A romantic and suspenseful read with a fresh, contemporary setting.
When Amadea Fontaine wakes upon her thirtieth birthday to find a naked man in the spare room of her immaculate flat, she is horrified, not least because -- suffering from her first ever hangover -- she cannot remember who he is, but, it subsequently emerges, nor can he.
Desperate to find out how this extremely handsome and engaging man ended up in her home, Amadea enlists the help of her neighbour, Doctor Rob Greer. At first, following efforts to help Amadea's naked guest, whom she christens "Edward No Name," regain his memory, it is decided that the best thing for him is to be hospitalized. However, when it looks as if Edward is about to become the victim of medical experiments, they are forced to act, and spirit him away from hospital and down to her mother's remote farmhouse in Somerset.
Florence Fontaine lives simply, off the land, without television or radio, and Edward feels as if he has awoken in Paradise. As the summer sun starts to climb into the heavens, and birdsong fills the air, his memory starts to return. But, it is only when the local country estate holds a Fete champetre, to which everyone is invited to appear in eighteenth-century costume, that Edward's true identity -- and his past -- are revealed.

"From the Hardcover edition."

This is the story of Penelope Keeling and her family and the passion and heartbreak that have held them together for three generations. The location of the play moves between time and place beginning with Penelope's return to her Cotswold home from hospital in the present day. The story continues through the advent of three children and Penelope's desertion by her husband, with the pull of Cornwall ever present.5 women, 5 men, 2 women or men

The wickedly funny sequel to the MI5 and Me, described by Tatler as 'a stone cold comic classic', following the irrepressible Lottie's adventures in 1950s London

London in the 1950s. Lottie is a reluctant typist at MI5 and the even more reluctant daughter of the organisation's most illustrious spy. Now she has had the bad luck to fall in love with Harry, a handsome if frustrated young actor, who has also been press-ganged into the family business, acting as one of her father's undercover agents in the Communist hotbed of British theatre.

Together the two young lovers embark on a star-studded adventure through the glittering world of theatre - but, between missing files, disapproving parents, and their own burgeoning creative endeavours, life is about to become very complicated indeed...

The deliciously funny confessions of a debutante which became an international bestseller

It is the early 1960s, and eighteen-year-old Charlotte Bingham, fresh from convent school, has been catapulted into the horrors of The Season. Though desperately on the hunt for a Superman to call her own, the country house ball circuit seems to yield nothing but an inexhaustible crop of charmless, chinless Weeds. But Charlotte's adventures are more than sufficiently diverting: whether she's bouffing up her hair to try and pass herself off as a beatnik, hurtling down the Champs Elysées on the back of a Vespa, or accidentally sticking her eyelids together with eyelash glue while at modelling school, her experiments in coming-of-age are never short of intrigue - and disaster.

Published in 1963 when she was just nineteen, Bingham's sparkling memoir of her trials and travails became an international bestseller. From its pages emerges a deeply lovable and relentlessly optimistic young woman - for all that her shorthand isn't what it might be - looking for love in all the wrong places.

You've seen PYGMALION? Or MY FAIR LADY perhaps? And if so, did you think there were a few questions left unanswered? Shaw did and supplied some answers to many of these questions in subsequent writings yet the question that begged most for an answer he left well up in the air. So here's a possible answer to that particular question and it's but no that might spoil your enjoyment. So why not just sit back and see what might have happened or maybe even did happen BELOW STAIRS........

Four friends gather regularly to play Bridge, a habit formed over the years, but sadly one of their number, Isobel, has been recently widowed and her oldest friend Vic is taking steps to try and rehabilitate the still grief struck Isobel against the counsel of her husband Jimmy who deems it all too early. Vic persists and when the play opens it is the first time Isobel has ventured out let alone sat at a cards table since losing her husband. But now there is a new face in the game, Hugh, who just happens to have known Isobel in her youth. Hugh is recently married to the seemingly quiet and well-ordered Mary, who turns out to be someone with quite a different agenda altogether, and as with Mary's help Isobel begins to find her emotional feet once more, the god of Disorder takes charge and mayhem emotional and physical ensues before chaos is banished and peace and normality return to everyone's lives as the cards are picked up once more as the game of life moves on. Although set around a bridge game, the play is nothing to do with the game itself but is about the characters who meet to play who have all known each other as it emerges for most of their lives. Far from being about cards the play is about love, friendship, loss, redemption and rehabilitation. For audience and cast alike it requires absolutely no knowledge of bridge at all, only an interest in humanity and how we all try and cope with the hardest hand of all to play - the loss of a loved one.

This is the sequel to CHARLOTTE BINGHAM'S global best selling youthful autobiography CORONET AMONG THE WEEDS which was the a fiction sensation of the early 1960s, propelling the 19 year old author to international fame. The book became the part basis of the chart topping TV comedy series NON HONESTLY on LWTV and this the second volume became the other source. Both volumes are delightfully and often hilariously funny and earned rave reviews at the time from critics in over a dozen countries. Reading them you get the most wonderfully original picture of those now far off and more innocent times, and both CORONETS will surely earn their place in literary history.