This book analyzes why Indians have been made invisible in Vietnamese society and historiography. It argues that their invisibilization originates in the formulaic metaphor Vietnamese nation-makers have used to portray Indians in their quest for national sovereignty and socialism. The book presents a complex view on colonial legacies in Vietnam which suggests that Vietnamese nation-makers associate Indians with colonialism and capitalism, ultimately viewed as "non-socialist" and "non-hegemonic" state structures. Furthermore, the book demonstrates how Vietnamese nation-makers achieve the overriding socialist and independent goal of historically differing Indians from Vietnamese nationalisms whilst simultaneously making them invisible. In addition to primary Vietnamese texts which demonstrate the performativity of language and the Vietnamese traditional belief in writing as a sharp weapon for national and class struggles, the author utilizes interviews with Indians and Vietnamese authorities in charge of managing the Indian population. Bringing to the surface the ways through which Vietnamese intellectuals have invisibilized the Indians for the sake of the visibility of national hegemony and prosperity, this book will be of interest to scholars of Southeast Asian Studies and South Asian Studies, Vietnam Studies, including nation-building, literature, and language.

This book analyzes why Indians have been made invisible in Vietnamese society and historiography. It argues that their invisibilization originates in the formulaic metaphor Vietnamese nation-makers have used to portray Indians in their quest for national sovereignty and socialism. The book presents a complex view on colonial legacies in Vietnam which suggests that Vietnamese nation-makers associate Indians with colonialism and capitalism, ultimately viewed as "non-socialist" and "non-hegemonic" state structures. Furthermore, the book demonstrates how Vietnamese nation-makers achieve the overriding socialist and independent goal of historically differing Indians from Vietnamese nationalisms whilst simultaneously making them invisible. In addition to primary Vietnamese texts which demonstrate the performativity of language and the Vietnamese traditional belief in writing as a sharp weapon for national and class struggles, the author utilizes interviews with Indians and Vietnamese authorities in charge of managing the Indian population. Bringing to the surface the ways through which Vietnamese intellectuals have invisibilized the Indians for the sake of the visibility of national hegemony and prosperity, this book will be of interest to scholars of Southeast Asian Studies and South Asian Studies, Vietnam Studies, including nation-building, literature, and language.

This edited book examines how South Vietnam’s (formerly the Republic of Vietnam 1955-1975) literary and journalistic writers were perceived and - potentially - influenced by Western thought, led by thinkers such as Jean-Paul Sartre, Franz Kafka, Sigmund Freud, Thomas Mann, Martin Heidegger, Hermann Hesse, Edmund Husserl, Stefan Zweig, Graham Greene, and Somerset Maugham. The book reveals the dynamism and diversity of Western thought in individual literary texts, as well as among the authors themselves. The volume considers how writers and their texts engaged with issues that are socially, culturally, politically, and philosophically significant to Vietnam and beyond, past and present. This approach to South Vietnam’s literary and journalistic tradition enables an alternative plural, inclusive view of the significance of these texts, which are shown to be neither exclusively anti-Communist nor “bourgeois individualist� (cá nhân tiểu tư sản), as they have so often been interpreted both in and outside of Vietnam. Such an interpretation problematically retains the marginal position of South Vietnam’s literature in mainstream Vietnamese literature, and in the literatures of the host countries where these Vietnamese authors have migrated, settled, and continued to write following the 'Fall of Saigon'. This volume presents itself as a key text for those studying Asian and postcolonial literatures, as well as scholars in the humanities researching Vietnam – its history, politics, society, and culture. 

Environment and Narrative in Vietnam brings together essays about Vietnam’s natural environments and environmental crises from the perspective of culture, with particular attention to narrative templates that have shaped perceptions and interactions with nature on the part of different communities. The essays in this volume explore theoretical problems in the assessment of ecological stewardship and attitudes toward nature across cultures. They focus on both majority (Kinh) and ethnic minority narratives about nature and seek to outline how different ideas of modernization, from the French colonial project to the Marxist understanding of nature on the part of the Communist government, have shaped perceptions, policies, and activism regarding the environment. The essays also highlight the tensions and confluences between nationalist nation-building projects and economic integration into global markets for environmental thinking over the last half-century, and they analyze how texts from literary fiction to contemporary news media represent different environmental cultures in Vietnam. Taken together, the essays in Environment and Narrative in Vietnam begin to fill a significant gap in the understanding of environmental cultures in Asia and in the Environmental Humanities. This is an open access book.