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This historic book may have numerous typos and missing text.
Purchasers can usually download a free scanned copy of the original
book (without typos) from the publisher. Not indexed. Not
illustrated. 1912 edition. Excerpt: ... showing the interplay of
life, there were increased demands for drama and more need of the
poet or dramatist, even in embryo. Masques and pageants, the joy of
her father's courtt though not at once discarded, rapidly
diminished. During the first two years, masques were predominant.1
Thereafter, interludes and plays were requisitioned in increasing
number. Herein, too, consonant with her love for dialogue, her
well-known parsimony figured not a little, tending to eliminate
expensive shows and to cultivate instead the less expensive and
more delectable entertainment of dramatic performances. Her passion
for drama was supplied at first by laureating Edwards, Farrant, and
Hunnis with special privileges of presenting plays before her by
the Court children, and by drawing upon the dramatic resources of
Sebastian Westcott with the children of Paul's. Year by year these
companies appeared before her. Still not even their increased
numbers fully supplied the demands. Occasionally, even in her early
years, she invited a company of men actors under patronage of some
favorite lord. In 1564 were added the children of Westminster who
appeared 1 See Table, infra, 199--200. occasionally thereafter,
then in 1572--73 the Merchant Taylor's and the boys of Eton.1 The
children of the Court were still the centre of dramatic activity
and set the fashion on the basis of Court taste which all the other
companies consequently followed. During the first fifteen years, up
to 1573, the plays at Court were almost wholly by them and the
other children companies who bent their old school drama out of
recognition in deference to the demands of the royal audience for
mere entertainment. Only eight times in that period did companies
of men appear.2 Then, simultaneously...
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone!
From The Harper's Monthly Magazine, March, 1910.
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone!
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