Women's Writing of Ancient Mesopotamia presents fresh and engaging translations of works that were composed or edited by female scribes and elite women of the ancient Near East. These texts provide insight into the social status, struggles, and achievements of women during the earliest periods of recorded human history (c.2300-540 BCE). In three introductory chapters and a concluding chapter, Charles Halton and Saana Svard provide an overview of the civilization of ancient Mesopotamia and examine gender by analyzing these different kinds of texts. The translations cover a range of genres, including hymns, poems, prayers, letters, inscriptions, and oracles. Each text is accompanied by a short introduction that situates the composition within its ancient environment and explores what it reveals about the lives of women within the ancient world. This anthology will serve as an essential reference book for scholars and students of ancient history, gender studies, and world literature.

The nature of the Genesis narrative has sparked much debate among Christians. This book introduces three predominant interpretive genres and their implications for biblical understanding. Each contributor identifies their position on the genre or genres of Genesis, chapters 1-11, addresses why their interpretation is respectful of and appropriate to the text, and contributes examples of its application to a variety of passages. The positions include: Theological History(Genesis can be taken seriously as both history and theology) - defended by James K. Hoffmeier. Proto-History (the early Genesis narratives consist of a variety of literary genres; which, nonetheless, do not obscure the book's theological teaching) - defended by Gordon J. Wenham. Ancient Historiography (an understanding of Genesis that seeks to reconcile the limitations of its human authors with the nature of it being the Word of God) defended by Kenton L. Sparks. General editor and Old Testament scholar Charles Halton explains the importance of genre and provides historical insight in the introduction and helpful summaries of each position in the conclusion. In the reader-friendly Counterpoints format, this book helps readers to reflect on the strengths and weaknesses of each view and draw informed conclusions in this much-debated topic.

A Human-Shaped God approaches the humanlike accounts of God in the Old Testament as the starting places for theology and uses them to build a picture of the divine. This understanding of God is then brought into conversation with traditional conceptions that depict God as a being who knows everything that happens, is at every place at the same time, is constant and unchanging, and does not ultimately have material form. But instead of pitting the Old Testament's humanlike view of God against traditional theology and assuming that only one of these understandings is correct, A Human-Shaped God posits that theologians should embrace both of these constructions simultaneously. This is a new way of theological inquiry that embraces both the humanlike characteristics of God and the transcendence of God in traditional theology. By seeing and understanding the humanlike depictions of God in the Old Testament and by using the rich language of traditional theology together in tandem, the reader acquires a much deeper and meaningful understanding of God.