The general public's image of Mondrian is of a serious man in a suit and tie with a reserved, rather aloof look. It is the same group of some ten photographs that shaped this image over time, although there are around 400 known photographs of the artist and his studios that provide a far more balanced and livelier image of Mondrian. This gorgeous book is not a biography, but rather a visual and emotional reference work for anyone who wants to immerse themselves in the world of this extraordinarily modern artist. The studios in Amsterdam, Paris, and New York are works of art themselves, as fascinating as the guests in these rooms. There are snapshots showing his private life, taken during journeys or visits, photographs of vernissages and dinners as well as formal portraits that he uses to promote the image of a serious, uncompromising artist. Detailed captions and richly illustrated essays on the significance of photography in the context of Mondrian's work make this book an extraordinary document of his time.

A revelatory study of the importance of nature in Van Gogh's art throughout his life in Holland and France The celebrated painter Vincent van Gogh (1853-1890) had a lifelong fascination with the natural world. He spent his youth in rural Holland, and the country's flat landscapes, trees, flowers, and birds would feature in his early art. After he moved to Paris, he encountered new radical thinking about art and humanity's changing relationship with nature. Later, in Provence and Auvers, he discovered unfamiliar terrain, flora, and fauna that further influenced his artistic ideas and subject matter. Van Gogh's images of such diverse environments reflect not only his immediate surroundings but also the artist's evolving engagement with nature and art. Van Gogh and Nature is an eye-opening and beautifully produced catalogue, which accompanied the best-attended special exhibition in the Clark Art Institute's history. It chronicles the artist's ongoing relationship with nature throughout his entire career. Among the featured works are Van Gogh's drawings and paintings, along with related materials that illuminate his reading, sources, and influences. Vivid color photography and explanatory texts based on new research by the authors clarify a central theme of Van Gogh's oeuvre. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute (06/14/15-09/13/15)

Paul Gauguin's "Vision of the Sermon" (1888), one of the iconic works of the late nineteenth century, continues to provoke profound reassessment and interpretation by art historians, and it is central to this third volume of "Van Gogh Studies". Dario Gamboni discusses the painting as a self-reflexive work dealing in visual terms with issues of perception, cognition and representation; Juliet Simpson addresses the art critic Aurier's contribution to the promotion of Gauguin as the exemplary symbolist artist; while Rodolphe Rapetti examines Emile Bernard's artistic response to 'Vision of the sermon' in the context of Rosicrucianism; the Belgian art world's critical reaction to this and other works by the artist is meticulously described and analysed in Elise Eckermann's essay; while June Hargrove presents a challenging vision of Gauguin's portraits of his 'alter ego' Meijer de Haan. Other contributions include Sandra Kister's examination of the way the Thorvaldsen Museum in Copenhagen functioned as a role model for the Musee Rodin in Paris; Richard Thomson's discussion of the diverse ways in which French artists working in the early Third Republic responded to contemporary concepts of 'la psychologie nouvelle'; and, finally, a fresh view of nineteenth-century illustrations, including caricatures, offered by Patricia Mainardi.

While legend has it that Vincent van Gogh (1853-1890) sold only one work during his lifetime, it was not long after his death that sales of his paintings began to shatter auction house records. In this carefully researched book, leading Van Gogh scholars provide us with a glimpse into classified client files and illuminate the critical role that the Thannhauser Gallery occupied in cultivating and shaping an early clientele for the artist's works. Founded in Munich in 1909, the Thannhauser Gallery was Germany's preeminent promoter of the avant-garde in the decades before World War II. In other European cities and in New York, the business thrived, selling an impressive number of Van Gogh's oeuvre: roughly 110 works, including many masterpieces, now part of museum collections all over the world. Distributed for Mercatorfonds