Long neglected in mainstream history books, the Haitian Revolution (1791-1804) is now being claimed across a range of academic disciplines as an event of world-historical importance. The former slaves' victory over their French masters and the creation of the independent nation of Haiti in 1804 is being newly heralded not only as a seminal moment in the transnational formation of the 'black Atlantic' but as the most far-reaching manifestation of 'Radical Enlightenment'. The best known Haitian writer to emerge in the years after the revolution is Baron de Vastey (1781-1820), who authored over ten books and pamphlets between 1814 and his murder in 1820. His first and most incendiary work, Le systeme colonial devoile (1814), provides a moving invocation of the horrors of slavery in pre-revolutionary Saint-Domingue. Its trailblazing critique of colonialism anticipates by over a hundred years the anticolonial politics (and poetics) of Cesaire, Fanon, and Sartre. Translated here for the first time, Vastey's forceful unveiling of the colonial system will be compulsory reading for scholars across the humanities.

Long neglected in mainstream history books, the Haitian Revolution (1791-1804) is now being claimed across a range of academic disciplines as an event of world-historical importance. The former slaves' victory over their French masters and the creation of the independent nation of Haiti in 1804 is being newly heralded not only as a seminal moment in the transnational formation of the 'black Atlantic' but as the most far-reaching manifestation of 'Radical Enlightenment'. The best known Haitian writer to emerge in the years after the revolution is Baron de Vastey (1781-1820), who authored over ten books and pamphlets between 1814 and his murder in 1820. His first and most incendiary work, Le systeme colonial devoile (1814), provides a moving invocation of the horrors of slavery in pre-revolutionary Saint-Domingue. Its trailblazing critique of colonialism anticipates by over a hundred years the anticolonial politics (and poetics) of Cesaire, Fanon, and Sartre. Translated here for the first time, Vastey's forceful unveiling of the colonial system will be compulsory reading for scholars across the humanities.

In this timely contribution to debates about the future of postcolonial theory groundbreaking scholar Chris Bongie explores the troubled relationship between postcolonial theory and 'politics', both in the sense of a radical, revolutionary politics associated with anti-colonial struggle, and the almost inevitable implication of literary writers in institutional discourses of power. The book builds directly on Bongie's Islands and Exiles (Stanford UP, 1998), which was described by the eminent Caribbeanist Peter Hulme as a book that "may well be the greatest single contribution yet to expanding the field of postcolonial studies."
Bongie explores the commemoration and commodification of the post/colonial using early nineteenth-century Caribbean texts alongside contemporary works. Taking Haiti as a key example he writes lucidly of the processes by which Haiti's world-historical revolution has been commemorated both in the colonial era and in our own postcolonial age--an age in which it is increasingly difficult to separate the reality of memories of anti-colonial resistance from the processes of commodification through which alone those memories can now be thought.
Never less than stimulating and frequently controversial, Friends and Enemies is likely to provoke new debates among scholars of postcolonial theory, Caribbean studies, francophone literature and culture, and nineteenth century French studies.

On January 1, 1804, Jean-Jacques Dessalines declared the independence of Haiti, thus bringing to an end the only successful slave revolution in history and transforming the colony of Saint-Domingue into the second independent state in the Western Hemisphere. The historical significance of the Haitian Revolution has been addressed by numerous scholars, but the importance of the Revolution as a cultural and political phenomenon has only begun to be explored. Although the path-breaking work of Michel-Rolph Trouillot and Sibylle Fischer has illustrated the profound silences surrounding the Haitian Revolution in Western historiography and in Caribbean cultural production in the aftermath of the Revolution, contributors to this volume argue that, while suppressed and disavowed in some quarters, the Haitian Revolution nonetheless had an enduring cultural and political impact, particularly on peoples and communities that have been marginalized in the historical record and absent from the discourses of Western historiography.

Tree of Liberty interrogates the literary, historical, and political discourses that the Revolution produced and inspired across time and space and across national and linguistic boundaries. In so doing, it seeks to initiate a far-reaching discussion of the Revolution as a cultural and political phenomenon that shaped ideas about the Enlightenment, freedom, postcolonialism, and race in the modern Atlantic world.

Contributors: A. James Arnold, University of Virginia * Chris Bongie, Queen's University * Paul Breslin, Northwestern University * Ada Ferrer, New York University * Doris L. Garraway, Northwestern University * E. Anthony Hurley, SUNY Stony Brook * Deborah Jenson, University of Wisconsin, Madison * Jean Jonassaint, Syracuse University * Valerie Kaussen, University of Missouri * Ifeoma C.K. Nwankwo, Vanderbilt University

On January 1, 1804, Jean-Jacques Dessalines declared the independence of Haiti, thus bringing to an end the only successful slave revolution in history and transforming the colony of Saint-Domingue into the second independent state in the Western Hemisphere. The historical significance of the Haitian Revolution has been addressed by numerous scholars, but the importance of the Revolution as a cultural and political phenomenon has only begun to be explored. Although the path-breaking work of Michel-Rolph Trouillot and Sibylle Fischer has illustrated the profound silences surrounding the Haitian Revolution in Western historiography and in Caribbean cultural production in the aftermath of the Revolution, contributors to this volume argue that, while suppressed and disavowed in some quarters, the Haitian Revolution nonetheless had an enduring cultural and political impact, particularly on peoples and communities that have been marginalized in the historical record and absent from the discourses of Western historiography.

Tree of Liberty interrogates the literary, historical, and political discourses that the Revolution produced and inspired across time and space and across national and linguistic boundaries. In so doing, it seeks to initiate a far-reaching discussion of the Revolution as a cultural and political phenomenon that shaped ideas about the Enlightenment, freedom, postcolonialism, and race in the modern Atlantic world.

Contributors: A. James Arnold, University of Virginia * Chris Bongie, Queen's University * Paul Breslin, Northwestern University * Ada Ferrer, New York University * Doris L. Garraway, Northwestern University * E. Anthony Hurley, SUNY Stony Brook * Deborah Jenson, University of Wisconsin, Madison * Jean Jonassaint, Syracuse University * Valerie Kaussen, University of Missouri * Ifeoma C.K. Nwankwo, Vanderbilt University

Victor Hugo's Bug-Jargal (1826) is one of the most important works of nineteenth-century colonial fiction, and quite possibly the most sustained novelistic treatment of the Haitian Revolution by a major European author. This Broadview edition makes Hugo's novel available in a completely new English translation, the first in over one hundred years. Set in 1791, during the first months of a slave revolt that would eventually lead to the creation of the black republic of Haiti in 1804, Bug-Jargal is a stirring tale of interracial friendship and rivalry, a provocative account of the ties that bind a young Frenchman to one of the rebel leaders and the tragic misunderstandings that threaten to sever those ties completely. This Broadview edition contains a critical introduction and a broad selection of appendices, including Hugo's never-before-translated 1820 short story "Bug-Jargal," contemporary reviews of the novel, documents pertaining to the young Hugo's poetics and politics, and selections from his source materials about the Haitian Revolution.