The Green Thread: Dialogues with the Vegetal World is an interdisciplinary collection of essays in the emerging field of Plant Studies. The volume is the first of its kind to bring together a dynamic body of scholarship that shares a critique of long-standing human perceptions of plants as lacking autonomy, agency, consciousness, and, intelligence. The leading metaphor of the book-"the green thread", echoing poet Dylan Thomas' phrase "the green fuse"-carries multiple meanings. On a more apparent level, "the green thread" is what weaves together the diverse approaches of this collection: an interest in the vegetal that goes beyond single disciplines and specialist discourses, and one that not only encourages but necessitates interdisciplinary and even interspecies dialogue. On another level, "the green thread" links creative and historical productions to the materiality of the vegetal-a reality reflecting our symbiosis with oxygen-producing beings. In short, The Green Thread refers to the conversations about plants that transcend strict disciplinary boundaries as well as to the possibility of dialogue with plants.

A history and a personal account of great battle in a single volume
This unique Leonaur edition contains the well known and highly regarded personal account of the Russo-Turkish War of 1877-8, by an Australian volunteer serving as a doctor with Turkish forces. Initially attracted by a favourable remuneration package, the mercenary author of, 'Under the Red Crescent' often found himself much closer to the thick of the action than his calling might reasonably suggest. The principal actions about which his narrative revolves are the notable battles around Plevna in 1877. To enable readers more fully understand the battles and campaign, Charles Ryan and John Sandes' account is accompanied here by an overview of the battle by William V. Herbert which is supported by illustrations and battle plans. The broader conflict, fought between the Turkish Ottoman Empire and Russia, was motivated in part by aspirations for independent nationhood in the Balkan region, following centuries of Turkish domination, and by the desire of Russia to regain some of the losses she had sustained during the Crimean War some twenty years previously. For all those with an interest in the many small wars in Europe during the 19th century, that created the nation states we know today, this is an essential book in every way.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Digital Arts presents an introduction to new media art through key debates and theories. The volume begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution and archival processes. Considering the imperative of artists to adopt new technologies, the chapters of the book progressively present a study of the impact of the digital on art, as well as the exhibition, distribution and archiving of artworks. Reflecting contemporary research in the field, case studies illustrate concepts and developments outlined in Digital Arts. Additionally, reflections and questions provide opportunities for readers to explore terms, theories and examples relevant to the field. Consistent with the other volumes in the New Media series, a bullet-point summary and a further reading section enhance the introductory focus of each chapter.

This book offers interdisciplinary perspectives on nationalism in India and examines the ways in which literary-textual representations intervene in debates regarding Hindu, Muslim and other forms of Indian nationalism. The book interrogates questions of nationalism and nationhood in relation to literary and cultural texts, historic-linguistic contexts and new developments in queer nationalism and ecological nationalism. The book will be of interest to researchers working on South Asian Studies, including Indian culture, history, literature and politics.

This book addresses the increasingly important subject of ecomedia by critically examining the interconnections between environment, ecology, media forms, and popular culture in the Southeast Asian region, exploring methods such as textual analysis, thematic analysis, content analysis, participatory ethnography, auto ethnography, and semi-structured interviewing. It is divided into four sections: I. Activism, Environment, and Indigeneity; II. Political, Ecologies and Urban Spaces; III. Narratives, Discourses, and Aesthetics; and IV. Imperialism, Nationalism, and Islands, covering topics such as broadcast media (radio and TV) and the environment; green cinema and ecodocumentaries, ecodigital art, digital environmental literature. It is of great interest to researchers, students, practitioners and scholars working in the area of humanities, media, communications, cultural studies, environmental humanities, environmental studies, and sustainability.

This book offers interdisciplinary perspectives on nationalism in India and examines the ways in which literary-textual representations intervene in debates regarding Hindu, Muslim and other forms of Indian nationalism. The book interrogates questions of nationalism and nationhood in relation to literary and cultural texts, historic-linguistic contexts and new developments in queer nationalism and ecological nationalism. The book will be of interest to researchers working on South Asian Studies, including Indian culture, history, literature and politics.

