Widely known as the crime fiction writer whose work led to the movies Get Shorty and Out of Sight, Elmore Leonard had a special knack for creating "cool" characters. In Being Cool, Charles J. Rzepka looks at what makes the dope-dealers, bookies, grifters, financial advisors, talent agents, shady attorneys, hookers, models, and crooked cops of Leonard's world cool. They may be nefarious, but they are also confident, skilled, and composed. And they are good at what they do. Taking being cool as the highway through Leonard's life and works, Rzepka finds plenty of byways to explore along the way. Rzepka delineates the stages and patterns that characterize Leonard's creative evolution. Like jazz greats, he forged an individual writing style immediately recognizable for its voice and rhythm, including his characters' rat-a-tat recitations, curt backhands, and ragged trains of thought. Rzepka draws on more than twelve hours of personal interviews with Leonard and applies what he learned to his close analysis of the writer's long life and prodigious output: 45 published novels, 39 published and unpublished short stories, and numerous essays written over the course of six decades.

Gathered together for the first time, the essays in this volume were selected to give scholars ready access to important late-twentieth and early twenty-first-century contributions to scholarship on the Romantic period and twentieth-century literature and culture. Included are Charles J. Rzepka's award-winning essays on Keats's 'Chapman's Homer' sonnet and Wordsworth's 'Michael' and his critical intervention into anachronistic new historicist readings of the circumstances surrounding the composition of "Tintern Abbey." Other Romantic period essays provide innovative interpretations of De Quincey's relation to theatre and the anti-slavery movement. Genre is highlighted in Rzepka's exploration of race and region in Charlie Chan, while his interdisciplinary essay on The Wizard of Oz and the New Woman takes the reader on a journey that encompasses the Oz of L. Frank Baum and Victor Fleming as well as the professional lives of Judy Garland and Liza Minnelli. Taken together, the essays provide not only a career retrospective of an influential scholar and teacher but also a map of the innovations and controversies that have influenced literary studies from the early 1980s to the present. As Peter Manning observes in his foreword, "this collection shows that even in diverse essays the force of a curious and disciplined mind makes itself felt."

Widely known as the crime fiction writer whose work led to the movies Get Shorty and Out of Sight, Elmore Leonard had a special knack for creating "cool" characters. In Being Cool, Charles J. Rzepka looks at what makes the dope-dealers, bookies, grifters, financial advisors, talent agents, shady attorneys, hookers, models, and crooked cops of Leonard's world cool. They may be nefarious, but they are also confident, skilled, and composed. And they are good at what they do. Taking being cool as the highway through Leonard's life and works, Rzepka finds plenty of byways to explore along the way. Rzepka delineates the stages and patterns that characterize Leonard's creative evolution. Like jazz greats, he forged an individual writing style immediately recognizable for its voice and rhythm, including his characters' rat-a-tat recitations, curt backhands, and ragged trains of thought. Rzepka draws on more than twelve hours of personal interviews with Leonard and applies what he learned to his close analysis of the writer's long life and prodigious output: 45 published novels, 39 published and unpublished short stories, and numerous essays written over the course of six decades.

"Detective Fiction" is a clear and compelling look at some of the best known, yet least-understood, characters and texts of the modern day. Charles J. Rzepka traces the history of the genre from its modern beginnings in the early eighteenth century, with the criminal broadsheets and 'true' crime stories of The Newgate Calendar, to its present state of diversity, innovation, and worldwide diffusion, in a manner that students and scholars alike will find readable and provocative.

The book focuses particularly on the relationship of detective fiction's emerging 'puzzle-element' to the investigative methods of the nascent historical sciences, and to popular cultural attitudes toward history, particularly in Great Britain and the United States. In addition, the author examines the specific impact of urbanization, the rise of the professions, brain science, legal and social reform, war and economic dislocation, class-consciousness, and changing concepts of race and gender. Extended close readings of the classics of Detective Fiction in several 'Casebook' essays devoted to seminal works by Poe, Doyle, Sayers, and Chandler show in detail how the genre has responded to these influences over the last century and a half. They also serve to introduce students to a variety of current critical approaches.

Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading.

'Cool, savvy, and utterly compelling: every page of Charles J. Rzepka's magnificent history of detective fiction displays the forensic panache of the true connoisseur of murder. Commanding an unrivalled breadth of reference and depth of insight, the book is amust-read for everyone interested in detective fiction.'

"Nicholas Roe, University of St Andrews""

'In this sustained analysis of the emergence and development of detective fiction in England and America, Charles Rzepka has produced both a compelling cultural history and a skilful demonstration of what Poe aptly called "the moral activity which disentangles." It will become an indispensable guide to serious students of detective literature.'

"Ronald R. Thomas, University of Puget Sound"

"Detective Fiction" is a clear and compelling look at some of the best known, yet least-understood, characters and texts of the modern day. Charles J. Rzepka traces the history of the genre from its modern beginnings in the early eighteenth century, with the criminal broadsheets and 'true' crime stories of The Newgate Calendar, to its present state of diversity, innovation, and worldwide diffusion, in a manner that students and scholars alike will find readable and provocative.

The book focuses particularly on the relationship of detective fiction's emerging 'puzzle-element' to the investigative methods of the nascent historical sciences, and to popular cultural attitudes toward history, particularly in Great Britain and the United States. In addition, the author examines the specific impact of urbanization, the rise of the professions, brain science, legal and social reform, war and economic dislocation, class-consciousness, and changing concepts of race and gender. Extended close readings of the classics of Detective Fiction in several 'Casebook' essays devoted to seminal works by Poe, Doyle, Sayers, and Chandler show in detail how the genre has responded to these influences over the last century and a half. They also serve to introduce students to a variety of current critical approaches.

Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading.

'Cool, savvy, and utterly compelling: every page of Charles J. Rzepka's magnificent history of detective fiction displays the forensic panache of the true connoisseur of murder. Commanding an unrivalled breadth of reference and depth of insight, the book is amust-read for everyone interested in detective fiction.'

"Nicholas Roe, University of St Andrews""

'In this sustained analysis of the emergence and development of detective fiction in England and America, Charles Rzepka has produced both a compelling cultural history and a skilful demonstration of what Poe aptly called "the moral activity which disentangles." It will become an indispensable guide to serious students of detective literature.'

"Ronald R. Thomas, University of Puget Sound"