The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but inseparable from Christ-figures), even if sometimes they’re not intended as such, “Spirit-led” characters, are moved to act “prophetically,” against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making.

God calls humans to be creative. The human drive to represent transcendent truths witnesses to the fact that we are destined to be transfigured and to transfigure the world. It is worth asking, then, what truthful representations, whether in art, spirituality, or theology, teach us about the one who is our truth, the one who made us and the one in whose image we are made. All Things Beautiful: An Aesthetic Christology is an experimental and constructive aesthetic Christology sourced by close readings of a wide array of artistic works, canonical and popular-including poems, films, essays, novels, plays, short stories, sculptures, icons, and paintings-as well as art criticism and passages from the Christian Scriptures. From first to last, these readings engage in conversation with the deep, broad wisdom of the Christian theological tradition. The liturgical calendar guides the themes of the book, beginning with Advent and Christmas; carrying through Epiphany, Ash Wednesday, Lent, Good Friday, Easter, and Ascension; and ending with Pentecost and Ordinary Time. Chris Green brings together these readings to create a mosaic-like impression of Jesus as the one through whom God graces and gives nature to all things, his life and death redeeming the whole creation, including human creativity and artistic endeavor, and transfiguring it into the full, free flourishing that God has purposed. This vision of Christ holds promise for artists and theologians, as well as preachers and teachers, revealing how our compulsions to create-and the meanings with which we endow our creations-become a site of the Spirit's presence, opening us to the goodness and wildness of God.