"Vital Signs" offers a radical new understanding of the role of psychoanalytic theory in contemporary French thought. Drawing on the work of Lacan, Kristeva, Foucault, and lesser-known thinkers Eugenie Lemoine-Luccioni and Catherine Millot, Shepherdson argues that we have misinterpreted the nature/culture distinction in relation to psychoanalysis. He shows how the constitution of subject, and the phenomenon of the body, are irreducible to this distinction, and argues that the reception of French psychoanalysis has been wrongly governed by the debate between biological models and symbolic theories of social construction. Shepherdson approaches this dilemma through a series of specific topics, using both theoretical texts and clinical material. The topics discussed (transsexualism, anorexia, maternity, and femininity), allow the author to bridge the gulf between theory and clinical practice, and to distinguish psychoanalysis from its disciplinary neighbors in contemporary social theory. "Vital Signs" will be of interest to philosophers, psychoanalysts, and those involved in literary and cultural studies.

Vital Signs offers a radical new understanding of the role of psychoanalytic theory in contemporary French thought.
Drawing on the work of Lacan, Kristeva, Foucault, and lesser-known thinkers Eugenie Lemoine-Luccioni and Catherine Millot, Shepherdson argues that we have misinterpreted the nature/culture distinction in relation to psychoanalysis.

This book weaves together three themes at the intersection of Jacques Lacan and the philosophical tradition. The first is the question of time and memory. How do these problems call for a revision of Lacan’s purported “ahistoricism,” and how does the temporality of the subject in Lacan intersect with the questions of temporality initiated by Heidegger and then developed by contemporary French philosophy? The second question concerns the status of the body in Lacanian theory, especially in connection with emotion and affect, which Lacanian theory is commonly thought to ignore, but which the concept of jouissance was developed to address. Finally, it aims to explore, beyond the strict limits of Lacanian theory, possible points of intersection between psychoanalysis and other domains, including questions of race, biology, and evolutionary theory. By stressing the question of affect, the book shows how Lacan’s position cannot be reduced to the structuralist models he nevertheless draws upon, and thus how the problem of the body may be understood as a formation that marks the limits of language. Exploring the anthropological category of “race” within a broadly evolutionary perspective, it shows how Lacan’s elaboration of the “imaginary” and the “symbolic” might allow us to explain human physiological diversity without reducing it to a cultural or linguistic construction or allowing “race” to remain as a traditional biological category. Here again the questions of history and temporality are paramount, and open the possibility for a genuine dialogue between psychoanalysis and biology. Finally, the book engages literary texts. Antigone, Ovid’s Metamorphoses, Hamlet, and even Wordsworth become the muses who oblige psychoanalysis and philosophy to listen once again to the provocations of poetry, which always disrupts our familiar notions of time and memory, of history and bodily or affective experience, and of subjectivity itself.

In this decisive explication, Roberto Harari skillfully explores one of the least examined aspects of Lacan's work, his "Seminar on Anxiety." Lacan's seminar situates with rigor, precision, and a wealth of clinical underpinnings what Lacan for a time called his "invention." Harari's Introduction allows readers to see that this work of Lacan is not merely of academic interest, but is a useful tool in working on the delineation of the characteristics of a Lacanian psychoanalytical clinic.

This book weaves together three themes at the intersection of Jacques Lacan and the philosophical tradition. The first is the question of time and memory. How do these problems call for a revision of Lacanas purported aahistoricism, a and how does the temporality of the subject in Lacan intersect with the questions of temporality initiated by Heidegger and then developed by contemporary French philosophy? The second question concerns the status of the body in Lacanian theory, especially in connection with emotion and affect, which Lacanian theory is commonly thought to ignore, but which the concept of jouissance was developed to address. Finally, it aims to explore, beyond the strict limits of Lacanian theory, possible points of intersection between psychoanalysis and other domains, including questions of race, biology, and evolutionary theory.By stressing the question of affect, the book shows how Lacanas position cannot be reduced to the structuralist models he nevertheless draws upon, and thus how the problem of the body may be understood as a formation that marks the limits of language. Exploring the anthropological category of aracea within a broadly evolutionary perspective, it shows how Lacanas elaboration of the aimaginarya and the asymbolica might allow us to explain human physiological diversity without reducing it to a cultural or linguistic construction or allowing aracea to remain as a traditional biological category. Here again the questions of history and temporality are paramount, and open the possibility for a genuine dialogue between psychoanalysis and biology.Finally, the book engages literary texts. Antigone, Ovidas Metamorphoses, Hamlet, and even Wordsworth becomethe muses who oblige psychoanalysis and philosophy to listen once again to the provocations of poetry, which always disrupts our familiar notions of time and memory, of history and bodily or affective experience, and of subjectivity itself.

A collection of essays by theorists in culture and politics. Experts from a variety of fields re-examine the origins of the subject as understood by Descartes, Kant and Hegel, and consider contemporary ideas that revive the subject, including queer theory and national identity. Contributors include Parveen Adams, Etienne Balibar, Homi Bhabha, Slavoj Zizek, Joan Copjec, Juliet Flower MacCannell, Charles Shepardson, Mikkei Borch-Jacobsen, Elizabeth Grosz and Miaden Dolar.