Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

'AMERICAN EAGLES' is the thrilling, true story of the US 101st Airborne Division. From their rigorous training in 'Old Jolly' (England) to their first operational jump in Normandy, Whiting tells the story of this 'Band of Brothers', who fought, suffered and died in the eleven month campaign that followed. From Normandy through Holland, Bastogne, French Alsace till their final date with destiny at Hitler's Eagle's Nest in the Bavarian Alps, we gain a picture of a brave elite division 'warts and all'. Drawing on his own youthful experiences when his regiment was under the command of 101st Airborne in Holland, through painstaking research on the site of each of the 101st's battles, plus survivors stories, Whiting, perhaps Britain's most renowned popular WWII military historian, provides an ideal companion for the viewers of Steven Spielberg's celebrated $100 million TV series 'Band of Brothers'.

In a major new biography, veteran military historian and WII biographer, Charles Whiting combines both talents to tell the tale of barefoot Texan share-cropper's son, who could barely read and write, but became not only the US Army's most decorated soldier in its 250 - year history, but also the star of forty Paramount produced movies: most of which are shown on TV screens around the world to this very day. The gentle-eyed, baby-faced hero had won every decoration the United States had to offer before he was eligible to vote and killed 240 enemy soldiers in the process. Luck made him a movie star. Always he tried to improve himself, but time and time again he was relegated to the 'horse operas', where as he wisecracked cynically, "it was the same old movie, only they changed the colour of the horse." But there was a price to pay for his heroism in drugs, nervous tension and Murphy's addiction to violence. Even as a middle-aged movie star, he always slept with a .45 beneath his pillow, plagued by nightmares of the war. Murphy had been an ordinary boy, who had volunteered to go to fight and did so with exceeding bravery in the last 'good war'. He paid highly for that bravery and sense of duty to a country which had given him nothing save "malnutrition," as he used to quip. He was that last American Hero, who did as President Kennedy proclaimed, " Don't ask what your country can do for you. Ask what you can do for your country." Even before his young life had really commenced, he had become a legend. But in the end 'Tinseltown' and the 'feather merchants' of Hollywood broke him. As Time magazine commented on his death; "Audie Murphy belonged to an earlier, simpler time, one in which bravery was a cardinal and killing was a virtue... We shall not see his like again."

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.