After first making her mark as a compelling performer, Belgian poet Charlotte Van den Broeck was acclaimed as one of Europe’s most innovative and original new voices in poetry following the publication of her first collection Chameleon in 2015. Her first English translation combines her debut volume with her second book Nachtroer (2017), its untranslatable title the name of all-night shop in Antwerp where she lives. Chameleon is a set of apparently naïve but knowingly ironic, playful and subversive poems which trace a girl’s search for a woman’s identity, a coming-of-age exploration of body and language drawing on memories, shapes and landscapes. In Nachtroer her poems take a nighttime journey through heartbreak, insomnia and the hectic flow of daily life, driven by a desire for disappearance, displacement and dissolution. Chameleon ends with taking to the ocean. Nachtroer’s last poem is about building a boat for such a voyage. Chameleon | Nachtroer sets the two books afloat in English.

A spellbinding new talent explores the dark side of creativity through the stories of thirteen tragic architects 'Bold Ventures resembles a pop version of Iain Sinclair's psychogeography or Out of Sheer Rage, Geoff Dyer's anti-biography of DH Lawrence' Olivia Laing, Guardian In thirteen chapters, Belgian poet Charlotte Van den Broeck goes in search of buildings that were fatal for their architects - architects who either killed themselves or are rumoured to have done so. They range across time and space from a church with a twisted spire built in seventeenth-century France to a theatre that collapsed mid-performance in 1920s Washington, DC., and an eerily sinking swimming pool in her hometown of Turnhout. Drawing on a vast range of material, from Hegel and Charles Darwin to art history, stories from her own life and popular culture, patterns gradually come into focus, as Van den Broeck asks: what is that strange life-or-death connection between a creation and its creator? Threaded through each story, and in prose of great essayistic subtlety, Van den Broeck meditates on the question of suicide - what Albert Camus called the 'one truly serious philosophical problem' - in relation to creativity and public disgrace. The result is a profoundly idiosyncratic book, breaking new ground in literary non-fiction, as well as providing solace and consolation - and a note of caution - to anyone who has ever risked their hand at a creative act. 'What a sensible, intelligent and beautiful book' Stefan Hertmans, author of War and Turpentine