The Green Thread: Dialogues with the Vegetal World is an interdisciplinary collection of essays in the emerging field of Plant Studies. The volume is the first of its kind to bring together a dynamic body of scholarship that shares a critique of long-standing human perceptions of plants as lacking autonomy, agency, consciousness, and, intelligence. The leading metaphor of the book-"the green thread", echoing poet Dylan Thomas' phrase "the green fuse"-carries multiple meanings. On a more apparent level, "the green thread" is what weaves together the diverse approaches of this collection: an interest in the vegetal that goes beyond single disciplines and specialist discourses, and one that not only encourages but necessitates interdisciplinary and even interspecies dialogue. On another level, "the green thread" links creative and historical productions to the materiality of the vegetal-a reality reflecting our symbiosis with oxygen-producing beings. In short, The Green Thread refers to the conversations about plants that transcend strict disciplinary boundaries as well as to the possibility of dialogue with plants.

Ecopoetics and the Global Landscape: Critical Essays surveys ecopoetry from a global perspective across different historical epochs. Its comparative approach foregrounds the importance of ecopoetics within the context of distinct national literatures and cultures to reveal the ubiquitous intersection of poetry with ecocriticism. The collection analyzes environmental problems resulting from the legacies of colonialism and focuses on issues of environmental justice and indigenous issues as well as on the intersection of genocide studies and environmentalism. It also examines ecologically-informed modes of relating to the world. In particular, it engages with interactions between the human and nonhuman as well as mind and matter. Finally, it broadens the scope of place to include both the absent land of exiled peoples, and the urban, built environment.

The term 'botanical aesthetics' refers to the visual and embodied modes which inform the perception, understanding, and appreciation of plant life. Green Sense is an interdisciplinary study of human aesthetic relationships to wild plants and the 'cultures of flora' that may characterise a region. The book explores botanical aesthetics through a study of the South-West region of Western Australia; a biodiversity 'hotspot' of international standing. Through a diverse range of materials, approaches, and perspectives, this title points to the interplay of values informing cultures of flora-from visual aesthetics and scientific knowledges, to embodied appreciations and sensory entanglements. The book provides a model for better understanding human relationships to wild plants, and offers an intriguing journey through science, poetry, philosophy, ethnography, Indigenous Australian knowledges, regional tourism, and memory studies. John Charles Ryan is a Postdoctoral Research Fellow in the Centre for Research in Entertainment, Arts, Technology, Education, and Communications (CREATEC) and the School of Communications and Arts at Edith Cowan University in Mount Lawley, Western Australia. Prior to his appointment, he completed a research doctorate with a focus on ecocultural studies of Australian biodiversity and creative responses to place. In 2003, he was awarded a Master of Arts degree in Values and the Environment (MAVE) from the University of Lancaster, UK. With the artist Ellen Hickman, he is co-author of Two with Nature, published in 2012. He is also a contributor to a forthcoming collection Fremantle Poets 3: Performance Poets. His ecocultural research has appeared in Continuum; Australian Humanities Review; Australian Garden History; Nature and Culture; New Scholar; and Transformations. Green Sense will appeal to readers interested in the sensory and embodied aspects of human relationships to plants.

Southeast Asian Ecocriticism presents a timely exploration of the rapidly expanding field of ecocriticism through its devotion to the writers, creators, theorists, traditions, concerns, and landscapes of Southeast Asian countries. While ecocritics have begun to turn their attention to East and South Asian contexts and, particularly, to Chinese and Indian cultural productions, less emphasis has been placed on the diverse environmental traditions of Southeast Asia. Building on recent scholarship in Asian ecocriticism, the book gives prominence to the range of theoretical models and practical approaches employed by scholars based within, and located outside of, the Southeast region. Consisting of twelve chapters, Southeast Asian Ecocriticism includes contributions on the ecological prose, poetry, cinema, and music of Indonesia, Malaysia, Myanmar, the Philippines, Thailand, and Vietnam. The authors emphasize the transnational exchanges of materials, technologies, texts, motifs, and ideas between Southeast Asian countries and Australia, England, Taiwan (Formosa), and the United States. From environmental hermeneutics, postcolonial studies, indigenous studies, and ecofeminism to critical plant studies, ecopoetics, and ecopedagogy, the edited collection embodies the dynamic breadth of interdisciplinary environmental scholarship today. Southeast Asian Ecocriticism foregrounds the theories, practices, and prospects of ecocriticism in the region. The volume opens up new directions and reveals fresh possibilities not only for ecocritical scholarship in Southeast Asia but for a comparative environmental criticism that transcends political boundaries and national canons. The volume highlights the important role of literature in heightening awareness of ecological issues at local, regional, and global scales.

