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This volume brings together academics, executives and practitioners
to provide readers with an extensive and authoritative overview of
the classical music industry. The central practices, theories and
debates that empower and regulate the industry are explored through
the lens of classical music-making, business, and associated
spheres such as politics, education, media and copyright. The
Classical Music Industry maps the industry's key networks,
principles and practices across such sectors as recording, live,
management and marketing: essentially, how the cultural and
economic practice of classical music is kept mobile and alive. The
book examining pathways to professionalism, traditional and new
forms of engagement, and the consequences of related issues-ethics,
prestige, gender and class-for anyone aspiring to 'make it' in the
industry today. This book examines a diverse and fast-changing
sector that animates deep feelings. The Classical Music Industry
acknowledges debates that have long encircled the sector but today
have a fresh face, as the industry adjusts to the new economics of
funding, policy-making and retail The first volume of its kind, The
Classical Music Industry is a significant point of reference and
piece of critical scholarship, written for the benefit of
practitioners, music-lovers, students and scholars alike offering a
balanced and rigorous account of the manifold ways in which the
industry operates.
Brings together contributions from across a wide array of
musicological topics and subdisciplines, connecting different
approaches to applied musicology and collecting the explosion in
work over the past decade. Addresses questions of defining applied
musicology as a field. Provides a go-to reference for students and
scholars working in musicology and seeking applications beyond
traditional academic paths.
This volume brings together academics, executives and practitioners
to provide readers with an extensive and authoritative overview of
the classical music industry. The central practices, theories and
debates that empower and regulate the industry are explored through
the lens of classical music-making, business, and associated
spheres such as politics, education, media and copyright. The
Classical Music Industry maps the industry's key networks,
principles and practices across such sectors as recording, live,
management and marketing: essentially, how the cultural and
economic practice of classical music is kept mobile and alive. The
book examining pathways to professionalism, traditional and new
forms of engagement, and the consequences of related issues-ethics,
prestige, gender and class-for anyone aspiring to 'make it' in the
industry today. This book examines a diverse and fast-changing
sector that animates deep feelings. The Classical Music Industry
acknowledges debates that have long encircled the sector but today
have a fresh face, as the industry adjusts to the new economics of
funding, policy-making and retail The first volume of its kind, The
Classical Music Industry is a significant point of reference and
piece of critical scholarship, written for the benefit of
practitioners, music-lovers, students and scholars alike offering a
balanced and rigorous account of the manifold ways in which the
industry operates.
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