Housing Solutions through Design explores housing design with a special focus on affordability. It gives the perspectives of academics who research and teach on housing; professionals who design and build, and students who are learning. The book foregrounds innovative approaches of the designers of today and tomorrow. This book is the second in the Housing the Future Series, one of the aims of which is to collate a broad sample of the work being done from a design perspective in universities across the world on the issue of affordable housing. This very 'real' engagement with the issues of housing affordability is a key component of this series and is why the series invites practitioners to discuss their work. In Housing Solutions through Design, those practitioners include an award-winning commercial practice from the UK, Shed KM, and two of the most important reference points in the area of housing affordability and community development internationally - the world-renowned Herman Hertzberger, from the Netherlands, and the US-based but internationally active Habitat for Humanity. The inclusion of the work of such practices is not simply important because of their undoubted international status: it is important because of the work they do and the role models they represent for a generation of architects and designers who, in the coming years, will be faced with the need - and the opportunity - to develop new approaches to housing design.

Textual Layering: Contact, Historicity, Critique sets out to rethink our relation to textual tradition against the background of several contemporary developments, including the emergence of digital culture, the increasing spectacularization of psychic as well as social life, the renegotiation of historical thinking, and the precarious position of the theoretical humanities within academia. To this end, the volume re-invests the concept of "layering," a concept currently used in a wide range of fields, including metaphor studies and linguistics, cybernetics, the social sciences, art, and architecture. Drawing on existing definitions of "layering," the chapters in this book return to and re-appraise some of the most crucial concerns in the post-1960s theoretical scene: that is, concerns over the strained interplay between writing and the body; textuality and history; critique, differance and the feminine; memory, trace, and the immemorial. The aim of the diverse-often polemical-analyses carried out in this volume is to reactivate the critical force of textual tradition today through a renewed appreciation of its historical embeddedness, its libidinal sources, as well as its complex economy of separation and contact, diachronicity and synchronicity, (re)layering and de-layering. This collection will be of interest to scholars of continental philosophy, literary theory, gender studies, architecture, film and visual culture studies, psychoanalysis, postmodernism, post-colonial studies, and political and social theory.