First published in four volumes in the early 1980s, Charles Smith’s Historic South Edinburgh has become a much sought-after and extremely rare classic. This completely new edition combines all four volumes into one, and has been completely revised and updated with much new research and information. The opening of North Bridge in 1772 was followed by an exodus, not simply to the spacious elegance of Craig’s New Town, but to the rural seclusion and open spaces of the South Side. Over the next hundred and fifty years the city grew steadily southwards. As much as the more familiar stories of the Old Town and the New Town, the story of the South Side lies at the heart of Edinburgh and to this day it is full of fascinating incident, extraordinary people and great historic resonance. For any native of the city, Historic South Edinburgh is an essential book. With many new illustrations, it is a mine of information and anecdote for all who love Edinburgh. Areas of Edinburgh covered are: The Meadows, Marchmont, Sciennes, The Grange, Bruntsfield, Morningside, Braid, Blackford, Merchiston, Craiglockhart, Swanston.

Essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today. The essays in Music Theory and Mathematics: Chords, Collections, and Transformations define the state of mathematically oriented music theory at the beginning of the twenty-first century. The volume includes essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today. The essays constitute a close-knit body of work -- a family in the sense of tracing their descentfrom a few key breakthroughs by John Clough, David Lewin, and Richard Cohn in the 1980s and 1990s. They are integrated by the ongoing dialogue they conduct with one another. The editors are Jack Douthett, a mathematician and music theorist who collaborated extensively with Clough; Martha M. Hyde, a distinguished scholar of twentieth-century music; and Charles J. Smith, a specialist in tonal theory. The contributors are all prominent scholars, teaching at institutions such as Harvard, Yale, Indiana University, and the University at Buffalo. Six of them (Clampitt, Clough, Cohn, Douthett, Hook, and Smith) have received the Society for Music Theory's prestigious PublicationAward, and one (Hyde) has received the ASCAP Deems Taylor Award. The collection includes the last paper written by Clough before his death, as well as the last paper written by David Lewin, an important music theorist also recently deceased. Contributors: David Clampitt, John Clough, Richard Cohn, Jack Douthett, Nora Engebretsen, Julian Hook, Martha Hyde, Timothy Johnson, Jon Kochavi, David Lewin, Charles J. Smith, and Stephen Soderberg.