First published more than a century ago, The Biography of a Grizzly recounts the life of a fictitious bear named Wahb who lived and died in the Greater Yellowstone region. This new edition combines Ernest Thompson Seton's classic tale and original illustrations with historical and scientific context for Wahb's story, providing a thorough understanding of the setting, cultural connections, biology, and ecology of Seton's best-known book. By the time The Biography of a Grizzly was published in 1900, grizzly bears had been hunted out of much of their historical range in North America. The characterization of Wahb, along with Seton's other anthropomorphic tales of American wildlife, helped to change public perceptions and promote conservation. As editors Jeremy M. Johnston and Charles R. Preston remind us, however, Seton's approach to writing about animals put him at the center of the ""Nature-Faker"" controversy of the early twentieth century, when John Burroughs and Theodore Roosevelt, among others, denounced sentimental representations of wildlife. The editors address conservation scientists' continuing concerns about inaccurate depictions of nature in popular culture. Despite its anthropomorphism, Seton's paradoxical book imparts a good deal of insightful and accurate natural history, even as its exaggerations shaped early-twentieth-century public opinion on conservation in often counterproductive ways. By complicating Seton's enthralling tale with scientific observations of grizzly behavior in the wild, Johnston and Preston evaluate the story's accuracy and bring the story of Yellowstone grizzlies into the present day. Preserving the 1900 edition's original design and illustrations, Wahb brings new understanding to an American classic, updating the book for current and future generations.

Naturalist John James Audubon found the Great Plains and their wildlife so riveting when he visited the region in 1834 that he broke off a letter to his wife because he was too excited to write. In the almost two hundred years since then, the Wyoming landscape, deemed the ""Italy of America"" by landscape painter Albert Bierstadt, has retained its glory if not its place in the imagination of the American public. This book reminds us of the remarkable bounty contained in the wild beauty and rich history of the Wyoming grasslands - even as these riches are under threat from both human and natural forces. This landscape is now captured in all its spectacular diversity in the photography of Michael P. Berman and William S. Sutton, two of the modern American West's most accomplished and well-known landscape photographers. Essays by Frank H. Goodyear, Jr., and Charles R. Preston provide a contextual framework for the images. Goodyear introduces us to the imagery of the American West and explains the place of Berman's and Sutton's work within that tradition, and Preston focuses on the natural history of the grasslands, illuminating the area's ecological diversity and changes through the seasons and over the years. In 2012 Berman and Sutton launched their massive Wyoming Grasslands Photographic Project, a partnership between The Nature Conservancy, Wyoming Chapter, and the Buffalo Bill Center of the West. Working in the tradition of late-nineteenth-century explorers and photographers of the American West, Berman and Sutton shot more than 50,000 digital photographs of Wyoming prairie, from the Red Desert of southwestern Wyoming to the Thunder Basin National Grassland of the state's northeastern corner. The best of their extraordinarily sensitive, revealing, and powerful images appear in these pages, documenting the sweep and the seasons of the Wyoming landscape. In eloquent words and pictures, including a foreword by environmental historian Dan Flores, Wyoming Grasslands offers dramatic proof of how the land that inspired the likes of Audubon and Bierstadt, while having altered over time, still holds and demands our attention.