This volume sets out to examine how Christian scriptures have been read within a Chinese reading tradition, and to assess what questions such readings pose for both theologians and Chinese studies specialists. The absence to date of publications on the topic, and the scattered nature of such research and of scholars in the field makes this an important contribution to debate. The volume gathers essays from Biblical studies experts together with theologians and Chinese text scholars to discuss the interdisciplinary questions raised. Essays from mainland, Taiwanese and diasporic Chinese scholars ensure that a range of opinions (including those reflecting fault lines between 'academic' and 'confessional' positions) are presented.Within the four sections of the volume, several papers discuss and correct the current lineage of historical readings, while others study the historical impact of the Bible in Chinese society. Four essays give contextual or cross-cultural readings, with a focus on individual exegetes, mainly from the early twentieth century. The power of performance is raised in two essays, one comparative paper on Christian and Buddhist scriptures from the Qing dynasty and one on the singing of psalms in modern day Taiwan and Macao. Moral questions preoccupy others, including the challenges that early Chinese converts found in Biblical laws or Christian guidance on concubinage, and extrincisist readings of the "Sermon on the Mount".

Chinese literature has traditionally been divided by both theorists and university course providers into 'classical' and 'modern.' This has left nineteenth-century fiction in limbo, and allowed negative assessments of its quality to persist unchecked. The popularity of Qing dynasty red-light fiction - works whose primary focus is the relationship between clients and courtesans, set in tea-houses, pleasure gardens, and later, brothels - has endured throughout the twentieth century. This volume explores why, arguing that these novels are far from the 'low' work of 'frustrated scholars' but in their provocative play on the nature of relations between client, courtesan and text, provide an insight into wider changes in understandings of self and literary value in the nineteenth century.

The quest for gentility has shaped Chinese civilization and the formation of culture in China until the present day. This book analyzes social aspirations and cultural practices in China from 1550 to 1999, showing how the notion of gentility has evolved and retained its relevance in China from late imperial times until the modern day. Gentility denotes the way of the gentleman and gentlewoman. The concept of gentility transcends the categories of gender and class and provides important new insights into the ways Chinese men and women lived their lives, perceived their world and constructed their cultural environment. In contrast to analyses of the elite, perceptions of gentility relate to ideals, ambitions, desires, social capital, cultural sophistication, literary refinement, aesthetic appreciation, moral behaviour, femininity and gentlemanly elegance, rather than to actual status or power. Twelve international leading scholars present multi-disciplinary approaches to explore the images, artefacts and transmission of gentility across the centuries in historical and literary situations, popular and high culture, private and official documents, poetry clubs, garden culture and aesthetic guidebooks. This volume changes the ways we look at Chinese cultural history, literature, women and gender issues and offers new perspectives on Chinese sources.

The quest for gentility has shaped Chinese civilization and the formation of culture in China until the present day. This book analyzes social aspirations and cultural practices in China from 1550 to 1999, showing how the notion of gentility has evolved and retained its relevance in China from late imperial times until the modern day. Gentility denotes the way of the gentleman and gentlewoman. The concept of gentility transcends the categories of gender and class and provides important new insights into the ways Chinese men and women lived their lives, perceived their world and constructed their cultural environment. In contrast to analyses of the elite, perceptions of gentility relate to ideals, ambitions, desires, social capital, cultural sophistication, literary refinement, aesthetic appreciation, moral behaviour, femininity and gentlemanly elegance, rather than to actual status or power. Twelve international leading scholars present multi-disciplinary approaches to explore the images, artefacts and transmission of gentility across the centuries in historical and literary situations, popular and high culture, private and official documents, poetry clubs, garden culture and aesthetic guidebooks. This volume changes the ways we look at Chinese cultural history, literature, women and gender issues and offers new perspectives on Chinese sources.

"Documenting China" brings together a series of linked texts, each one chosen for its impact when first published and which together chart the core developments in twentieth-century Chinese history. With extracts spanning the fields of philosophy, political science, gender studies, popular culture, literary history, neo-nationalist discourse, and international relations, the book challenges advanced language learners to elevate their reading ability to the level necessary for handling real primary sources in an unmediated way while deepening their understanding of Chinese politics, society, and culture. Each chapter is structured around crucial passages from a core historical text, each chapter begins with an introductory essay in English that provides context for fully understanding the text, suggested further readings, and a glossary of key terms.

Margaret Hillenbrand is university lecturer in modern Chinese and a fellow of Wadham College at the University of Oxford, and author of "Literature, Modernity, and the Practice of Resistance: Japanese and Taiwanese Fiction, 1960-1990." Chloe Starr is assistant professor of Asian theology at the Yale Divinity School, author of "Red-Light Novels of the Late Qing," and coeditor of "China and the Quest for Gentility: Negotiations beyond Gender and Class."

"A very useful textbook for extensive reading in advanced Chinese language courses. The first Chinese textbook designed to help students do research on their own with 'authentic texts' in their own fields." -Shuhui Yang, author of "Appropriation and Representation: Feng Menglong and the Chinese Vernacular Story "

From the writings of Jingjing, a monk in the eighth century, to essays from contemporary church leaders and academics, Chinese theology offers distinct perspectives within the world church on matters from sin and salvation to Confucian-Christian practice and Marxist materialism. Chloe Starr draws together the writings of Chinese theologians for an English-speaking audience, providing a much-needed resource for scholars and general readers. This anthology, based on He Guanghu and Daniel H. N. Yeung's Sino-Christian Theology Reader ( ), presents an extensive selection of ecclesial and scholarly theological writings from mainland China and provides explanatory context of the historical and theological background for each pre-modern and early twentieth-century text, along with brief biographies of the authors. Ecumenical in scope, A Reader in Chinese Theology brings God to new light through a variety of sources: early Church of the East texts; Roman Catholic writings from the Ming and Qing; singular Taiping treatises; twentieth-century Protestant writings across the church spectrum; and an assortment of academic essays showcasing "Sino-Christian theology" from the Reform Era (1978-).

From the writings of Jingjing, a monk in the eighth century, to essays from contemporary church leaders and academics, Chinese theology offers distinct perspectives within the world church on matters from sin and salvation to Confucian-Christian practice and Marxist materialism. Chloe Starr draws together the writings of Chinese theologians for an English-speaking audience, providing a much-needed resource for scholars and general readers. This anthology, based on He Guanghu and Daniel H. N. Yeung's Sino-Christian Theology Reader ( ), presents an extensive selection of ecclesial and scholarly theological writings from mainland China and provides explanatory context of the historical and theological background for each pre-modern and early twentieth-century text, along with brief biographies of the authors. Ecumenical in scope, A Reader in Chinese Theology brings God to new light through a variety of sources: early Church of the East texts; Roman Catholic writings from the Ming and Qing; singular Taiping treatises; twentieth-century Protestant writings across the church spectrum; and an assortment of academic essays showcasing "Sino-Christian theology" from the Reform Era (1978-).

Documenting China brings together a series of linked texts, each one chosen for its impact when first published, and which together chart the core developments in twentieth-century Chinese history. With extracts spanning the fields of philosophy, political science, gender studies, popular culture, literary history, neo-nationalist discourse, and international relations, the book challenges advanced language learners to elevate their reading ability to the level necessary for handling real primary sources in an unmediated way while deepening their understanding of Chinese politics, society, and culture. Each chapter is structured around crucial passages from a core historical text, each chapter begins with an introductory essay in English that provides context for fully understanding the text, suggested further readings, and a glossary of key terms.