This edited volume sheds new light on the impact of rapid Land Use/Cover Changes (LU/CC) on greenhouse gases (GHG's) and aerosol emissions in South and Southeast Asia. Several countries in South/Southeast Asia have the highest population growth rates in the world, which is the main cause for LU/CC. Conversion of dense forests to agricultural areas and then to residential and urban areas is most commonly observed in South/Southeast Asian countries with a significant release of GHG's and aerosols. The book showcases several case studies on the use of remote sensing and geospatial technologies to quantify biomass burning and air pollution impacts, aerosol pollution, LU/CC, and impacts on ecosystem services. The book also includes articles on regional initiatives in research, capacity building, and training. The authors of this book are international experts in the field, and their contributions highlight significant drivers and impacts of air pollution in South/Southeast Asia. Readers will discover the latest tools and techniques, in particular, the use of satellite remote sensing and geospatial technologies for quantifying GHG's, aerosols and pollution episodes in this region.

Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.

This edited volume sheds new light on the impact of rapid Land Use/Cover Changes (LU/CC) on greenhouse gases (GHG's) and aerosol emissions in South and Southeast Asia. Several countries in South/Southeast Asia have the highest population growth rates in the world, which is the main cause for LU/CC. Conversion of dense forests to agricultural areas and then to residential and urban areas is most commonly observed in South/Southeast Asian countries with a significant release of GHG's and aerosols. The book showcases several case studies on the use of remote sensing and geospatial technologies to quantify biomass burning and air pollution impacts, aerosol pollution, LU/CC, and impacts on ecosystem services. The book also includes articles on regional initiatives in research, capacity building, and training. The authors of this book are international experts in the field, and their contributions highlight significant drivers and impacts of air pollution in South/Southeast Asia. Readers will discover the latest tools and techniques, in particular, the use of satellite remote sensing and geospatial technologies for quantifying GHG's, aerosols and pollution episodes in this region.

Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.