With the addition of two stories, namely, ""April 19th"" and ""Letters to God"", this collection makes available in English for the first time a complete selection of Chava Rosenfarb's short stories all in one place. All the stories in this collection deal with the afterlife of Holocaust survivors in North America. Since Chava Rosenfarb was herself a Holocaust survivor who settled in Montreal after the war, she speaks in these stories from personal experience at the same time as she allows her imagination to inhabit the minds of characters far different from herself.

With the addition of two stories, namely, ""April 19th"" and ""Letters to God"", this collection makes available in English for the first time a complete selection of Chava Rosenfarb's short stories all in one place. All the stories in this collection deal with the afterlife of Holocaust survivors in North America. Since Chava Rosenfarb was herself a Holocaust survivor who settled in Montreal after the war, she speaks in these stories from personal experience at the same time as she allows her imagination to inhabit the minds of characters far different from herself.

On the Brink of the Precipice, the first volume of the trilogy "The Tree of Life," describes the lives of the novel's ten protagonists in the Lodz Ghetto before the outbreak of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through this novel's every page.

In Of Lodz and Love, Chava Rosenfarb revisits her themes of the the shtetl and pre-Holocaust Poland, of economic and political oppression, and of the upheavals that would herald a new Jewish national and political awakening. The story takes Yacov, son of Hindele, and Binele, the daughter of the chalk vendor Yossele Abedale, to the industrial town of Lodz during the first years of Poland's independence, both before and after the country entered the war with the Bolsheviks. The would-be young lovers evolve separately against the backdrop of the city's own struggle for economic survival. In sometimes tragic turns, they make their way in the strange urban culture, rapidly acquiring the skills to survive. Translated from the original Yiddish, this book serves as prologue and as counterpoint to the urbanization of Jewish life in Poland. In its elegance and subtle wit, and overwhelming human dignity, it is not only the testimony of a vanished world, but a powerful love story.

The third and final volume in this powerful trilogy, ""The Cattle Cars are Waiting"" follows the tragic fate of the inhabitants of the ghetto. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through every page.

This volume describes the lives of the novel's protagonists in the Lodz Ghetto at the beginning of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although horrendous experiences are depicted, the light of faith in the human spirit shines through this novel's every page. You give artistic meaning to an epoch of Jewish experience that is so unbelievably brutal that it is not possible for those who were never there to grasp the full breadth of its horrors. Your manner of conveying the ghetto life is, however, of such scope and literary power that the reader feels himself to be living with you. - Jury Decision for the J J Segal Prize for Yiddish and Hebrew Literature.

Sholem Aleichem romanticized shtetl life. Isaac Bashevis Singer eroticized it. ln the novel Bociany and its sequel, Of Lodz and Love, Chava Rosenfarb brings a vanished world to vibrant, compelling life. Rosenfarb follows the destinies of characters from the Polish town of Bociany as they grow up, grow old, and leave the shtetl for the city. In Bociany, Rosenfarb offers completely absorbing portrayals of Jews and Christians from several walks of life in the shtetL Her primary characters are the scribe's widow Hindele, her son Yacov, the chalk vendor Yossele Abedale, and his daughter Binele. Jewish relations with neighboring Catholics are generally civil, if complicated. Despite living next door to a convent, Hindele finds the nuns' behavior implacably alien. Rosenfarb establishes an indelible sense of place, evoking its charm and the shtetl residents' ease with the natural world. Her vivid characters and portrait of the preurban, pre-Holocaust world ring true. Yet even in isolated Bociany, new ideas socialism, Zionism, Polish nationalism, secularism begin to challenge the shtetl's traditional agrarian and mercantile economy.