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Home Girls, the pioneering anthology of Black feminist thought,
features writing by Black feminist and lesbian activists on topics
both provocative and profound. Since its initial publication in
1983, it has become an essential text on Black women's lives and
contains work by many of feminism's foremost thinkers. This edition
features an updated list of contributor biographies and an all-new
preface that provides Barbara Smith the opportunity to look back on
forty years of the struggle, as well as the influence the work in
this book has had on generations of feminists. The preface from the
previous Rutgers edition remains, as well as all of the original
pieces, set in a fresh new package. Contributors: Tania
Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen,
Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie)
M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez,
Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre
Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat
Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd,
Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith,
Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed,
Alice Walker, and Renita J. Weems.
This work is designed to create a forum for synthesizing collective
voices from women of color in academia. It will serve as a
professional development tool for academicians, both embarking upon
and maintaining careers in higher education. Filled with dynamic
women of color sharing one of their most valuable resources, their
experience, the authors mentor the reader by discussing practical
lessons and mapping career path strategies.
The third book in the series, Creative Clarinet Improvising uses
the techniques encountered in Creative Clarinet to develop new and
exciting improvisational skills. Each of the 16 pieces is presented
with a range of warm ups, scales, and solo ideas or melodic
variations, to be used as a basis for improvising.
BL Clear and systematic progression BL For beginners of all ages BL
Teaches with reference to jazz and contemporary music styles
throughout BL First steps towards confident improvisation BL Covers
all relevant elements of technique BL Lots of idiomatic practice
material BL Authentic and varied CD backing for many of the pieces
BL CD includes versions for alto and tenor instruments
Creative Clarinet is a tutor book ideal for beginner and
intermediate clarinettists of all ages. Tried-and-tested pieces in
a variety of contemporary styles-including rock, swing, funk,
blues, and Latin-are presented alongside guidelines on the
fundamentals of technique from expert teachers Kellie Santin and
Cheryl Clark. As with each book in the series, Creative Clarinet is
accompanied by a CD featuring play-along tracks by world-class
musicians.
Home Girls, the pioneering anthology of Black feminist thought,
features writing by Black feminist and lesbian activists on topics
both provocative and profound. Since its initial publication in
1983, it has become an essential text on Black women's lives and
contains work by many of feminism's foremost thinkers. This edition
features an updated list of contributor biographies and an all-new
preface that provides Barbara Smith the opportunity to look back on
forty years of the struggle, as well as the influence the work in
this book has had on generations of feminists. The preface from the
previous Rutgers edition remains, as well as all of the original
pieces, set in a fresh new package. Contributors: Tania
Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen,
Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie)
M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez,
Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre
Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat
Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd,
Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith,
Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed,
Alice Walker, and Renita J. Weems.
Creative Saxophone Improvising is the third book in the series and
leads the student towards fluent and idiomatic improvisation using
a range of skills and techniques. The book includes 16 new pieces
in a range of contemporary styles, each presented with warm ups,
scales, and solo ideas or melodic variations to be used as a basis
for improvising. BL For intermediate saxophonists of all ages BL
Authentic and varied CD backing for all pieces;includes versions
for alto and tenor saxophone
Presenting the essential writings of black lesbian poet and
feminist writer Audre Lorde, SISTER OUTSIDER celebrates an
influential voice in twentieth-century literature. In this charged
collection of fifteen essays and speeches, Lorde takes on sexism,
racism, ageism, homophobia, and class, and propounds social
difference as a vehicle for action and change. Her prose is
incisive, unflinching, and lyrical, reflecting struggle but
ultimately offering messages of hope. This commemorative edition
includes a new foreword by Lorde scholar and poet Cheryl Clarke,
who celebrates the ways in which Lorde's philosophies resonate more
than twenty years after they were first published. These landmark
writings are, in Lorde's own words, a call to "never close our eyes
to the terror, to the chaos which is Black which is creative which
is female which is dark which is rejected which is messy which is.
. . ."
