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Since the 1970s, in collaboration with renowned printers and
publishers, Richard Tuttle (born 1941) has produced almost 300
prints. Exploiting the unique possibilities of printmaking to make
process, materials and actions visible, Tuttle celebrates the
complexity of printmaking. Accompanying an exhibition at the
Bowdoin College Museum of Art, Brunswick, and published as Tuttle
creates a major installation at the Tate Modern's Turbine Hall
(Fall 2014), this volume is the first monograph on Tuttle's
printmaking. These works, which he began producing in the early
1970s, span woodcut, lithography, aquatint and etching, and often
incorporate printer's errors. Edited by Christina von Rotenhan, it
explores not only the artist's unique approach to printmaking with
scholarly essays, artist statements and catalogue entries for
selected prints between 1973 and 2013, but also Tuttle's deep
interest in the collaborative dimension of printmaking.
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