Wide-ranging essays making up the first major study of Nietzsche and the classical tradition in a quarter of a century. This volume collects a wide-ranging set of essays examining Friedrich Nietzsche's engagement with antiquity in all its aspects. It investigates Nietzsche's reaction and response to the concept of "classicism," with particular reference to his work on Greek culture as a philologist in Basel and later as a philosopher of modernity, and to his reception of German classicism in all his texts. The book should be of interest to students of ancient history and classics, philosophy, comparative literature, and Germanistik. Taken together, these papers suggest that classicism is both a more significant, and a more contested, concept for Nietzsche than is often realized, and it demonstratesthe need for a return to a close attention to the intellectual-historical context in terms of which Nietzsche saw himself operating. An awareness of the rich variety of academic backgrounds, methodologies, and techniques of reading evinced in these chapters is perhaps the only way for the contemporary scholar to come to grips with what classicism meant for Nietzsche, and hence what Nietzsche means for us today. The book is divided into five sections -- The Classical Greeks; Pre-Socratics and Pythagoreans, Cynics and Stoics; Nietzsche and the Platonic Tradition; Contestations; and German Classicism -- and constitutes the first major study of Nietzsche and the classical tradition in a quarter of a century. Contributors: Jessica N. Berry, Benjamin Biebuyck, Danny Praet and Isabelle Vanden Poel, Paul Bishop, R. Bracht Branham, Thomas Brobjer, David Campbell, Alan Cardew, Roy Elveton, Christian Emden, Simon Gillham, John Hamilton, Mark Hammond, Albert Henrichs, Dirk t.D. Held, David F. Horkott, Dylan Jaggard, Fiona Jenkins, Anthony K. Jensen, Laurence Lampert, Nicholas Martin, Thomas A. Meyer, Burkhard Meyer-Sickendiek, John S. Moore, Neville Morley, David N. McNeill, James I. Porter, Martin A. Ruehl, Herman Siemens, Barry Stocker, Friedrich Ulfers and Mark Daniel Cohen, and Peter Yates. Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

The relationship between different media has emerged as one of the most important areas of research in contemporary cultural and literary studies. But how should we conceive of the relationship between texts and images today? Should we speak of collaboration, interaction or competition? What is the role of literary, historical and scientific texts in a culture dominated by the visual? What is the status of images as cultural artefacts? Are images forms of representation, do they simulate reality or do they intervene in the material world? And how do literature and cultural theory - themselves essentially textual discourses - react to the much-discussed visual turn within Western culture? Does the concept of 'intermediality' allow literary, historical and cultural scholars to envisage a more general theory of media? Addressing these questions from a programmatic point of view, the articles in this volume investigate the effects of different forms of representation in modern European and American literature, media and thought.

Berlin spielt seit 1989 bei den Diskussionen um das Thema Metropole eine besondere Rolle. Die mit dem Fall der Mauer einsetzenden Übergangsjahre waren vom Wissen um einen allgegenwärtigen Wandel und von der besonderen, wenn auch vorübergehenden Qualität des Unfertigen geprägt. In diesem Zeitraum sind für Berlin neue Erzählzusammenhänge bezeichnend, die einerseits im Kontext der Stadtgeschichte zu verstehen sind und sich andererseits gezielt mit der Gegenwart auseinandersetzen. Der Entwurf temporärer Berlinbilder trug zur neuerlichen Verortung der vormals politisch determinierten Stadt bei. Die Thematisierung Berlins in einer Phase des «nicht mehr» und «noch nicht» wird in diesem Buch unter anderem anhand der Stadtplanung und Architektur, des Marketings, der Fotografie, des Dokumentarfilms, des Stadtmythos und der Literatur behandelt.

