As the smoky dark sweeps across the capital, strange stories emerge from the night. A seance reveals a ghastly secret in the murk of Regent's Canal. From south of the Thames come chilling reports of a spring-heeled spectre, and in Stoke Newington rumours abound of an opening to another world among the quiet alleys. Join Elizabeth Dearnley on this atmospheric tour through a shadowy London, a city which has long inspired writers of the weird and uncanny. Waiting in the hazy streets are eerie tales from Charlotte Riddell, Lettice Galbraith and Violet Hunt, along with haunting pieces by Virginia Woolf, Arthur Machen, Sam Selvon and many more.

DARK TALES IN WINTER adapted for the stage by Matt Beames & Hannah Torrance A mysterious door that will not close... A haunted railwayman at his lonely post... A chilling presence haunts a quiet household... A black cat reveals a grim secret... A collection of four classic ghost stories by masters of the genre, each newly adapted for the stage. Each tale can be enacted by a single performer and together they make for a chilling evening of ghostly tales. Features: The Open Door by Charlotte Riddell The Signal-Man by Charles Dickens The Shadow by E. Nesbit The Black Cat by Edgar Allen Poe

After the death of her mother and the loss of her family's fortune, it falls to young Glen Westley to do what she can for herself and her ailing father. Determined to make her own way in the world, she moves from the West of Ireland to London and works tirelessly to succeed as a novelist, despite the limitations her sex and nationality represent.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Many of the earliest ghost stories and tales of hauntings, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Charlotte Riddell aka, Mrs J.H. Riddell (30 September 1832 - 24 September 1906) was a one of the most popular and influential writers of the Victorian period. The author of 56 books, novels and short stories, she was also part owner and editor of the St. James's Magazine, one of the most prestigious literary magazines of the 1860s. Born Charlotte Eliza Lawson Cowan in Carrickfergus, County Antrim, Ireland on 30 September 1832, Riddell was the youngest daughter of James Cowan, of Carrickfergus, High Sheriff for the county of Antrim and Ellen Kilshaw of Liverpool, England. In the winter of 1855, four years after her father's death, she and her mother moved to London. Charlotte was visited by death again the following year when her mother died. In 1857 she married Joseph Hadley Riddell, a civil engineer, originally from Staffordshire, but resident in London. It is known that they moved to live in St John's Lodge between Harringay and West Green in the mid 1860s, moving out in 1873 as the area was being built up. Her husband died in 1880. Charlotte lived a lonely life thereafter until she died from cancer in Ashford, Kent, England on 24 September 1906. (wikipedia.org)

Charlotte Riddell was one of the greatest Irish writers of horror and ghostly goings on. This collection has three of her finest stories, 'Hertford O'Donnell's Warning', 'Sandy the Tinker', 'The Old House in Vauxhall Walk' and 'The Banshee's Warning'.

From the once-popular yet unfairly neglected Victorian writer Charlotte Riddell comes a pair of novels which cleverly upholster the familiar furniture of the `haunted house' story. In `An Uninhabited House', the hauntings are seen through the perspective of the solicitors who hold the deed of the property. Here we find a shrewd comedic skewering of this host of scriveners and clerks, and a realist approach to the consequences of a `haunted house' - how does one let such a property? Slowly the safer world of commerce and law gives way as the encounter with the supernatural entity becomes more and more unavoidable... In `Fairy Water', Riddell again subverts the expectations of the reader, suggesting a complex moral character for her haunting spirit. Her writing style is succinct and witty, rendering the story a spirited and approachable read despite its age.

Charlotte Riddell's The Uninhabited House (1875) tells the story of River Hall and the secrets that are hidden behind its doors. Within this haunted house, Riddell combines the supernatural with Victorian anxieties over stolen inheritance, crime, greed, and class mobility. This new Broadview Edition includes a detailed biography of Charlotte Riddell and illustrations from the original appearance of the novella in Routledge's Magazine; it also includes Riddell's ghost story "The Open Door" (1882), which serves as a useful companion text for The Uninhabited House. The contextual material in the edition highlights Victorian cultural, historical, and literary influences on Riddell's text, including women's contributions to the ghost story, print culture, and the development of supernatural fiction; the link between ghost stories and the holidays; and the haunted house, ghost hunting, and popular beliefs about ghosts in the Victorian era.