Charles Palliser's work has been hailed as "so compulsively absorbing that reality disappears" (New York Times). Since his extraordinary debut, The Quincunx, his works have sold over one million copies worldwide. With his new novel, Rustication, he returns to the town of Thurchester, which he evoked so hauntingly in The Unburied. It is winter 1863, and Richard Shenstone, aged seventeen, has been sent down-"rusticated"-from Cambridge under a cloud of suspicion. Addicted to opium and tormented by sexual desire, he finds temporary refuge in a dilapidated old mansion on the southern English coast inhabited by his newly impoverished mother and his sister, Effie. Soon, graphic and threatening letters begin to circulate among his neighbors, and Richard finds himself the leading suspect in a series of crimes and misdemeanors ranging from vivisection to murder. Atmospheric, lurid, and brilliantly executed, Rustication confirms Palliser's reputation as "our leading contemporary Victorian novelist" (Guardian).

Charles Palliser s work has been hailed as so compulsively absorbing that reality disappears (New York Times). Since his extraordinary debut, The Quincunx, his works have sold over one million copies worldwide. With his new novel, Rustication, he returns to the town of Thurchester, which he evoked so hauntingly in The Unburied.

It is winter 1863, and Richard Shenstone, aged seventeen, has been sent down rusticated from Cambridge under a cloud of suspicion. Addicted to opium and tormented by sexual desire, he finds temporary refuge in a dilapidated old mansion on the southern English coast inhabited by his newly impoverished mother and his sister, Effie. Soon, graphic and threatening letters begin to circulate among his neighbors, and Richard finds himself the leading suspect in a series of crimes and misdemeanors ranging from vivisection to murder.

Atmospheric, lurid, and brilliantly executed, Rustication confirms Palliser s reputation as our leading contemporary Victorian novelist (Guardian)."

A gothic tale of deception, murder and mystery set in Victorian England. On a bleak, wintry morning in Victorian England, Dr Ned Courtine arrives in the sleepy cathedral town of Thurchester for a reunion with his former university friend, Austin Fickling. Over 20 years have passed since they last saw each other, and Fickling appears anxious and gaunt, ravaged by a strange, existential guilt. In order to deflect Courtine's questions from himself, Fickling recounts the story of Thurchester's ghost, William Burgoyne, once a royalist and treasurer of the cathedral who was murdered in the aftermath of the Civil War. The macabre tale of murder and deception captures Courtine's imagination, and he finds himself unknowningly drawn into a world of haunting evil. A masterpiece of Victorian suspense as well as a dazzling meditation on human passions, THE UNBURIED is a murder mystery that lingers - even after all has been resolved.

An extraordinary modern novel in the Victorian tradition, Charles Palliser has created something extraordinary--a plot within a plot within a plot of family secrets, mysterious clues, low-born birth, high-reaching immorality, and, always, always the fog-enshrouded, enigmatic character of 19th century -- London itself.
" You read the first page and down you wonderfully fall, into a long, large, wide world of fiction."
THE NEW YORK TIMES BOOK REVIEW

An extraordinary modern novel in the Victorian tradition, Charles Palliser has created something extraordinary--a plot within a plot within a plot of family secrets, mysterious clues, low-born birth, high-reaching immorality, and, always, always the fog-enshrouded, enigmatic character of 19th century -- London itself.
"You read the first page and down you wonderfully fall, into a long, large, wide world of fiction."
THE NEW YORK TIMES BOOK REVIEW

At once a hypnotic murder mystery, scathing literary parody, soap opera, and brilliant pastiche, Betrayals is an astonishing virtuouso performance by a modern master of literary gamesmanship in the tradition of Vladimir Nabokov and John Barth.
The novel unforlds in a series of seemingly unrelated narratives, each written in a different style -- indeed, in a different genre. There is an obituary for a Scottish scientist and Nobel Prize winner, written by a colleague who clearly relishes his death. Early in the century, a train in the Scottish Highlands heads down the wrong track during a winter snowstorm, and the passengers are forced to abandon the train, resulting in the death -- or is it murder? -- of one of them. An inane publisher's reader summarizes the plot of a tacky hospital romance novel, which ends in a gory murder all too reminiscent of Jack the Ripper. Even a report on a contemporary academic controversy explodes into a scandal of plagiarism, shattered reputations, paranoia, and suicide -- or is it murder made to look as such?
As Palliser deftly teases out each new situation, it becomes clear that they are all variations on a single outrageous theme: a distinguished figure in some intellectual pursuit -- science, literature, academia -- becomes obsessed with the success of a rival and schemes his demise, only to botch the job out of sheer monomania. Like the scorpion that stings itself to death, each plotter becomes a victim of his own plot; each betrayer changes places with the betrayed in an intricate dance of deception, revenge, and revelation.
A challenging, engrossing, utterly original work of art, Betrayals is also pure joy to read -- a book that will make you laugh out loud, turn pages madly in pursuit of the next plot twist, and above all, marvel at the supreme ingenuity of a fictional puzzle in which the unlikeliest pieces fit together perfectly.

"From the Hardcover edition."