Contemporary global culture is inevitably culture in translation. It encompasses encounter, exchange, and transformation, disruption and the emergence of the totally new. Drawing on contemporary theorists in fields of cultural studies and postcolonial studies, this interdisciplinary collection of essays explores the functions of cultural translation in - and as - translocation. They analyze the uneven distribution of power and wealth alongside the unpredictable emergence of forms of agency in postcolonial and diasporic contexts, and in relation to the appetites of the global cultural and information economy. With diverse geocultural emphases, they refer to literature, film, television, electronic media, music, and other spaces of cultural gathering, collection, and performance. The essays span theoretical engagement and case study approaches, taking cultural materials and practices as objects, mediums, and agents of translocation. They contribute to vital contemporary debates about the politics of culture and peoples in translation. Contributors: Andy Barratt; Dan Bendrups; Diana Brydon; Vijay Devadas; Jacob Edmond; Alyth Grant; Philip Hayward; Henry Johnson; Mary McLaughlin; Brett Nicholls; Chris Prentice; Kate Roy; Simon Ryan; Paola Voci.

New essays providing critical views of Coetzee's major works for the scholar and the general reader. J. M. Coetzee is perhaps the most critically acclaimed bestselling author of imaginative fiction writing in English today. He received the Nobel Prize for Literature in 2003 and is the first writer to have been awarded two BookerPrizes. The present volume makes critical views of this important writer accessible to the general reader as well as the scholar, discussing Coetzee's main works in chronological order and introducing the dominant themes in the academic discussion of his oeuvre. The volume highlights Coetzee's exceptionally nuanced approach to writing as both an exacting craft and a challenging moral-ethical undertaking. It discusses Coetzee's complex relation to apartheid and post-apartheid South Africa, the land of his birth, and evaluates his complicated responses to the literary canon. Coetzee emerges as both a modernist and a highly self-aware postmodernist - a champion of the truths of aliterary enterprise conducted unrelentingly in the mode of self-confession. Contributors: Chris Ackerley, Derek Attridge, Carrol Clarkson, Simone Drichel, Johan Geertsema, David James, Michelle Kelly, Sue Kossew, MikeMarais, James Meffan, Tim Mehigan, Chris Prentice, Engelhard Weigl, Kim L. Worthington. Tim Mehigan is Professor of Languages in the Department of Languages and Cultures at the University of Otago, New Zealand and Honorary Professor in the Department of Languages and Comparative Cultural Studies at the University of Queensland, Australia.