Reviews..".it's been almost a quarter of a century since Audre
Lorde's essays and speeches in Sister Outsider made an indelible
mark on 20th-century literature. But the words of the black lesbian
feminist poet seem as lyrical and unforgettable, and, sadly, as
relevant today as when she first tackled everything from racism and
homophobia to ageism and class dichotomies. A must-have book that
every lesbian should read."--Curve Editor's Pick "Lorde was a
brilliant feminist poet and intellectual whose theories on the
power of embracing our internal contradictions as well as the
differences between people and groups is the way to powerful
coalition building and social progress." --New York Post, Sunday
"Poet and librarian Lorde collected 15 of her finest essays and
speeches in this 1984 volume. With her poet's command of language,
she addresses sexism, racism, black women, black lesbians,
eroticism, and more. Still powerful."--Library Journal, Starred
Review"Audre Lorde is a passionate sage. I say 'is' and not 'was'
because her keen insights continue to provoke and sustain us and
give us courage. The reissue of this book is a gift to longtime
admirers and to new readers who have yet to discover the power and
grace and splendid audacity of Audre Lorde."--Valerie Miner, author
of After Eden and professor of feminist studies at Stanford
University" Lorde's] works will be important to those truly
interested in growing up sensitive, intelligent, and aware."--New
York Times
Creative Clarinet Duets is an ideal companion to Creative Clarinet.
Mirroring the progression and styles of the tutor book, Creative
Clarinet Duets takes the first steps in developing important
ensemble skills-vital to any aspiring clarinettist. The
accompanying CD gives performances of the pieces, and is also
configured to allow individuals to enjoy duet-playing
independently.
BL For beginners of all ages BL Clear and systematic progression BL
Companion book to Creative Saxophone BL 26 pieces that mirror the
progression of the tutor book BL Focuses on contemporary music
styles BL First steps in developing ensemble playing skills BL
Saxophone and drumkit backing for each duet on CD; includes
versions for alto and tenor instruments
G.R.I.T.S. - A MARVELOUS AND DIVERSE COLLECTION OF WRITINGS AND
WRITERS This cutting-edge anthology G.R.I.T.S: Girls Raised In The
South- An Anthology of Southern Queer Womyns' Voices and Their
Allies, edited by Poet On Watch & Amber N. Williams, can be
compared to the pioneering anthology Home Girls which featured
writings by Black feminist and lesbian activists on topics both
provocative and profound. G.R.I.T.S. is a critical self-analysis
and celebration with multicultural queer women voices and their
allies through essays, short stories, poetry, photo stories and
healing comfort recipes. The perspectives are of womyn who live in
the Southern region of the United States and/or have a strong
affinity for this locale. The theme of the publication surrounds
the subject matter of erotica while enjoying food, our connection
to the South, the bonds created between lovers, and in sisterhood,
personal growth, be it spiritual or otherwise and our best
G.R.I.T.S recipes. Come and sit a while on the porch and bask in
this Southern hospitality. We have the iced tea waiting. Welcome to
our lives. To join us in community please like our facebook page
https: //www.facebook.com/grits.anthology.
The politics and music of the sixties and early seventies have been
the subject of scholarship for many years, but it is only very
recently that attention has turned to the cultural productions of
African Americans poets. In "After Mecca," Cheryl Clarke explores
the relationship between the Black Arts Movement (BAM) and black
women writers of the period. Poems by Gwendolyn Brooks, Ntozake
Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez,
Alice Walker, and others, chart the emergence of a new and distinct
black poetry and its relationship to the black community's struggle
for rights and liberation. Clarke also traces the contributions of
these poets to the development of feminism and lesbian-feminism,
and the legacy they left for others to build on. She argues that
whether black women poets of the time were writing from within the
movement or writing against it, virtually all were responding to
it. Using the trope of "Mecca," she explores the ways in which
these writers were turning away from white, western society to
create a new literacy of blackness. Provocatively written, this
book is an important contribution to the fields of African American
literary studies and feminist theory.
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