Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Notting Hill Mystery has been widely described as the first detective novel. The story is told by the insurance investigator Ralph Henderson, who is building a case against the sinister Baron R___, suspected of murdering his wife in order to claim her life insurance. Henderson descends into a maze of intrigue, including a diabolical mesmerist, kidnapping by gypsies, slow-poisoners, a rich uncle's will and three murders.Presented in the form of diary entries, family letters, chemical analysis reports, interviews with witnesses and a crime scene map, the novel displays innovative techniques that would not become common features of detective fiction until the 1920s. This novel launched the British Library Crime Classics series in 2012, and is now reissued with a striking new cover design

Turkism and the Soviets (1957) uses Turkish, Russian and Western sources to present a remarkable study of the Turkish world and its importance in international relations. It thoroughly examines the two factors which give this huge ethnic group its great importance - the strategic position of their territories and secondly their homogeneity and common objectives. Throughout this book the role of the Turkish peoples is examined as an issue intimately connected with the problem of the USSR and Communism. The southern border of the Soviet Union divides the Turkish world into two halves and partially cuts through the living area of the Turkish people. This is the area which contains the most important Soviet oil fields. The section of the book which deals with the splintering away of the Turkic portions of the USSR is of vital importance.

For the Pleasure of His Company: An Affair of the Misty City (1903) is a novel by Charles Warren Stoddard. Published toward the end of Stoddard’s career as a poet and travel writer whose friends included Mark Twain and Ambrose Bierce, For the Pleasure of His Company: An Affair of the Misty City is a pioneering novel that explores the ambitions of a young artist while illuminating the struggles of gay men in a society that failed to accept them as equals. At 25 years of age, Paul Clitheroe is “master of himself, but slave to fortune.” A struggling writer, he lives a life of ennui and excess, looking for love and success without being sure of the shape of either. In the Misty City, he has begun making a name for himself among local editors and readers, finally finding publication for his work. Despite this modest success, he remains unsatisfied, unsure of himself, and increasingly restless. Are his mixed feelings merely a symptom of his poetic outlook, or something else altogether? When the debonair Foxlair invites Paul to join him on a voyage to the South Seas, a land of promise where gay men can live without fear of reprisal, he wonders if there is a place for him after all. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Warren Stoddard’s For the Pleasure of His Company: An Affair of the Misty City is a classic work of American literature reimagined for modern readers.

Charles Warren Stoddard (1843-1909) was, during his life, an acclaimed and prolific writer in multiple genres: poetry, travel sketches, personal memoir, and conversion narrative. His most popular works were dispatches primarily from the South Sea Islands but also extended into Palestine, Egypt, and what would become known as Hawai'i, most of which were published in the San Francisco Chronicle and then collected into books. For the Pleasure of His Company: An Affair of the Misty City, Thrice Told (1903) is Stoddard's only novel. This new edition, as with other works in Penn Press's series Q19: The Queer American Nineteenth Century, returns and reframes an important queer literary text to print. Set mostly in and around San Francisco in the late nineteenth century, the novel features a protagonist, Paul Clitheroe, who is an aspiring writer living among the Bohemian artistic circles of that place and time-the same circles Stoddard himself inhabited. The novel is both formally experimental and largely autobiographical. Thus Paul comes into contact, as Stoddard did, with writers, artists, actors, directors, priests, adventurers, and many others as he attempts to begin his career. Bohemian artistic life and erotic experimentation go hand in hand here: Paul has multiple relationships with other men even as he writes a novel that features similar liaisons. At the very end of the story, while on a cruise in the Pacific, Paul impulsively leaves his ship and disappears in a canoe with some young Hawaiian men. This parallels Stoddard's life too: he spent many long periods of his life in Hawai'i, where he found the local homoerotic customs to his liking. This Q19 volume also includes three of Stoddard's Hawaiian travel sketches, which chronicle his intimate personal relationship with a Hawaiian youth he calls Kana-Ana. The volume contains a full critical introduction as well as extensive annotations explaining textual references of various kinds and identifying parallels with Stoddard's own life.

For the Pleasure of His Company: An Affair of the Misty City (1903) is a novel by Charles Warren Stoddard. Published toward the end of Stoddard's career as a poet and travel writer whose friends included Mark Twain and Ambrose Bierce, For the Pleasure of His Company: An Affair of the Misty City is a pioneering novel that explores the ambitions of a young artist while illuminating the struggles of gay men in a society that failed to accept them as equals. At 25 years of age, Paul Clitheroe is "master of himself, but slave to fortune." A struggling writer, he lives a life of ennui and excess, looking for love and success without being sure of the shape of either. In the Misty City, he has begun making a name for himself among local editors and readers, finally finding publication for his work. Despite this modest success, he remains unsatisfied, unsure of himself, and increasingly restless. Are his mixed feelings merely a symptom of his poetic outlook, or something else altogether? When the debonair Foxlair invites Paul to join him on a voyage to the South Seas, a land of promise where gay men can live without fear of reprisal, he wonders if there is a place for him after all. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Warren Stoddard's For the Pleasure of His Company: An Affair of the Misty City is a classic work of American literature reimagined for modern readers.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Bringing together contributions from leading researchers, this volume reflects on the political, institutional and social factors that have shaped the recent expansion of wind energy, and to consider what lessons this experience may provide for the future expansion of other renewable technologies.

Bringing together contributions from leading researchers, this volume reflects on the political, institutional and social factors that have shaped the recent expansion of wind energy, and to consider what lessons this experience may provide for the future expansion of other renewable technologies.

In "Human Documents," Robert Gardner introduces the work of photographers with whom he has worked over a period of nearly fifty years under the auspices of the Film Study Center at Harvard. Their images achieve the status of what Gardner calls "human documents": visual evidence that testifies to our shared humanity. In images and words, the book adds to the already significant literature on photography and filmmaking as ways to gather both fact and insight into the human condition. In nearly 100 images spanning geographies and cultures including India, New Guinea, Ethiopia, and the United States, Human Documents demonstrates the important role photography can play in furthering our understanding of human nature and connecting people through an almost universal visual language.

Author and cultural critic Eliot Weinberger contributes the essay "Photography and Anthropology (A Contact Sheet)," in which he provides a new and intriguing context for viewing and thinking about the images presented here.

With photographs by Michael Rockefeller, Robert Gardner, Kevin Bubriski, Adelaide de Menil, Christopher James, Jane Tuckerman, Susan Meiselas, and Alex Webb.