, 1993. Instead, he woke up in August 212

Domingos Fernandes Calabar started out as a military advisor for the Portuguese in Brazil. But to his superiors, he was still nothing more than a mameluco, a man of mixed blood. Until, that is, the Dutch arrived and he switched sides. Then the Portuguese

Cathal Gannon (1910-1999) revived the art of harpsichord making in Dublin in the early 1950s after a lull of some 150 years. His story is one not of rags to riches but of obscurity to recognition. Despite a modest start in life, he became hugely respected for his skills and was awarded two honorary MA degrees (TCD 1978, Maynooth 1989) for his contribution to music in Ireland. This richly documented biography charts Cathal's life from his Dublin childhood through his career in the Guinness Brewery, begun at the age of fifteen, to an active and prolific retirement, during which he continued to make harpsichords and restore antique pianos. Although the seeds of interest were sown in early life, his harpsichord-making career only began in 1951, and his first harpsichord was played in public in 1959 - an occasion lauded in the national press. A few years later, his employers set up a special workshop in the Brewery where Cathal would work exclusively on instrument making. With his impish sense of fun, he became well known as a prankster by his colleagues. This book also offers fascinating behind-the-scene glimpses of the 'unofficial ' goings-on in the Guinness Brewery. Many people were drawn to Cathal through his liveliness and quick mind. He befriended the likes of Grace Plunkett (widow of Joseph Mary Plunkett), Carl Hardebeck, a noted arranger of Irish music, and Desmond and Mariga Guinness, founders of the Irish Georgian Society. He was the subject of several RTE radio and television programmes, including The Late Late Show. This intimate account of a man who was, in his own words, 'interested in everything' (amongst other hobbies, he was a keen amateur horologist), reveals a storyteller who delighted in the colourful characters he encountered. The work is further enriched by its lively evocation of Dublin and its environs in bygone times, from a rustic Dolphin's Barn in the 1920s to the bookstalls and antique shops of the city centre during the 1930s and 1940s, giving a real sense of time's passing and the social change that has since occurred.

Caine Riordan and his self-styled “Crewe” have survived their first months on the planet they call Bactradgaria. They’ve overcome floods, dust storms, tornadoes, searing heat, bitter cold, desperate battles, and attacks by various strange species. However

Since boyhood, Druadaen expected he'd ascend to the command of an elite legion and become the leader his father predicted he would be. However, fate had something different in store. Assigned instead to a small group of outriders tasked with watching nea

A New Day in the New World It's 1637 in the Caribbean. Commander Eddie Cantrell and his ally and friend Admiral Maarten Tromp start it off with some nasty surprises for Spain, whose centuries-long exploitation and rapine of the New World has run unchecke

A little bit of knowledge can be a dangerous thing . . . but knowing the full truth might get you killed. Druadaen, Outrider for the once-mighty Dunarran Consentium, has proven that there are irreconcilable contradictions between magic and physics on A

Domingos Fernandes Calabar started out as a military advisor for the Portuguese in Brazil. But to his superiors, he was still nothing more than a mameluco, a man of mixed blood. Until, that is, the Dutch arrived and he switched sides. Then the Portuguese

Remembered in his native Ireland primarily as a harpsichordist and interpreter of Bach’s music, and in the UK as a conductor of the ground-shaking early music group Musica Reservata, John Beckett also composed avant-garde incidental music, performed on several instruments and was an authoritative, if controversial, conductor. Music was not his only passion: he was interested in films, the theatre, art and pottery, and loved to travel. His varied career included devising music programmes for Radio Éireann, writing for The Bell magazine, working in Dublin’s Pike Theatre, presenting and performing for the BBC Third Programme, composing music for his famous cousin Samuel Beckett, founding Musica Reservata, conducting Bach cantata concerts in Dublin over a ten-year period, and working as a producer and presenter for BBC Radio 3. Despite his reputation as a gruff, confrontational individual with a fondness for Guinness, whiskey and garlic, he made many friends and was familiar with Dublin’s intellectual, musical and bohemian milieu, such as the writers Aidan Higgins, Anthony Cronin, Patrick Kavanagh, Brendan Behan and James Plunkett, composers E.J. Moeran and Frederick May, counter-tenor Alfred Deller, musician John O’Sullivan, Desmond MacNamara, Ralph Cusack, singer and sculptor Werner Schürmann, publisher John Calder and musician David Cairns. Complex, self-deprecating and private, John’s character and achievements are examined with detail garnered from information both published and in archival collections in Ireland and the UK. Recollections from those who knew him at different stages of his life enliven this fascinating biography. The book also examines the development of Musica Reservata, and contains excerpts from unpublished letters written by Samuel Beckett. Extracts from correspondence between John and James Plunkett, Aidan Higgins, Arland Ussher and music critic Charles Acton are also included.