The urban spaces we inhabit today have been moulded by a combination of historical forces -- by social and economic processes, by the specific designs of urban planners, and by the regulatory and ritual practices of earlier times. As arenas of cultural activity they are also imbued with legends, symbolic associations, and historical memories. This second volume of papers arising from the conference 'Imagining the City', held in Cambridge in 2004, examines the physical organization and the imaginative perception of cities from both a historical and a contemporary perspective, and over a geographical range that reaches from Ukraine to Mexico. It includes discussions of the ways in which cities have been envisaged in late antiquity, in the Middle Ages, and in early modern times, as sites of religious, cultural and political rituals; of the uses to which urban spaces have been put by industrial societies and by the political cultures of the twentieth century; and of the implications for the populations of particular cities of the roles these have played in establishing the historical identity of particular communities (whether national, political or religious) and in the delineation of boundaries between cultures.

Urban living presents both challenges and opportunities for individuals and societies in their attempts to maintain and determine their cultural identity. Mobility, fragility, and inventive self-fashioning are common features of life in Europe's big cities throughout the modern period. This volume is based on papers given at the conference 'Imagining the City' held in Cambridge in 2004. Together they examine the city as imagined space and as a matrix for imagined worlds, using French, German, English, Italian, Russian and North American examples. They analyse modes of literary representation of the city and literary readings of cultural politics; the impact of the imagination of artists and architects on the fashioning of urban landscapes; the effect of new technologies and media (flight, photography, film, and the internet) on urban perception; and the impact of artistic interventions and activist movements on the construction and use of public spaces in the world of today. A second volume will examine the cultural and political moulding of urban space in a similar comparative perspective.

This is the third and final volume of papers given at the 'Fragile Tradition' conference in Cambridge, 2002. Together these volumes provide a conspectus of current research on the cultural, historical and literary imagination of the German-speaking world in the period since 1500. This volume highlights the connections between developments in technology and scientific thought since the sixteenth century on the one hand, and the ways in which the creative imagination of literary writers has responded to those developments on the other. It focuses particularly on the changing conceptions of nature, art, and what it means to be human in the modern period, as the effects of industrial technology and biological knowledge became apparent. It also explores the impact on literary writing and the established reading culture of the new media of photography, film and telecommunication in the twentieth century.

This is the second of three volumes based on papers given at the 'Fragile Tradition' conference in Cambridge, 2002. Together they provide a conspectus of current research on the cultural, historical and literary imagination of the German-speaking world across the whole of the modern period. This volume highlights the connections between cultural identity and the sense of nationhood which are to be found in literary writing, the history of ideas, and the interaction between European cultures from the late Middle Ages to the present day. It focuses particularly on the way myths of cultural identity are passed on and transformed historically; on the fashioning of various models of modern German identity with reference to the cultures of Greece, France, England and Renaissance Italy; on the reflection of 19th-century nationalism in literary writing and ideas about languages; and on the ways in which cultural values have asserted themselves in relation to moments of catastrophe and abrupt political change in the 1920s, the 1940s, and the 1990s.

This is the first of three volumes based on papers given at the conference 'The Fragile Tradition: The German Cultural Imagination Since 1500' in Cambridge, 2002. Together they provide a conspectus of current research on the cultural, historical and literary imagination of the German-speaking world across the whole of the modern period. This volume highlights the ways in which cultural memory an historical consciousness have been shaped by experiences of discontinuity, focusing particularly on the reception of the Reformation, the literary and ideological heritage of the Enlightenment, and the representation of war, the Holocaust, and the reunification of Germany in contemporary literature and museum culture.

This essay collection examines the dynamics of memory organization and the way it varies among different media and modes of discourse in post-unification Germany. German unification has put the post-war period into a historical perspective. Such a rupture raises questions concerning the appropriate commemoration, preservation and reinterpretation of the past. The processes of reorientation after unification influenced the self-perception of literary authors as well as the social role, position and status of German literature. They also affected the way writers viewed the competition in which they found themselves pitted against visual and electronic media as rival windows on the past. In the context of several debates on German literature during the 1990s the discussion revolved not only around the adequate aesthetic representation of the historical and cultural heritage but even more so around the role of literature itself in that process. The contributions look at different discourses that were and still are concerned with reinterpreting and creating new collective symbols and narrative patterns in relation to Germany's past. The volume focuses on the effects of the characteristic discourses of the press, literature and its different genres, film, the internet and memorials on the depiction and performance of memories.