'It's always bad luck for a woman to be on board... no offence.' Corrina, following in her seafaring father's footsteps, boards a cargo ship set for Singapore. Not everyone is pleased to have her aboard - and not everyone will make it to their final destination. Set in the claustrophobic cabins and corridors of a container ship at sea, Chloe Moss's play Corrina, Corrina is a story of power dynamics, superstitions and revenge, exploring what happens when we think no one is watching. This gripping thriller premiered at Liverpool Everyman in 2022, as a co-production between Headlong and Liverpool Everyman & Playhouse, directed by Holly Race Roughan.

'She wanted spontaneity, adventure... I said I can be spontaneous... I just need a little bit of time to plan.' Peta is new in town and ready for whatever London has to throw at her. She's looking for romance, for friendship, for exciting people to lead her on big adventures. But being an independent woman in the new millennium isn't easy, especially when there's a constant reminder of the life you're trying to escape. With each new encounter, Peta flirts with what might have been, but has the journey to London put enough distance between her and her past? Chloe Moss's play How Love Is Spelt is a fascinating and funny play, which premiered at the Bush Theatre, London, in 2004. It was revived by Brickdust and Project One at Southwark Playhouse in 2019.

Six plays by some of the most exciting and distinctive female voices in British theatre, exploring the heartbreaking truth about the lives of women in the criminal justice system. The plays were commissioned and premiered by Clean Break, a theatre and education company working with women whose lives have been affected by the criminal justice system. Included in this volume: Fatal Light by Chloe Moss, about a young mother's inability to cope with separation from her daughter. Taken by Winsome Pinnock, about a mother confronted by the child she had to give up. Dream Pill by Rebecca Prichard, about two children forced into prostitution. Doris Day by E V Crowe, about two police officers and their different expectations of the job. Dancing Bears by Sam Holcroft, about the twisted loyalties and violence in teenage gangs. That Almost Unnameable Lust by Rebecca Lenkiewicz, about a writer holding workshops with older women in a prison. The plays were first performed at Soho Theatre, London, in November 2010.

A spiky play about the clash between suburban and itinerant ways of life in present-day Liverpool. Bobby, Paul and Ange. Three people, four walls: the basic recipe for family life. Down the road in Curzon Park there are no walls, just wheels, and a fierce sense of belonging that has nothing to do with place. Two ways of life: yards apart and yet worlds apart. But when Bobby starts skipping school to hang out with Danny, their friendship forces both families to look beyond the walls that divide them. Chloe Moss's play The Way Home was first performed at the Everyman Theatre, Liverpool, in October 2006.

A tender portrayal of two women trying to start again after serving their time in prison. On her release from prison, Lorraine heads straight to Marie's. On the inside they used to share everything, but the friendship that once protected them now threatens to smother the fragile freedom they have found. Chloe Moss's play This Wide Night was first performed at Soho Theatre, London, in August 2008, in a production by Clean Break, the theatre, education and new writing company that works with women whose lives have been affected by the criminal justice system. It was revived, in this revised version, at Soho Theatre in November 2009. This Wide Night won the Susan Smith Blackburn Prize in 2009.