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This frontline volume contributes to the social study of education
in general and literacy in particular by bringing together in a new
way the traditions of language, ethnography, and education.
Integrating New Literacy Studies and Bourdieusian sociology with
ethnographic approaches to the study of classroom practice, it
offers an original and useful reference point for scholars and
students of education, language, and literacy wishing to
incorporate Bourdieu's ideas into their work. More than just a set
of stand-alone chapters around social perspectives on language
interactions in classrooms, this book develops and unfolds
dialogically across three sections: Bridging New Literacy Studies
and Bourdieu - Principles; Language, Ethnography and Education -
Practical Studies; Working at the Intersections - In Theory and
Practice. The authors posit 'Classroom Language Ethnography' as a
genuinely new perspective with rich and developed traditions behind
it, but distinct from conventional approaches to literacy and
education - an approach that bridges those traditions to yield
fresh insights on literacy in all its manifestations, thereby
providing a pathway to more robust research on language in
education.
This frontline volume contributes to the social study of education
in general and literacy in particular by bringing together in a new
way the traditions of language, ethnography, and education.
Integrating New Literacy Studies and Bourdieusian sociology with
ethnographic approaches to the study of classroom practice, it
offers an original and useful reference point for scholars and
students of education, language, and literacy wishing to
incorporate Bourdieu's ideas into their work. More than just a set
of stand-alone chapters around social perspectives on language
interactions in classrooms, this book develops and unfolds
dialogically across three sections: Bridging New Literacy Studies
and Bourdieu - Principles; Language, Ethnography and Education -
Practical Studies; Working at the Intersections - In Theory and
Practice. The authors posit 'Classroom Language Ethnography' as a
genuinely new perspective with rich and developed traditions behind
it, but distinct from conventional approaches to literacy and
education - an approach that bridges those traditions to yield
fresh insights on literacy in all its manifestations, thereby
providing a pathway to more robust research on language in
education.
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Being Noah (Paperback)
Cheryl Hardy
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R423
R349
Discovery Miles 3 490
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Ships in 10 - 15 working days
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Being Noah (Hardcover)
Cheryl Hardy
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R686
R566
Discovery Miles 5 660
Save R120 (17%)
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Pierre Bourdieu is now recognized as one of the key contemporary
critics of culture and the visual arts. Art Rules analyses
Bourdieu's work on the visual arts to provide the first overview of
his theory of culture and aesthetics. Bourdieu's engagement with
both postmodernism and the 'problem of aesthetics' provides a new
way of analysing the visual arts. His interest is in how artistic
fields function and the implications their processes have for art
and artistic practice. Art Rules applies Bourdieu's theory of
practice to the three fields of museums, photography and painting.
These practical examples are used as a springboard to address
visual arts in the 21st Century and to establish Bourdieu's 'Rules
of Art'.
Pierre Bourdieu is now recognized as one of the key contemporary
critics of culture and the visual arts. Art Rules analyses
Bourdieu's work on the visual arts to provide the first overview of
his theory of culture and aesthetics. Bourdieu's engagement with
both postmodernism and the problem of aesthetics provides a new way
of analyzing the visual arts. His interest is in how artistic
fields function and the implications their processes have for art
and artistic practice. "Art Rules" applies Bourdieu's theory of
practice to the three fields of museums, photography and painting.
These practical examples are used as a springboard to address
visual arts in the 21st Century and to establish Bourdieu's rules
of art.
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