In a series of journal entries-some original passages, others revisited and expanded in retrospect-Cherrie Moraga details her experiences with pregnancy, birth, and the early years of lesbian parenting. With the premature birth of her son-when HIV-related mortality rates were at their highest-Moraga, a new mother at 40-years-old, was forced to confront the fragile volatility of life and death; in these recorded dreams and reflections, her terror and resilience are made palpable. The particular challenges of queer parenting prove transformative as Moraga navigates her intersecting roles as mother, child, lover, friend, artist, activist, and more. With an updated introduction and other additions, including an afterword by Rafael Angel Moraga, this revised 25th anniversary edition of Waiting in the Wings is thoughtful and emotive, with prose that is sharp and beautifully written, from the voice of a beloved and incomparable writer.

Elizabeth C. Ramirez and Catherine Casiano bring together a collection of plays and performance pieces by innovative Latina playwrights. Surveying Latina theatre in the United States from the 1980s to the twenty-first century, the editors present works displaying a variety of forms, themes, and genres, expanding the field of Latina theatre while situating it in the larger spectrum of American stage and performance studies. Ramirez and Casiano provide historical context and a production history for each work and a biography of, and artistic statement from, each playwright. Contributors: Yareli Arizmendi, Josefina Baez, The Colorado Sisters, Migdalia Cruz, Evelina Fernandez, Cherrie Moraga, Carmen Pelaez, Carmen Rivera, Celia H. Rodriguez, Diane Rodriguez, and Milcha Sanchez-Scott. The volume also includes commentary by Kathy Perkins and Caridad Svich.

Surveying the Latina theatre movement in the United States since the 1980s, "La Voz Latina" brings together contemporary plays and performance pieces by innovative Latina playwrights. This rich collection of varying styles, forms, themes, and genres includes work by Yareli Arizmendi, Josefina Baez, The Colorado Sisters, Migdalia Cruz, Evelina Fernandez, Cherrie Moraga, Carmen Pelaez, Carmen Rivera, Celia H. Rodriguez, Diane Rodriguez, and Milcha Sanchez-Scott, as well as commentary by Kathy Perkins and Caridad Svich on the present state of Latinas in theatre roles. "La Voz Latina" expands the field of Latina theatre while situating it in the larger spectrum of American stage and performance studies. In highlighting the ethnic and cultural roots of the performance artists, Elizabeth C. Ramirez and Catherine Casiano provide historical context as well as a short biography, production history, and artistic statement from each playwright.