This is a definitive volume of new and selected poetry by one of Australia's most versatile poets and essayists.This book distils an adult lifetime into the intense magic of poetry. Wallace-Crabbe is a nature poet in the broadest possible sense: his poems, ranging widely in tone and subject-matter, seek above all to convey the richness and variety of our world, his sense that we are 'inserted headlong into life' and must make the best of what comes to us. Throughout his work - at times wryly philosophical, at times gently elegiac - Wallace-Crabbe remains passionately committed to his quest, 'troubling the stubborn world for meaning'.

Beginning in the last third of the twentieth century, Australian literary and cultural studies underwent a profound transformation to become an important testing ground of new ideas and theories. How do Australian cultural products project a sense of the nation today? How do Australian writers, artists, and film directors imagine the Australian heritage and configure its place in a larger world that extends beyond Australia's shores?

Ranging from the country's colonial beginnings to its more globally oriented present, the nineteen essays by distinguished scholars working on the cutting edge of the field present a multi-faceted view of the vast land down under. A central theme is the relation of cultural products to nature and history. Issues explored include problems of race and gender, colonialism and postcolonialism, individual and national identity, subjective experience and international connections. Among others, the essays treat major authors such as Peter Carey, David Malouf, and Judith Wright.

Shortlisted for the 2019 Kenneth Slessor Prize for Poetry in the NSW Premier's Literature Awards. Chris Wallace-Crabbe's Rondo harvests a decade's worth of new writing by one of Australia's foremost poets. It paints a vivid portrait of eucalypt Australia's current position in an rapidly changing world. The poet asks for fresh meanings from Gallipoli and Scotland, from physics and from `Art's porous auditorium', where poetry can still be heard. `The words are only the words,' he writes, `which is more or less everything.' Critic Eric Ormsby dubbed Wallace-Crabbe a `genial smuggler of surprises': `his uncommon affability, even when treating the gravest subjects, leaves the reader unprepared for his sudden luxuriance of phrase.' (TLS)