Among the most productive ecosystems on earth, wetlands are also some of the most vulnerable. Australian Wetland Cultures argues for the cultural value of wetlands. Through a focus on swamps and their conservation, the volume makes a unique contribution to the growing interdisciplinary field of the environmental humanities. The authors investigate the crucial role of swamps in Australian society through the idea of wetland cultures. The broad historical and cultural range of the book spans pre-settlement indigenous Australian cultures, nineteenth-century European colonization, and contemporary Australian engagements with wetland habitats. The contributors situate the Australian emphasis in international cultural and ecological contexts. Case studies from Perth, Western Australia, provide practical examples of the conservation of wetlands as sites of interlinked natural and cultural heritage. The volume will appeal to readers with interests in anthropology, Australian studies, cultural studies, ecological science, environmental studies, and heritage protection.

This book addresses the increasingly important subject of ecomedia by critically examining the interconnections between environment, ecology, media forms, and popular culture in the Southeast Asian region, exploring methods such as textual analysis, thematic analysis, content analysis, participatory ethnography, auto ethnography, and semi-structured interviewing. It is divided into four sections: I. Activism, Environment, and Indigeneity; II. Political, Ecologies and Urban Spaces; III. Narratives, Discourses, and Aesthetics; and IV. Imperialism, Nationalism, and Islands, covering topics such as broadcast media (radio and TV) and the environment; green cinema and ecodocumentaries, ecodigital art, digital environmental literature. It is of great interest to researchers, students, practitioners and scholars working in the area of humanities, media, communications, cultural studies, environmental humanities, environmental studies, and sustainability.

How do poets, writers and cultural critics contend with and represent the garden or their own gardening as they are changed by austerity? Gardening under austerity encompasses a diversity of places, spaces, practices, and actors: suburban allotments and zoological gardens, Victory diggers and urban foragers, human gardeners and the unruly more-than-human world. Theorizing the politics, poetics and practices of austerity gardening in twentieth and twenty-first century Anglophone cultural texts, The Poetics and Politics of Gardening in Hard Times explores the variegated impact of austerity in conjunction with the representation of the garden in the national context of England in the mid-century, and how garden imagery is embedded within and illuminates the political, economic, and social contexts of literary production.

In the dark days of World War II, a special unit was commissioned by Lieutenant James Dunmore, an intelligence officer on General George Patton's staff. Made up of tough volunteers, the unit had only one purpose to hit first, hit hard, and kill without hesitation. This band of elite warriors would become known as the Mohawkers and the last thing the enemy would see would be... RECON FORCE STORM FRONT. The liberation of Europe has begun. Deep in occupied France. Lt. John "Red" Parnell and his Blue Team are conducting raids with the Resistance when they receive new orders. Rommel is to be arrested for conspiracy in the plot to kill Hitler. Their mission: escort an American officer to Rommel's HQ. to see if the Desert Fox will join the Allies before his downfall. But a traitorous double agent in their midst alerts the Gestapo, and the squad and their French comrades are captured. Tortured in the hellish 18th century keep of Carpentras. Parnell and his men escape, only to learn of a Nazi plan to kill Eisenhower. Now they must stop the assassins on the eve of the Battle of the Bulge and fight for their lives when they are surrounded in the isolated stronghold of Bastogne...

THE RACE AGAINST TIME AND TERROR Off the Great Barrier Reef of Australia, heads of state are gathering for a world conference that could very well be their last. Their hotel is the pinnacle of luxury-and the perfect terrorist target. A rogue agent and his power-hungry madmen are preparing to launch the ultimate weapon-even as they hunt relentlessly for the only two people who can stop this catastrophe. And aboard a museum piece World War II PT boat in the Pacific, a maverick American scientist and a beautiful, brash TV anchorwoman must win a race against all the odds... before the future of the world spins out of control.

The old U.S.S.R. is dead-but new evil has risen from its ashes, calling itself Phoenix Group. Led by a brilliant and obsessed rogue officer, manned by the most dedicated, deadly soldiers of the once all-powerful Soviet secret army. Their plan is to launch a biological weapon attack that will throw the fragile new world order into chaos. Their launching pad: a remote state on the northern frontier of India ruled by a power-hungry warlord. And the only people who could stop them: marine biologist Cas Bonner and gutsy, gorgeous Dr. Jackie Dunbar, in a game without rules against a danger without limits for the lives of millions and the future of the world... "A true master of adventure." - Clive Cussler