This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1960.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1960.

Charles Moorman reexamines several major works of the western heroic tradition: The Iliad, The Odyssey, Beowulf, The Song of Roland, The Nibelungenlied, the Norse sagas, and the Arthurian cycle. Disregarding the usual limited definitions which have controlled the study of heroic literature, he draws together these disparate works by proposing a theme common to them all: the opposition of two major figures whom he names king and captain. The figure of the king arises from the community with its need for responsible government, while the captain, derived from myth, is a highly individualistic, irresponsible heroic figure. The tension which Moorman sees between them is used as a means of reinterpreting the works under study. Though widely separated in time and cultural milieu, The Illiad, and The Song of Roland, for example, can be compared by interpreting both the Agamemnon-Achilles and the Oliver-Roland relationships as conflicts between king and captain. These essays will prove illuminating for layman and scholar alike.

Beginning with a consideration of Malory's ingenious chronology, this study shows that Malory achieved thematic and structural unity by selecting from the great mass of Arthurian legend three narrative strands -- the intrigues of Lancelot and Guinevere, the Grail quest, and the feud between the houses of Lot and Pellinore -- using these to illustrate a single theme -- the rise, flowering, and downfall of an ideal civilization. This selection and use of diverse materials, Charles Moorman asserts, indicates clearly that Malory set to work with a preconceived plan and that he did achieve his purpose, to write the "haole book of Kyng Arthur."

This edition of the complete works of the fourteenth-century Gawain-poet-Patience, Purity, Pearl, and Sir Gawain and the Green Knight-is the first collected edition since the manuscript. It presents a number of distinctive features, including a conservatively edited text; the original manuscript illustrations; apparatus, glosses, and notes on the page with the text; and a full introduction and bibliography.

This edition of the complete Works of Cotton Nero A.x.---"Patience, Purity, Pearl, " and "Sir Gawain and the Green Knight"---is the first collected edition since the manuscript itself. Charles Moorman's hope is that this work will facilitate studies of the whole "Gawain"-Poet, in addition to those of his individual works. In addition, this edition should provide a basis for comparative study and aid in an evaluation of the poet's development.

Designed for the professional scholar, the student, and the general reader with no training in Middle English, this edition brings together the tools for both introductory and advances study. Moorman has tried to make the text as readable, the notes as succinct and informative, and the glossary as useful as possible. The new reader will find before him everything necessary for a convenient first reading, and the scholar will see and appreciate the results of generations of scholarship.

These four poems---two dramatic biblical narratives, an elegy, and a chivalric romance---are, next to the works of Chaucer, the finest poems of the fourteenth century, an age abounding in great literature. Their variety, their rich imagery, their depth of mood and feeling, and particularly their sensitive responsiveness to the moral dilemmas of human life make these poems an endless, if not wholly translatable, source of both despair and comfort. "The Works of the "Gawain"-Poet" presents a number of distictive features: a conservatively edited text; the original manuscript illustrations; apparatus, glosses, and notes on the page with the text; and a full introduction and bibliography. The book should prove useful both as a reading and reference edition and as a graduate text.