Hungry Heart Roaming meanders between two 'in-between' places. It leaves one beach at the turn of the tide, and a young boy with his grandmother, and ends with a grandfather with another young boy, when the tide begins to make, on another beach. In between it wanders through a lost and perhaps more hopeful Europe before finally coming to brief peace in the knowledge of a longer journey still to be made, and a recognition that to know is uncertain and to understand can only be partial. Remembering with affection the ignorant and thoughtless visions of youth, the journey maps the loss of innocence and its replacement (perhaps) by something like understanding, and acceptance.

Tolkien was a specialist in a recherche field. He did not, at least initially, write for a mass audience. Yet for many in the 60s his books, particularly Lord of the Rings, became a political badge and an interpretative text. Widely translated, his fiction won the accolade both of parody and of its own learned journal; rock bands took names from his characters; and "Tolkien" - or how he was read - demonstrably affected modern fantasy, in writing, film, video- and board-game. This book explores how his work came to be so diversely received. Dr Moseley's critical discussion examines Tolkien's view of fiction as "sub-creation", exploring his analysis of mythopoeia and of the status of art and literature in relation to his own practice. It is argued that in the critical concerns of Tolkien and his circle lie the key to important issues in his fiction. His use of linguistic game and literary pastiche is explored without obscuring his emotional commitment to the making of myths that expressed some of his deepest fears of the world he experienced.

'We are all on a journey. None of us knows where ours will take us, and when we do, and it is over, we will not be able to tell anyone what it all meant, or where it took us. This is the goal of our pilgrimage, a journey of unknowing, where what we thought we knew turns out to have been a shadow of a something leading us ever forward, ever deeper. 'Crossroad is a story that cannot be finished yet; a story of journeys, mostly on foot, through places that in this present resonate with the lives lived in them in their long past: a shingle beach in Norfolk, a river in Cambridgeshire, a hill in what was Westmorland and an island in present Cumbria, a cave on an island in ancient Dalriata, in Iona, and Lindisfarne.' ~ In this beautifully-written book, Charles Moseley invites you to share with him many journeys, each in their way a kind of pilgrim quest. You can read them as a guide for you to follow, literally, in his footsteps - to Iona, Lindisfarne, Walsingham, Aran. Or you can walk alongside him in the spirit of faltering honesty, wry humour, spiritual questing, and the ever-present appreciation of landscape, ancient resonances, a tasty sandwich, a pair of good boots and a trusty stick.

Immediately popular when it first appeared around 1356, "The Travels of Sir John Mandeville" became the standard account of the East for several centuries?a work that went on to influence luminaries as diverse as Leonardo da Vinci, Swift, and Coleridge. Ostensibly written by an English knight, the "Travels" purport to relate his experiences in the Holy Land, Egypt, India, and China. Mandeville claims to have served in the Great Khan's army and to have journeyed to ?the lands beyond countries populated by dog-headed men, cannibals, Amazons, and pygmies. This translation by the esteemed C.W.R.D. Moseley conveys the elegant style of the original, making this an intriguing blend of fact and absurdity, and offering wondrous insight into fourteenth- century conceptions of the world.